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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1979
1/12/79
[crowd - tuning]
2:12
Jack Straw
5:51
[crowd - tuning]
2:10
Candyman
7:13
El Paso
6:08
Tennessee Jed
9:56
Beat It On Down The Line
4:11
Peggy-O
10:11
Passenger
6:15
Deal
7:21
[crowd - tuning]
0:53
Samson and Delilah
10:00
It Must Have Been The Roses
10:03
Dancing in the Street ->
25:02
Drums ->
8:32
Not Fade Away ->
14:48
Goin' Down The Road Feeling Bad ->
6:42
Sugar Magnolia
11:38
U.S. Blues
6:25
FIN
View on archive.org
Sources
Taper: Kathy Sublette
2:35:31
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel May 02, 2024
SHNID:
gd1979-01-12.167729.ShureSM57.Sublette.Noel.Goldey.t-flac2496
Source:
Shure SM57 mics > Sony-TC158 (Dolby ??) > Master Cassettes
Lineage:
Master Cassettes (Set I UDXL-II 90; Set II Sony type 1 C120) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes; - 13 count BIODTL - tape flips cross faded Thanks to; - Kathy Sublette for recording the show - Mark Goldey for the transfer - Ted Mattes for organizing this project.
Taper: Howie form Long Island
1:22:07
Taper:
Howie form Long Island
Transferrer:
Mark D Fulton
SHNID:
gd1979-01-12.163410.aud.Spectrum.howie.fulton.flac1644
Source:
FOB Aud -> CM -> C -> C
Lineage:
D5 > Turtle Beach sound card > Goldwave > WAV > CD CD > dbPoweramp > FLAC 8
Taper Notes:
View NotesNotes: - This fob audience source is different from circulating versions. It was taped by "Howie" from Long Island. I received it from a college friend who was also from LI. I only got the second set. - This was one of my first transfer / mastering efforts. I didn't copy Samson and Delilah. I also edited the drums to fit on a CD. - For this upload, I have patched the drums from the Claridge/Wise recording (132217) - Otherwise, this is pretty much how it went down.
Source 3 of 5
1:16:51
Taper: Jim Wise and Eddie Claridge
2:29:24
Rating:
9.00 / 4 ratings
Taper:
Jim Wise and Eddie Claridge
Transferrer:
Jim Wise
SHNID:
gd1979-01-12.132217.aud.wise-claridge.fob.sony.ecm-280.flac16
Source:
<b>flac16/48kHz</b>; Cassette Audience Master Recorded 12'th Row FOB Dead Center by Eddie Claridge & Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Analog-Digital
Lineage:
Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Sony PCM R-700 DAT @ 48 kHz (original A-D by J.W. circa 1991); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-tagging(Tag & Re-name)By J.W. :November 2014
Taper: Eddie Claridge
2:25:11
Rating:
8.38 / 28 ratings
Taper:
Eddie Claridge
Transferrer:
Jim Wise
SHNID:
gd79-01-12.claridge.kempka.309.sbeok.shnf
Source:
Audience Recording: Sony ECM-280's
Lineage:
Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN
Taper Notes:
View NotesRecorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158 Digital Remaster by Jim Wise. Thanks to Robert Donnelly for the disks. Cdparanoia by Jeff Kempka on 5/3/2000.