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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1978
4/12/78
Jack Straw
6:57
Dire Wolf
5:11
Beat It On Down The Line
3:17
tuning
2:00
Peggy O
10:14
Mama Tried ->
2:30
Mexicali Blues
3:51
Funiculì, Funiculà
2:05
Row Jimmy
11:17
New Minglewood Blues
5:59
Loser
9:38
Lazy Lightning ->
3:51
Supplication
5:53
tuning
3:03
Bertha ->
7:29
Good Lovin' ->
7:13
It Must've Been The Roses
7:24
tuning
3:05
Estimated Prophet ->
11:41
Eyes of The World ->
12:26
Drums ->
25:59
Truckin' ->
8:45
Wharf Rat ->
10:39
Around and Around
9:12
US Blues
5:37
FIN
View on archive.org
Sources
Taper: Betty Cantor and Tim Dalton
3:04:58
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-12.141776.sbd.betty.dalton.miller.sirmick.flac1644
Source:
Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
Taper Notes:
View NotesNotes: - Pitch correction. - The soundboard vocals are absent during most of "Dire Wolf". I have therefore, isolated the vocals from shnid 105875 as far as possible and matrixed them with this source. - Several minor dropouts have been patched with shnid 107156 - Shnid 105875 was also used for the following patches - Thank you Bob Wagner: "Eyes Of The World" - 8:30-8:57 "Wharf Rat" 10:13- end of track "Around And Around" 0:00-0:08 Thanks to Tim Dalton for providing this source Thanks to Charlie miller for the transfer. This is beautiful music played beautifully. edited and nastered SIRMick April 2018
Transferrer: Kevin Tobin
3:12:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134820.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-DEC-2015 - Trader Little Helper - Tagged 12-DEC-2015 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
3:12:27
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134567.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-NOV-2015 - Trader Little Helper - Tagged 07-NOV-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
3:12:27
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134566.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(51%-SBD/49%-AUD) For the matrix only, the Soundboard patches in both Eyes and Wharf Rat/Around & Around listed above used the audio from the video to ensure no phase problems. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-NOV-2015 - Trader Little Helper - Tagged 07-NOV-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD + 0.5 AUD 0 SET TWO Stereo Matrix SBD + 0.5 AUD 0 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:05:12
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-12.sbd.fix.miller.107156.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a fix of shnid=106985 (Fix skip in Mama Tried)
Transferrer: Charlie Miller
3:05:12
SBD
Rating:
9.71 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-12.sbd.miller.106985.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: PCM provided by anonymous, while hiding out away from the Bay Area. Edited & reMastered using Adobe Audition by Joe Noel November 8, 2019
3:05:16
SBD
Transferrer:
PCM provided by anonymous, while hiding out away from the Bay Area. Edited & reMastered using Adobe Audition by Joe Noel November 8, 2019
SHNID:
gd1978-04-12.149531.BettyBoard.Anon.Noel.fixed.t-flac16
Source:
Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesPatch info: - shnid 105875 (FOB, Sony 54P, Robert Wagner) - s2t07; 08:32 - 09:08 - s2t10; 10:25 - end - s2t11; start - 0:11 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - Garcia's mic malfunctions for first two songs Additional Notes (April 11, 2020): - tags were incorrect, they have been corrected - channels were reversed, they have been swapped
Taper: Betty Cantor
3:05:18
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1978-04-12.149339.BettyBoard.Anon.Noel.t-flac16
Source:
Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesDAT provided by anonymous, while hiding out away from the Bay Area. Edited & Mastered using Adobe Audition by Joe Noel November 8, 2019 Patch info: - shnid 105875 (FOB, Sony 54P, Robert Wagner) - s2t07; 08:32 - 09:08 - s2t10; 10:25 - end - s2t11; start - 0:11 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - Garcia's mic malfunctions for first two songs
Transferrer: J. Henry
2:53:44
SBD
Rating:
10.00 / 2 ratings
Transferrer:
J. Henry
SHNID:
gd1978-04-12.sbd.henry.95673.sbefail.shnf
Source:
SBD>MR>PCM>D>CD
Lineage:
CD>Toast Audio Extractor>Peak>SHN
Taper Notes:
View NotesFlaws: No/Low Jerry vocals on d1t1 &t2 (Jack Straw and Dire Wolf) Reduced sound "burst" at 0:45 on d1t2 (Dire Wolf) Patched the dropout at 8:32 on d2t5 (Eyes Of The World) Reel flip/dropout between d3t2 & t3 (Wharf Rat and Around & Around) Thanks to Jeff Cotsman for the fine Audio CD
Transferrer: Jay Serafin
2:51:27
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Jay Serafin
SHNID:
gd1978-04-12.sbd.serafin.18805.sbeok.shnf
Source:
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
Taper Notes:
View NotesOriginally uploaded exclusively to GDLive.com by: John "Jay" Serafin, owner & chief audio engineer of Serafin Station Studio B "Making Kindness Dubs For Everyone!" No Copyright Infringements... EVER! Web Info: http://home.attbi.com/~kinddubs E-Mail: [email protected] GRATEFUL DEAD 04-12-78 Cameron Indoor Stadium, Duke University Durham, NC SETS: I / II / ENCORE LINEAGE: SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) AUDIO RATING: AR1a MEDIA REQUIRED: CD-R: 3x74 min. DAT: 1x180 min. DVD: 1x4.7GB DISC OFFICIAL FILE NAME (SHN): gd78-04-12_sssb.shn OFFICIAL FILE NAME (MP3): gd78-04-12_sssb_192kb.mp3 RELEASED ON: 01/22/03 OFFICIAL SHOW NOTES: LINEAGE: SBD > GD Master 2" 8 Track RTR @ 15 i.p.s. (two decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified); this show was "simulcast" on Duke University's FM campus radio station; any/all necessary editing, fades, noise reduction, hiss elimination, phase shifting, time smear correction, digital jitter elimination, equalization, quantization noise elimination (when converting audio sampling rates for CD-R or DVD mastering), and/or any other processes, were all digitally performed at 24-bit/96 kHz sampling rate at Serafin Station Studio B using the "Harpoon" editing software V1.084.782 JAY'S PERSONAL COMMENTS: As the "first show released in 2003", I figured I should make it a hell of a show to what I hope will be a hell of a year. I hope you agree with me that this show hits the nail on the head. LET'S BEGIN WITH A BIT OF "FYI TRIVIA": This is a little-known "set of factoids" about this show, which is almost always overlooked in the major "publications and set list" of Grateful Dead shows: this concert was simulcast over Duke's on-campus 50 watt FM radio station! On the date of this concert, the University's FM station (which was 94.7 MHz at that time) broadcasted it live; it's low power transmitter allowed it to be received by FM receivers within a 0.5 mile radius of the University grounds (per their FCC license). Many years later, in May of 1984, Duke University "donated" their RTR copies of this show to the Grateful Dead's Vault, when the station was undergoing renovation. Almost all of the oldest or "worst condition" equipment was being totally replaced with (at that time) "state of the art eight track cassette decks" and PCM decks; a brand new mixing consoles was designed and built by their engineering department students; and even a small, but very nicely designed, "live studio" was added, where bands could perform a song or two if they were doing interviews (live or for future broadcasts). To make room for all of this renovation, the station needed to "clean house" of all their archived RTR (80%) and cassette recordings (20%); these were recordings that the station personnel felt they longer were either required to keep (per FCC rules), or the large quantities of stored RTR/cassette media were no longer of any "musical and/or historical" value to the University as a whole. There were literally 1,500 RTR and cassette total recordings which were auctioned off (to past and present Duke University students and faculty only!), to help to defray the costs of the new equipment, and the renovation and expansion; any of the media which were not auctioned off were DESTROYED, not simply tossed into a dumpster. But, there were NO Dead/related concerts or interview recordings auctioned off! The students and faculty who ran the station agreed that rather than destroy the media that contained this parti
Source 11 of 17
2:53:47
SBDREMASTER
Rating:
9.40 / 43 ratings
SHNID:
gd78-04-12.sbd.ashley-bertha.14085.sbeok.shnf
Source:
Soundboard
Lineage:
Bertha Remaster of Master Reel source.SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesBertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
Source 12 of 17
2:53:44
SBD
Rating:
7.00 / 4 ratings
SHNID:
gd78-04-12.sbd.henry.11476.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MR>PCM>D>CD
Taper Notes:
View NotesSBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
Taper: Bob Wagner
3:17:41
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-12.148071.fob.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid141776 soundboard source which supplies a 0:11 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
3:17:41
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-12.148070.fob.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid141776 soundboard source which supplies a 0:11 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
3:17:09
Rating:
10.00 / 2 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1978-04-12.sony54p.wagner.miller.105875.flac16
Source:
(FOB) Sony 54P -> Cassette Master (Sony TC-158)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Recorded By Robert Wagner -- This is from an old transfer I did years ago
Source 16 of 17
3:14:07
SHNID:
gd1978-04-12.169012.mtx.seamons.ht172.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 31, 2024
Taper Notes:
View NotesNotes: There are some initial issues with the vocals in the first two songs of the SBD. Jerry is barely heard for Jack Straw and Dire Wolf, while Donna and Bobby's vocals fluctuate at times, coming in and out of the recording. Bob Wagner's audience recording fortunately restores the vocals in the matrix to a significant degree. The vocals smooth out after some initial reverb/feedback in Beat It On Down The Line. Several clicks and static-like pops in the SBD were removed during Peggy-O, Row Jimmy, and Loser. A section of dead air in the SBD was trimmed out to match the AUD cut. Virtually all of Wagner's AUD was preserved between songs, adding significant duration to the show. AUD cuts were cross-faded. Two AUD-only sections during songs were EQ'd to provide more bass and a warmer sound. No other EQ was used.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:12:39
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1978-04-12.155360.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes-------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-JAN-2022 - Trader Little Helper - Tagged 19-JAN-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production