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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h59179
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k398
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.3k292
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k299
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k391
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k423
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.3k150
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.4k935
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h894101
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.4k407
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.6k546
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k157
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.6k194
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k232
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h7.7k889
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k194
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.7k231
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.4k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h42342
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.5k437
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.8k629
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.9k368
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k154
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.7k209
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k280
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h825101
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11316
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24718
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1978
9/15/78
Jack Straw
8:03
Ship of Fools
9:22
Estimated Prophet
12:31
Eyes of the World
13:19
Drums
4:01
Space
6:57
Terrapin Station
11:27
Sugar Magnolia
10:37
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:42:10
SBD
Rating:
4.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1978-09-15.sbd.miller.87782.flac16
Source:
Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB/1st Row) Sony ECM280 -> Cassette Master -> CD (shnid=4160) supplies: Drums (4:01 - 10:41) Notes: -- Mastered on 10 inch reels recorded at 15ips 1/2 track
Transferrer: Charlie Miller
2:35:24
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd78-09-15.sbd.miller.21781.sbeok.shnf
Source:
Soundboard
Lineage:
Set One: SBD -> Reel Master (Multi-track) -> Cass -> Dat -> CD -> EAC -> SHN; Set Two: SBD -> Reel Master (10in @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN
Taper Notes:
View NotesRecording Info: Set One: SBD -> Reel Master (Multi-track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller [email protected] 1/8/04 Notes: The Dat transfers were done sometime in 2000.
Taper: See info file
2:45:38
SBD
Rating:
10.00 / 1 rating
Taper:
See info file
Transferrer:
Matrixing by Kevin Tobin
SHNID:
gd1978-09-15.mtx.tobin.88923.flac
Source:
SBD + AUD Matrix 2 Source Mix (60%-SBD/40%-AUD)
Taper Notes:
View NotesTech Notes SHNs\FLACs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode DVD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 02-DEC-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1.5 SET TWO Stereo Matrix SBD 0 AUD -1.5 --------------------------------------------------------- Audio Patches: 1) Before Ollin Arrageed, 23 minute and 52.960 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Mama Tried, 13.538 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) Both Mama Tried and Big River were from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. 4) Between Big River and Loser, 14.219 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) Also between Big River and Loser, 47.212 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Between Loser and Stagger Lee, 1 minute and 26.015 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This ended disk 1. 7) Jack Straw was from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. As the sbd had almost no vocals, I did the best I could to mix them in with the not quite as good audience. 8) Between Jack Straw and Ship Of Fools, 21.620 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 9) At the beginning of Space, 12.552 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. Set 1 of the Audience ran about 2% fast compared to the Soundboard (2 seconds fast per minute). Set 2 was much closer at 0.3%. Brokedown House Production
Source 4 of 10
1:16:17
SBD
Rating:
5.60 / 5 ratings
SHNID:
gd78-09-15.set2-sbd.murphy.5933.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB
Taper Notes:
View Notesset 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed
Source 5 of 10
1:16:22
SBD
SHNID:
gd1978-09-15.sbd.lai.295.shnf
Source:
Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN
Taper Notes:
View NotesJack Straw 0:00 - 1:39 very low vocals, 1:39 - levels being adjusted and left channel boosted, 2:26 - vocals are boosted, 5:26 - vocals drop temporarily. Occasional low level "crackling" throughout. Source: Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN Seeded to etree by Brian Walker [email protected]. Please let me know of any problems or issues if they turn up. Also, if you have access to Set I from similar lineage, then please let me know. Thanks to Steevie for these discs.
Taper: Eldon Porray
2:19:15
Rating:
8.00 / 3 ratings
Taper:
Eldon Porray
Transferrer:
Bob Menke and Derek McCabe and Bill Koucky
SHNID:
gd1978-09-15.fob.sonyecm280.porray.motb-0138.107304.flac16
Source:
2 x Sony ecm 280 mics >> Sony 153sd >> MAC
Lineage:
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16
Taper: Eldon Porray
2:19:29
REMASTER
Taper:
Eldon Porray
Transferrer:
acetboy
SHNID:
gd1978-09-15.165797.remastered.107304.Cairo-Egypt.sony.ecm280.acetboy.flac16
Source:
remaster of shn #107304 by acetboy of the MOTB Release: 0138 16-44.1 Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Bill Koucky, Derek McCabe
Taper Notes:
View NotesThis is a remaster of shn #107304. The original patches for Mama Tried, Big River and Jack Straw are completely redone. Those patches now are from shn #94537. All of the work was done in ocenaudio and Harrison Mixbus. The included before and after screen captures show the whole show. You can't see everything I do in them but they give an idea of how they are different from the original. If the original files were high res then most of the work was done at that rate. The finished product is CD quality. The files are tagged. acetboy 2023-09-12
Taper: anonymous
2:26:30
Rating:
10.00 / 1 rating
Taper:
anonymous
Transferrer:
anonymous and SIRMick
Source:
2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder
Lineage:
1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH
Taper Notes:
View Notes- most tracks have been pitch corrected - gain boosted in right channel by varying amounts to make the sound more central - the tape was paused on a number of occasions betweeen tracks, crossfaded have been put in - d1t01, the first 9:14 have been patched in. The sound is muffled from 9:14 until 11:36 and then improves from there on. - d2t04, the left channel completely dropped out for the last 30 seconds. To preserve the ambience of the audince recording the left channel of the patch source and the right channel of this recording have been matrixed to form a new left channel and patched in. It works better than just using the soundboard source. - d2t05, the left channel completely dropped out for the first 9:45. The same method, as for d2t04, was used to create a new left channel. The remainder of this track was completely missing and has been patched in - d3t01, first 3:47 was missing and has been patched in. The next 17 seconds had a complete dropout in the left channel, The same method, as for d2t04, was used to create a new left channel patch source: SBD -> Master Reel -> PCM -> Dat (44.1k) shnid 87782 -* d2t01 and d2t02 are from different sources to the rest of the show - Disc 2 requires an overburn Comments: - This is a stealth recording and although the balance between channels is somewhat variable, the sound is very good ---------------------------------------------------------- - Taped and transferred anonymous Source
Taper: See info file
2:45:38
Rating:
10.00 / 1 rating
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1978-09-15.mtx.dts.tobin.88924.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs\FLACs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode DVD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 02-DEC-2007 --------------------------------------------------------- Audio Patches: 1) Before Ollin Arrageed, 23 minute and 52.960 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Mama Tried, 13.538 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) Both Mama Tried and Big River were from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. 4) Between Big River and Loser, 14.219 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) Also between Big River and Loser, 47.212 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Between Loser and Stagger Lee, 1 minute and 26.015 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This ended disk 1. 7) Jack Straw was from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. As the sbd had almost no vocals, I did the best I could to mix them in with the not quite as good audience. 8) Between Jack Straw and Ship Of Fools, 21.620 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 9) At the beginning of Space, 12.552 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. Set 1 of the Audience ran about 2% fast compared to the Soundboard (2 seconds fast per minute). Set 2 was much closer at 0.3%. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: John D'Auria
2:16:40
Rating:
8.00 / 3 ratings
Transferrer:
John D'Auria
SHNID:
gd78-09-15.aud.dauria.4160.sbeok.shnf
Source:
Audience Recording: Sony ECM280
Lineage:
Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
Taper Notes:
View NotesAud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes