Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1978
Sources
Transferrer: Charlie Miller
2:42:10
SBD
Rating:
4.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1978-09-15.sbd.miller.87782.flac16
Source:
Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB/1st Row) Sony ECM280 -> Cassette Master -> CD (shnid=4160) supplies: Drums (4:01 - 10:41) Notes: -- Mastered on 10 inch reels recorded at 15ips 1/2 track
Transferrer: Charlie Miller
2:35:24
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd78-09-15.sbd.miller.21781.sbeok.shnf
Source:
Soundboard
Lineage:
Set One: SBD -> Reel Master (Multi-track) -> Cass -> Dat -> CD -> EAC -> SHN; Set Two: SBD -> Reel Master (10in @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN
Taper Notes:
View NotesRecording Info: Set One: SBD -> Reel Master (Multi-track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller [email protected] 1/8/04 Notes: The Dat transfers were done sometime in 2000.
Taper: See info file
2:45:38
SBD
Rating:
10.00 / 1 rating
Taper:
See info file
Transferrer:
Matrixing by Kevin Tobin
SHNID:
gd1978-09-15.mtx.tobin.88923.flac
Source:
SBD + AUD Matrix 2 Source Mix (60%-SBD/40%-AUD)
Taper Notes:
View NotesTech Notes SHNs\FLACs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode DVD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 02-DEC-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1.5 SET TWO Stereo Matrix SBD 0 AUD -1.5 --------------------------------------------------------- Audio Patches: 1) Before Ollin Arrageed, 23 minute and 52.960 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Mama Tried, 13.538 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) Both Mama Tried and Big River were from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. 4) Between Big River and Loser, 14.219 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) Also between Big River and Loser, 47.212 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Between Loser and Stagger Lee, 1 minute and 26.015 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This ended disk 1. 7) Jack Straw was from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. As the sbd had almost no vocals, I did the best I could to mix them in with the not quite as good audience. 8) Between Jack Straw and Ship Of Fools, 21.620 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 9) At the beginning of Space, 12.552 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. Set 1 of the Audience ran about 2% fast compared to the Soundboard (2 seconds fast per minute). Set 2 was much closer at 0.3%. Brokedown House Production
Source 4 of 10
1:16:17
SBD
Rating:
5.60 / 5 ratings
SHNID:
gd78-09-15.set2-sbd.murphy.5933.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB
Taper Notes:
View Notesset 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed
Source 5 of 10
1:16:22
SBD
SHNID:
gd1978-09-15.sbd.lai.295.shnf
Source:
Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN
Taper Notes:
View NotesJack Straw 0:00 - 1:39 very low vocals, 1:39 - levels being adjusted and left channel boosted, 2:26 - vocals are boosted, 5:26 - vocals drop temporarily. Occasional low level "crackling" throughout. Source: Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN Seeded to etree by Brian Walker [email protected]. Please let me know of any problems or issues if they turn up. Also, if you have access to Set I from similar lineage, then please let me know. Thanks to Steevie for these discs.
Taper: Eldon Porray
2:19:15
Rating:
8.00 / 3 ratings
Taper:
Eldon Porray
Transferrer:
Bob Menke and Derek McCabe and Bill Koucky
SHNID:
gd1978-09-15.fob.sonyecm280.porray.motb-0138.107304.flac16
Source:
2 x Sony ecm 280 mics >> Sony 153sd >> MAC
Lineage:
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16
Taper: Eldon Porray
2:19:29
REMASTER
Taper:
Eldon Porray
Transferrer:
acetboy
SHNID:
gd1978-09-15.165797.remastered.107304.Cairo-Egypt.sony.ecm280.acetboy.flac16
Source:
remaster of shn #107304 by acetboy of the MOTB Release: 0138 16-44.1 Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Bill Koucky, Derek McCabe
Taper Notes:
View NotesThis is a remaster of shn #107304. The original patches for Mama Tried, Big River and Jack Straw are completely redone. Those patches now are from shn #94537. All of the work was done in ocenaudio and Harrison Mixbus. The included before and after screen captures show the whole show. You can't see everything I do in them but they give an idea of how they are different from the original. If the original files were high res then most of the work was done at that rate. The finished product is CD quality. The files are tagged. acetboy 2023-09-12
Taper: anonymous
2:26:30
Rating:
10.00 / 1 rating
Taper:
anonymous
Transferrer:
anonymous and SIRMick
Source:
2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder
Lineage:
1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH
Taper Notes:
View Notes- most tracks have been pitch corrected - gain boosted in right channel by varying amounts to make the sound more central - the tape was paused on a number of occasions betweeen tracks, crossfaded have been put in - d1t01, the first 9:14 have been patched in. The sound is muffled from 9:14 until 11:36 and then improves from there on. - d2t04, the left channel completely dropped out for the last 30 seconds. To preserve the ambience of the audince recording the left channel of the patch source and the right channel of this recording have been matrixed to form a new left channel and patched in. It works better than just using the soundboard source. - d2t05, the left channel completely dropped out for the first 9:45. The same method, as for d2t04, was used to create a new left channel. The remainder of this track was completely missing and has been patched in - d3t01, first 3:47 was missing and has been patched in. The next 17 seconds had a complete dropout in the left channel, The same method, as for d2t04, was used to create a new left channel patch source: SBD -> Master Reel -> PCM -> Dat (44.1k) shnid 87782 -* d2t01 and d2t02 are from different sources to the rest of the show - Disc 2 requires an overburn Comments: - This is a stealth recording and although the balance between channels is somewhat variable, the sound is very good ---------------------------------------------------------- - Taped and transferred anonymous Source
Taper: See info file
2:45:38
Rating:
10.00 / 1 rating
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1978-09-15.mtx.dts.tobin.88924.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs\FLACs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode DVD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 02-DEC-2007 --------------------------------------------------------- Audio Patches: 1) Before Ollin Arrageed, 23 minute and 52.960 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Mama Tried, 13.538 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 3) Both Mama Tried and Big River were from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. 4) Between Big River and Loser, 14.219 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 5) Also between Big River and Loser, 47.212 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Between Loser and Stagger Lee, 1 minute and 26.015 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This ended disk 1. 7) Jack Straw was from another audience source but included as part of shnid 4160. There is a distinctly different sound than the FOB source. As the sbd had almost no vocals, I did the best I could to mix them in with the not quite as good audience. 8) Between Jack Straw and Ship Of Fools, 21.620 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 9) At the beginning of Space, 12.552 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. Set 1 of the Audience ran about 2% fast compared to the Soundboard (2 seconds fast per minute). Set 2 was much closer at 0.3%. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: John D'Auria
2:16:40
Rating:
8.00 / 3 ratings
Transferrer:
John D'Auria
SHNID:
gd78-09-15.aud.dauria.4160.sbeok.shnf
Source:
Audience Recording: Sony ECM280
Lineage:
Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
Taper Notes:
View NotesAud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes