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Bands
Grateful Dead
Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1979
Sources
Transferrer: Composite by Scott Clugston
3:27:18
SBD
Rating:
10.00 / 1 rating
Transferrer:
Composite by Scott Clugston
SHNID:
gd1979-04-22.148569.sbd.composite.clugston.flac16
Source:
composite of 3 sources, compiled, patched and tweeked to represent the best available sources (imo) as of 12/19
Taper Notes:
View NotesNotes: - This is a composite of 3 sources, compiled, patched and tweeked to represent the best available sources (imo) as of 12/19 - Thanks to all the folks responsible for these recordings - 1st set (source A) from the Brian Schley collection (shnid134401) is unaltered (thanks Jamie) - 2nd set Bennet/Smith/Morris (source B)(shnid12001) was quite fast, the channel orientation was incorrect, the tape flips were obscured and had multiple drop outs. This 2nd set source was pitch corrected, channel corrected, the drop outs patched and the entire .wav was eq'ed - 2nd set partial Betty board (source C) was pitch corrected and channel corrected - Thanks to Mark Severson and the folks responsible for the shnid145139 (FOB) Sony ECM270 source which supplies a 0:20 patch in the "Drums > The Other One" transition - Noodle into Other One included in "The Other One" Mastered by Scott Clugston December 2019
Transferrer: Matrix by Dave Usborne
3:43:13
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1979-04-22.137822.mtx.dusborne.flac16
Source:
4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog
Lineage:
2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper: Brian Schley
1:15:57
SBD
Rating:
10.00 / 1 rating
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1979-04-22.134401.set1.sbd.unk.Schley.flac1644
Source:
1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection.
Lineage:
XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015
Taper Notes:
View NotesNote: This sounds clearer than the 1st Set SBD version currently circulating, and makes a decent match with 2nd Set from ID-12001.
Transferrer: Tim Deibert
48:20
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Tim Deibert
SHNID:
gd1979-04-22.set2-partial.sbd.deibert.12895.sbeok.shnf
Lineage:
master reel > PCM-1 > DAT-1 > SHN
Taper Notes:
View NotesNOTES: * Sound Forge 6.0 volume raised to +2.7 dB. * Sound Forge 6.0 peak normalization @ 99%. shntool was used to place tracks on sector boundaries
Transferrer: Willy Munder
4:23:14
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Willy Munder
SHNID:
gd1979-04-22..s2.sbd.munder.9424.sbeok.shnf
Source:
SBD>MR>??>DAT>CDR
Taper Notes:
View Notes-There is some 'minor' right channel static in spots throughout the first disc. This show was sent to me as (A-) and I think that is accurate despite the static. -He's Gone fades out and Drums fades in. -First show with Brent Mydland -I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing. EAC/SHN by Willy [email protected]
Taper: Betty Cantor;Tim Dalton
48:26
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-04-22.148708.2p.betty.pcm.dalton.miller.clugston.flac16
Source:
Betty's 7" Master Soundboard Ree1s > PCM > PCM
Lineage:
Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Emphasis corrected - Channel corrected - Pitch corrected - Noodle into Other One included in "The Other One" Mastered by Scott Clugston January 2020
Taper: Mark Severson
3:43:03
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-04-22.145140.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rhinehart Holwein and all the folks responsible for the shnid105309 AKG D224E source which supplies a 0:53 patch in "Fire On The Mountain", as well as a 0:03 patch in "Drums" - Noodle into The Other One included in "The Other One" - Brent's debut - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2019
Taper: Mark Severson
3:43:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-04-22.145139.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rhinehart Holwein and all the folks responsible for the shnid105309 AKG D224E source which supplies a 0:53 patch in "Fire On The Mountain", as well as a 0:03 patch in "Drums" - Noodle into The Other One included in "The Other One" - Brent's debut - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2019
Taper: Reinhart Holwein
3:24:31
Rating:
9.00 / 4 ratings
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Derek McCabe
SHNID:
gd1979-04-22.fob.holwein.menke.motb.0116.105309.flac16
Source:
2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog
Lineage:
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper: Mark Severson
3:38:46
Rating:
8.55 / 11 ratings
Taper:
Mark Severson
Transferrer:
David Minches
SHNID:
gd1979-04-22.aud.severson.minches.91346.flac1644
Source:
2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper Notes:
View Notes* [12:21 - 13:10] patched from source (12001): SBD MC>C>DAT>CDR>WAV>SHN equalized to match audience master