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Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h893126
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51874
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.4k724
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.4k847
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k370
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3k372
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.4k267
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85195
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k224
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k291
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k561
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.6k344
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.3k593
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79066
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k552
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k629
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k434
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k234
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.5k988
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.7k464
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41549
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9214
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1979
Sources
Transferrer: Charlie Miller
3:00:35
SBD
Rating:
8.22 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1979-01-17.sbd.miller.102443.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Rescheduled from November 25, 1978 -- Thanks to David Young and Rich Rothenberg for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Vince Perrotti
2:50:16
SBD
Taper:
Vince Perrotti
Transferrer:
Derek McCabe
SHNID:
gd1979-01-17.sbd.perrotti.mccabe.91788.flac24
Source:
Vince Perrotti original cassette
Lineage:
Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > 24/96 WAV
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Thanks again to Vinnie & Sue for sending me this tape to do a new transfer (compare this release to gd79-01-17.perrotti.goldey.77208.sbeok.flac16), and more importantly for being patient until this finally got released :) Notes: The marred sections of Shakedown were some kind of failure in the SBD, there was a large section of clipped distortion. I just faded those sections to silence, but left the real time gap in. Thus, this tape has the "real time" amount of gap -- leaving the original SBD transfer as is. This makes it possible for someone in the future to have an "original" transfer. The matrix release was intended to listen for patches. There are two sections in Shakedown and one at the end jam in "Eyes". The tapes cuts out before the end of "Black Peter"
Taper: Vince Perrotti
2:50:16
SBD
Taper:
Vince Perrotti
Transferrer:
Derek McCabe
SHNID:
gd1979-01-17.sbd.perrotti.mccabe.91787.flac16
Source:
Vince Perrotti original cassette
Lineage:
Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Thanks again to Vinnie & Sue for sending me this tape to do a new transfer (compare this release to gd79-01-17.perrotti.goldey.77208.sbeok.flac16), and more importantly for being patient until this finally got released :) Notes: The marred sections of Shakedown were some kind of failure in the SBD, there was a large section of clipped distortion. I just faded those sections to silence, but left the real time gap in. Thus, this tape has the "real time" amount of gap -- leaving the original SBD transfer as is. This makes it possible for someone in the future to have an "original" transfer. The matrix release was intended to listen for patches. There are two sections in Shakedown and one at the end jam in "Eyes". The tapes cuts out before the end of "Black Peter"
Transferrer: D. McCabe
3:10:19
SBD
Rating:
2.00 / 1 rating
Transferrer:
D. McCabe
SHNID:
gd1979-01-17.mtx.mccabe.91784.sbeok.flac24
Source:
SBD: new transfer 2008 via Lunatec V2 preamp > Korg MR-1000; AUD Source: gd1979-01-17.fob.glassberg.motb.0023.85101.flac24
Lineage:
Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend.
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Notes: The beginning of Shakedown Street is marred by soundboard glitches and adjustments. At about 45 seconds, it finally gave out until 1:25 or so. The 0:40 gap was patched with gd1979-01-17.fob.glassberg.motb.0023.85101.flac24. Another gap of about 1.8 seconds a 10:33 was patched with the same source.
Taper: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend.
3:18:50
SBD
Rating:
6.67 / 4 ratings
Taper:
Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend.
Transferrer:
D. McCabe
SHNID:
gd1979-01-17.mtx.mccabe.91783.sbeok.flac16
Source:
SBD: new transfer 2008 via Lunatec V2 preamp > Korg MR-1000; AUD Source: gd1979-01-17.fob.glassberg.motb.0023.85101.flac24
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Notes: The beginning of Shakedown Street is marred by soundboard glitches and adjustments. At about 45 seconds, it finally gave out until 1:25 or so. The 0:40 gap was patched with gd1979-01-17.fob.glassberg.motb.0023.85101.flac24. Another gap of about 1.8 seconds a 10:33 was patched with the same source.
Source 6 of 10
2:58:07
SBD
Rating:
8.00 / 1 rating
SHNID:
gd1979-01-17.sbd.mhg.77208.flac16
Source:
SBD: MC > EQ > CDR > EAC > SHN > patched w/ SHN ID # 12200 > FLAC
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Notes: I have no idea what EQ was done to the master cassette source. The beginning of Shakedown Street is marred by soundboard glitches and adjustments. At about 45 seconds, it finally gave out until 1:25 or so. The 0:40 gap was patched with Source # 12200. Another gap of about 1.8 seconds a 10:33 was patched with the same source. A tape flip 9:16 into Eyes of the World was also patched with about 20 seconds of Source #12200, and the audience provides the last minute or two of NFA through the end of the show. Several other glitches were smoothed over, adjusted, repaired or finegaled. You won't notice them. The audience is just a hair slower than the SBD. I didn't alter the tempo of either recording, however. The difference is really not noticeable when strung together this way, although the patch in Eyes is not great, but that's really because the cassette tape wasn't moving steadily yet. The checksums for the tracks on disc 3 do not match those for Source # 12200. Patching track by track introduces SBE's, you know? Enjoy! --mhg :: 09/05/06
Taper: Steve Rolfe
3:11:13
Rating:
9.11 / 9 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1979-01-17.nak301.rolfe.miller.99009.sbeok.flac16
Source:
(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP1 -> Cassette Master -> FLAC (shnid=85101) supplies: Brown Eyed Women (0:00 - 0:17) Drums (9:32 - end of track) Around And Around (5:35 - 5:57) Notes: -- Set 2 is seamless -- Rescheduled from November 25, 1978 -- Recorded by Steve Rolfe (Left Center 17th Row) -- Thanks to Steve Rolfe for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Barry Glassberg
3:15:25
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert
SHNID:
gd1979-01-17.nak300.glassberg.85101.flac24
Source:
Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav
Taper Notes:
View NotesMastering Notes: tape flip in Drums patched 5:32 - 5:38 tape flip in Around & Around patched 1:05 - 1:17 Software used: Adobe Audition, Soundforge & Wavelab (with iZotope Ozone, TC Works Native Dex and Waves X-Noise) Tracked with CD Wave and flacs with Mike Wren's Flac Frontend Comments: (1) Weir says "I'm sure you all want to welcome Jerry Garcia back from the jaws of death" (2) Weir says "We found out some bad news today, our whole crew are communist spies"
Taper: Barry Glassberg
3:15:25
Taper:
Barry Glassberg
Transferrer:
A. Egert
SHNID:
gd1979-01-17.nakcm300-glassberg.egert.sirmick.motb23.83831.flac16
Source:
Nakamichi CM300's > Sony 158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav
Taper Notes:
View NotesMastering Notes: tape flip in Drums patched 5:32 - 5:38 tape flip in Around And Around patched 1:05 - 1:17 Software used: Adobe Audition, Soundforge & Wavelab (with iZotope Ozone, TC Works Native Dex and Waves X-Noise) Downsampled from 24/96 to 16/44.1 with Wavelab and dithered with iZotope Ozone (MBIT+ setting) Tracked with CD Wave and flacs with Mike Wren's Flac Frontend Comments: (1) Weir says "I'm sure you all want to welcome Jerry Garcia back from the jaws of death" (2) Weir says "We found out some bad news today, our whole crew are communist spies"
Taper: Steve Rolfe
6:25:42
Rating:
7.75 / 8 ratings
Taper:
Steve Rolfe
Transferrer:
Marc Pujol
SHNID:
gd79-01-17.rolfe.pujol-vernon.12200.sbeok.shnf
Source:
Audience Recording: TEAC PC-10 with nak 700 mic's pole-mounted fob
Lineage:
48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti alias filter) > CDWav (splits)> mkw > shn (seekable)
Taper Notes:
View NotesSHNtool used verify track boundaries and supply timings DAT > WAV transfer by Marc Pujol, tracking [email protected], dat clone via Dave Minor notes - rescheduled from 11/25/78 - sound quality very good - Phil's bass volume seems to pick up during MAMU - brief drop out in "From the Heart of Me" and Around and Around - Jerry's voice starts to crack a bit on FOTM - tape flip during drumz - some distortion on bass during Good Lovin' - set 2 can be rejoined when longer media are available