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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h50767
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.2k188
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k382
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k605
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.9k635
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k362
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k363
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k164
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.7k788
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k128
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k205
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.9k564
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k187
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k178
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k224
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.5k1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k245
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.9k2.3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37239
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k493
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.4k716
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.8k360
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k208
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.6k186
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k189
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h45556
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14720
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h32123
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1978
9/2/78
crowd/tuning
1:22
Good Lovin'
7:16
crowd/tuning
2:47
Scarlet Begonias >
14:16
Fire On The Mountain
13:49
crowd/tuning
3:16
Estimated Prophet >
14:47
Eyes Of The World >
15:48
Drums >
6:52
Space >
1:28
Sugar Magnolia
10:22
encore break~~
2:43
One More Saturday Night
5:13
FIN
View on archive.org
Sources
Taper: Tim Dalton
1:33:40
SBD
Rating:
9.00 / 2 ratings
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-09-02.142988.set2.sbd.dalton.miller.clugston.flac1648
Source:
Master Soundboard Cassette (Maxell UDXLII)> Cassette (TDK) > Dat 16/48(Panasonic SV-3700)> Dat x3
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Rolfe and Noah Weiner for the shnid15822 Sony ECM-33P source which supplies the final 5:38 of "Sugar Magnolia", as well as the "One More Saturday Night" encore in its entirety - Pitch corrected (best as possible) Mastered by Scott Clugston August 2018
Transferrer: Charlie Miller
2:51:02
SBD
Rating:
8.00 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-09-02.sbd.miller.106818.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- Set 2 sounds a lot better than Set 1 -- Pitch is not perfect but is a lot better -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Dave Usborne
3:15:13
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1978-09-02.131868.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
Taper Notes:
View NotesTagging notes: Show information is embedded within the headerof each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 11-29-2014
Source 4 of 10
2:39:20
SBD
Rating:
8.75 / 54 ratings
SHNID:
gd78-09-02.sbd.jools.7925.sbeok.shnf
Source:
Soundboard
Transferrer: Scott Clugston
2:51:51
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Scott Clugston
SHNID:
gd1978-09-02.aud-sbd.clugston.5986.sbefail.shnf
Source:
Master Audience Cassette; Shure SM-57 mics> Sony TC-158 Master Soundboard Cassette > Cassette > DAT source supplies the 2nd set
Taper Notes:
View NotesSources:Master Audience Cassette; Shure SM-57 mics> Sony TC-158 source supplies the entire 1st set, the final 6:11 of "Sugar Magnolia" (d3t05), as well as "One More Saturday Night" (d2t06) Master Soundboard Cassette > Cassette > DAT source supplies the 2nd set, less the final 6:11 of "Sugar Magnolia" (d3t05) and "One More Saturday Night" (d3t06) CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 8/19/01
Taper: Keith Gatto
3:05:05
Taper:
Keith Gatto
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1978-09-02.164506.fob.shure.sm57.gatto.mckenzie.miller.clugston.flac1644
Source:
Keith Gatto's Master (FOB) Audience Cassettes; Shure SM57 mics> Sony TC-158 > Tim McKenzies' DAT (x3)(Maxell HS-4/90s) @48kHz
Lineage:
DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 CD
Taper Notes:
View NotesNotes: - Thanks to Keith Gatto (RIP) for the master cassette source - Thanks to Tim McKenzie for the DAT source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Steve Rolfe and Noah Weiner for the Sony ECM-33P source which supplies a 0:12 patch in "Estimated Prophet", a 0:17 patch in "Eyes Of The World", a 0:07 patch in the "Drums > Space" transition, as well as the final notes and some crowd of "One More Saturday Night" (0:10 total) - Starts a little rough, but things get sorted out about half-way through "Jack Straw" - Some wind noise throughout - This source has been used to patch other sources, but has not previously been in general circulation in its complete form - Thanks to Joe B. Jones for his assistance with the pitch correction
Taper: Bob Wagner
1:39:59
Taper:
Bob Wagner
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-09-02.140476.s2.Sony54P.wagner.miller.sirmick.flac1644
Source:
Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017
Taper Notes:
View NotesNotes: - Bob only taped Set II due to a very late arrival. - DC Offset removed. - All tracks have been pitch corrected. - Tape flips crossfaded except for "Drums" which has been patched with two Sony EMC-33P mics > Sony TC-152 deck, 50-60 feet left center from the stage. Recorded by Steve Rolfe - A number of artifacts have been removed. - Loud claps close to the mics have been attentuated. - Some level adjustments made. Thanks to Bob Wagner for taping and Charlie Miller for the transfer edited and mastered SIRMick September 2017
Taper: Bob Wagner
1:39:59
Taper:
Bob Wagner
Transferrer:
Charlie Miller; Sirmick
SHNID:
gd1978-09-02.139367.s2.Sony54P.wagner.miller.sirmick.flac24
Source:
(FOB) Sony 54P > Sony TC-158SD > Cassette Master taped by Bob Wagner
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View Notes- Bob only taped Set II due to a very late arrival. - DC Offset removed. - All tracks have been pitch corrected. - Tape flips crossfaded except for "Drums" which has been patched with two Sony EMC-33P mics > Sony TC-152 deck, 50-60 feet left center from the stage. Recorded by Steve Rolfe - A number of artifacts have been removed. - Loud claps close to the mics have been attentuated. - Some level adjustments made.
Taper: Bob Wagner
1:33:29
Rating:
8.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1978-09-02.s2.sony54p.wagner.miller.124588.flac16
Source:
(FOB) Sony 54P -> Cassette Master (Sony TC-158SD)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- He only taped Set 2 due to a very late arrival -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Steve Rolfe
3:14:33
Rating:
7.53 / 18 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd78-09-02.rolfe.weiner.15822.sbeok.shnf
Source:
Audience Recording: Sony EMC-33Ps
Lineage:
AUDMC > DAT > WAV > SHN recorded with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
Taper Notes:
View NotesAUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner