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Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h56175
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.5k179
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.8k339
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k287
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.5k503
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h8k987
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.3k291
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k134
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k176
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63270
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k156
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.9k230
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.2k162
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.5k186
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.1k673
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k196
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k230
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h19.6k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h4.3k609
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h59759
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k959
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.7k594
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.2k279
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k170
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.5k265
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.9k319
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h829112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12617
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25513
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h382
7d1156
30d59235
2 shows
2 tapes
1978
9/2/78
crowd/tuning
1:22
Good Lovin'
7:16
crowd/tuning
2:47
Scarlet Begonias >
14:16
Fire On The Mountain
13:49
crowd/tuning
3:16
Estimated Prophet >
14:47
Eyes Of The World >
15:48
Drums >
6:52
Space >
1:28
Sugar Magnolia
10:22
encore break~~
2:43
One More Saturday Night
5:13
FIN
View on archive.org
Sources
Taper: Tim Dalton
1:33:40
SBD
Rating:
9.00 / 2 ratings
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-09-02.142988.set2.sbd.dalton.miller.clugston.flac1648
Source:
Master Soundboard Cassette (Maxell UDXLII)> Cassette (TDK) > Dat 16/48(Panasonic SV-3700)> Dat x3
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Steve Rolfe and Noah Weiner for the shnid15822 Sony ECM-33P source which supplies the final 5:38 of "Sugar Magnolia", as well as the "One More Saturday Night" encore in its entirety - Pitch corrected (best as possible) Mastered by Scott Clugston August 2018
Transferrer: Charlie Miller
2:51:02
SBD
Rating:
8.00 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-09-02.sbd.miller.106818.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View Notes-- Set 2 is seamless -- Set 2 sounds a lot better than Set 1 -- Pitch is not perfect but is a lot better -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Dave Usborne
3:15:13
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1978-09-02.131868.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
Taper Notes:
View NotesTagging notes: Show information is embedded within the headerof each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 11-29-2014
Source 4 of 10
2:39:20
SBD
Rating:
8.75 / 54 ratings
SHNID:
gd78-09-02.sbd.jools.7925.sbeok.shnf
Source:
Soundboard
Transferrer: Scott Clugston
2:51:51
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Scott Clugston
SHNID:
gd1978-09-02.aud-sbd.clugston.5986.sbefail.shnf
Source:
Master Audience Cassette; Shure SM-57 mics> Sony TC-158 Master Soundboard Cassette > Cassette > DAT source supplies the 2nd set
Taper Notes:
View NotesSources:Master Audience Cassette; Shure SM-57 mics> Sony TC-158 source supplies the entire 1st set, the final 6:11 of "Sugar Magnolia" (d3t05), as well as "One More Saturday Night" (d2t06) Master Soundboard Cassette > Cassette > DAT source supplies the 2nd set, less the final 6:11 of "Sugar Magnolia" (d3t05) and "One More Saturday Night" (d3t06) CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 8/19/01
Taper: Keith Gatto
3:05:05
Taper:
Keith Gatto
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1978-09-02.164506.fob.shure.sm57.gatto.mckenzie.miller.clugston.flac1644
Source:
Keith Gatto's Master (FOB) Audience Cassettes; Shure SM57 mics> Sony TC-158 > Tim McKenzies' DAT (x3)(Maxell HS-4/90s) @48kHz
Lineage:
DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 CD
Taper Notes:
View NotesNotes: - Thanks to Keith Gatto (RIP) for the master cassette source - Thanks to Tim McKenzie for the DAT source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Steve Rolfe and Noah Weiner for the Sony ECM-33P source which supplies a 0:12 patch in "Estimated Prophet", a 0:17 patch in "Eyes Of The World", a 0:07 patch in the "Drums > Space" transition, as well as the final notes and some crowd of "One More Saturday Night" (0:10 total) - Starts a little rough, but things get sorted out about half-way through "Jack Straw" - Some wind noise throughout - This source has been used to patch other sources, but has not previously been in general circulation in its complete form - Thanks to Joe B. Jones for his assistance with the pitch correction
Taper: Bob Wagner
1:39:59
Taper:
Bob Wagner
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-09-02.140476.s2.Sony54P.wagner.miller.sirmick.flac1644
Source:
Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017
Taper Notes:
View NotesNotes: - Bob only taped Set II due to a very late arrival. - DC Offset removed. - All tracks have been pitch corrected. - Tape flips crossfaded except for "Drums" which has been patched with two Sony EMC-33P mics > Sony TC-152 deck, 50-60 feet left center from the stage. Recorded by Steve Rolfe - A number of artifacts have been removed. - Loud claps close to the mics have been attentuated. - Some level adjustments made. Thanks to Bob Wagner for taping and Charlie Miller for the transfer edited and mastered SIRMick September 2017
Taper: Bob Wagner
1:39:59
Taper:
Bob Wagner
Transferrer:
Charlie Miller; Sirmick
SHNID:
gd1978-09-02.139367.s2.Sony54P.wagner.miller.sirmick.flac24
Source:
(FOB) Sony 54P > Sony TC-158SD > Cassette Master taped by Bob Wagner
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View Notes- Bob only taped Set II due to a very late arrival. - DC Offset removed. - All tracks have been pitch corrected. - Tape flips crossfaded except for "Drums" which has been patched with two Sony EMC-33P mics > Sony TC-152 deck, 50-60 feet left center from the stage. Recorded by Steve Rolfe - A number of artifacts have been removed. - Loud claps close to the mics have been attentuated. - Some level adjustments made.
Taper: Bob Wagner
1:33:29
Rating:
8.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1978-09-02.s2.sony54p.wagner.miller.124588.flac16
Source:
(FOB) Sony 54P -> Cassette Master (Sony TC-158SD)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- He only taped Set 2 due to a very late arrival -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Steve Rolfe
3:14:33
Rating:
7.53 / 18 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd78-09-02.rolfe.weiner.15822.sbeok.shnf
Source:
Audience Recording: Sony EMC-33Ps
Lineage:
AUDMC > DAT > WAV > SHN recorded with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
Taper Notes:
View NotesAUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner