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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h61882
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.4k389
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.2k286
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k295
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k384
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k426
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.7k345
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.3k148
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.1k905
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h886101
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.5k413
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.4k525
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k155
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k191
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k229
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h7.3k847
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.3k188
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.7k227
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.7k1.3k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.4k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41942
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.4k428
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.6k609
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.8k357
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k150
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.7k205
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.7k275
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h826101
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11316
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24818
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1979
Sources
Transferrer: Charlie Miller
3:00:35
SBD
Rating:
8.22 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1979-01-17.sbd.miller.102443.flac16
Source:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5)
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Rescheduled from November 25, 1978 -- Thanks to David Young and Rich Rothenberg for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Vince Perrotti
2:50:16
SBD
Taper:
Vince Perrotti
Transferrer:
Derek McCabe
SHNID:
gd1979-01-17.sbd.perrotti.mccabe.91788.flac24
Source:
Vince Perrotti original cassette
Lineage:
Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > 24/96 WAV
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Thanks again to Vinnie & Sue for sending me this tape to do a new transfer (compare this release to gd79-01-17.perrotti.goldey.77208.sbeok.flac16), and more importantly for being patient until this finally got released :) Notes: The marred sections of Shakedown were some kind of failure in the SBD, there was a large section of clipped distortion. I just faded those sections to silence, but left the real time gap in. Thus, this tape has the "real time" amount of gap -- leaving the original SBD transfer as is. This makes it possible for someone in the future to have an "original" transfer. The matrix release was intended to listen for patches. There are two sections in Shakedown and one at the end jam in "Eyes". The tapes cuts out before the end of "Black Peter"
Taper: Vince Perrotti
2:50:16
SBD
Taper:
Vince Perrotti
Transferrer:
Derek McCabe
SHNID:
gd1979-01-17.sbd.perrotti.mccabe.91787.flac16
Source:
Vince Perrotti original cassette
Lineage:
Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Thanks again to Vinnie & Sue for sending me this tape to do a new transfer (compare this release to gd79-01-17.perrotti.goldey.77208.sbeok.flac16), and more importantly for being patient until this finally got released :) Notes: The marred sections of Shakedown were some kind of failure in the SBD, there was a large section of clipped distortion. I just faded those sections to silence, but left the real time gap in. Thus, this tape has the "real time" amount of gap -- leaving the original SBD transfer as is. This makes it possible for someone in the future to have an "original" transfer. The matrix release was intended to listen for patches. There are two sections in Shakedown and one at the end jam in "Eyes". The tapes cuts out before the end of "Black Peter"
Transferrer: D. McCabe
3:10:19
SBD
Rating:
2.00 / 1 rating
Transferrer:
D. McCabe
SHNID:
gd1979-01-17.mtx.mccabe.91784.sbeok.flac24
Source:
SBD: new transfer 2008 via Lunatec V2 preamp > Korg MR-1000; AUD Source: gd1979-01-17.fob.glassberg.motb.0023.85101.flac24
Lineage:
Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend.
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Notes: The beginning of Shakedown Street is marred by soundboard glitches and adjustments. At about 45 seconds, it finally gave out until 1:25 or so. The 0:40 gap was patched with gd1979-01-17.fob.glassberg.motb.0023.85101.flac24. Another gap of about 1.8 seconds a 10:33 was patched with the same source.
Taper: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend.
3:18:50
SBD
Rating:
6.67 / 4 ratings
Taper:
Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend.
Transferrer:
D. McCabe
SHNID:
gd1979-01-17.mtx.mccabe.91783.sbeok.flac16
Source:
SBD: new transfer 2008 via Lunatec V2 preamp > Korg MR-1000; AUD Source: gd1979-01-17.fob.glassberg.motb.0023.85101.flac24
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Notes: The beginning of Shakedown Street is marred by soundboard glitches and adjustments. At about 45 seconds, it finally gave out until 1:25 or so. The 0:40 gap was patched with gd1979-01-17.fob.glassberg.motb.0023.85101.flac24. Another gap of about 1.8 seconds a 10:33 was patched with the same source.
Source 6 of 10
2:58:07
SBD
Rating:
8.00 / 1 rating
SHNID:
gd1979-01-17.sbd.mhg.77208.flac16
Source:
SBD: MC > EQ > CDR > EAC > SHN > patched w/ SHN ID # 12200 > FLAC
Taper Notes:
View NotesThe Story of This Soundboard: This SBD comes from Vince Perrotti who gave it to Peter Hedeman with following notes: "This was my 18th birthday and a friend of mine was allowed to patch in. He gave me the boards on the 18th. It was a great show, especially for those of us who made the trip up on 11.25.78 when Jerry fell ill." Vince also mentioned that "I noticed as time went by that no one had these boards. I know January '79 boards are rare and I caught 8 shows that month and they were all smoking." So, thanks, Vince! Notes: I have no idea what EQ was done to the master cassette source. The beginning of Shakedown Street is marred by soundboard glitches and adjustments. At about 45 seconds, it finally gave out until 1:25 or so. The 0:40 gap was patched with Source # 12200. Another gap of about 1.8 seconds a 10:33 was patched with the same source. A tape flip 9:16 into Eyes of the World was also patched with about 20 seconds of Source #12200, and the audience provides the last minute or two of NFA through the end of the show. Several other glitches were smoothed over, adjusted, repaired or finegaled. You won't notice them. The audience is just a hair slower than the SBD. I didn't alter the tempo of either recording, however. The difference is really not noticeable when strung together this way, although the patch in Eyes is not great, but that's really because the cassette tape wasn't moving steadily yet. The checksums for the tracks on disc 3 do not match those for Source # 12200. Patching track by track introduces SBE's, you know? Enjoy! --mhg :: 09/05/06
Taper: Steve Rolfe
3:11:13
Rating:
9.11 / 9 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1979-01-17.nak301.rolfe.miller.99009.sbeok.flac16
Source:
(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 300/CP1 -> Cassette Master -> FLAC (shnid=85101) supplies: Brown Eyed Women (0:00 - 0:17) Drums (9:32 - end of track) Around And Around (5:35 - 5:57) Notes: -- Set 2 is seamless -- Rescheduled from November 25, 1978 -- Recorded by Steve Rolfe (Left Center 17th Row) -- Thanks to Steve Rolfe for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Barry Glassberg
3:15:25
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert
SHNID:
gd1979-01-17.nak300.glassberg.85101.flac24
Source:
Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav
Taper Notes:
View NotesMastering Notes: tape flip in Drums patched 5:32 - 5:38 tape flip in Around & Around patched 1:05 - 1:17 Software used: Adobe Audition, Soundforge & Wavelab (with iZotope Ozone, TC Works Native Dex and Waves X-Noise) Tracked with CD Wave and flacs with Mike Wren's Flac Frontend Comments: (1) Weir says "I'm sure you all want to welcome Jerry Garcia back from the jaws of death" (2) Weir says "We found out some bad news today, our whole crew are communist spies"
Taper: Barry Glassberg
3:15:25
Taper:
Barry Glassberg
Transferrer:
A. Egert
SHNID:
gd1979-01-17.nakcm300-glassberg.egert.sirmick.motb23.83831.flac16
Source:
Nakamichi CM300's > Sony 158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav
Taper Notes:
View NotesMastering Notes: tape flip in Drums patched 5:32 - 5:38 tape flip in Around And Around patched 1:05 - 1:17 Software used: Adobe Audition, Soundforge & Wavelab (with iZotope Ozone, TC Works Native Dex and Waves X-Noise) Downsampled from 24/96 to 16/44.1 with Wavelab and dithered with iZotope Ozone (MBIT+ setting) Tracked with CD Wave and flacs with Mike Wren's Flac Frontend Comments: (1) Weir says "I'm sure you all want to welcome Jerry Garcia back from the jaws of death" (2) Weir says "We found out some bad news today, our whole crew are communist spies"
Taper: Steve Rolfe
6:25:42
Rating:
7.75 / 8 ratings
Taper:
Steve Rolfe
Transferrer:
Marc Pujol
SHNID:
gd79-01-17.rolfe.pujol-vernon.12200.sbeok.shnf
Source:
Audience Recording: TEAC PC-10 with nak 700 mic's pole-mounted fob
Lineage:
48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti alias filter) > CDWav (splits)> mkw > shn (seekable)
Taper Notes:
View NotesSHNtool used verify track boundaries and supply timings DAT > WAV transfer by Marc Pujol, tracking [email protected], dat clone via Dave Minor notes - rescheduled from 11/25/78 - sound quality very good - Phil's bass volume seems to pick up during MAMU - brief drop out in "From the Heart of Me" and Around and Around - Jerry's voice starts to crack a bit on FOTM - tape flip during drumz - some distortion on bass during Good Lovin' - set 2 can be rejoined when longer media are available