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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1978
4/12/78
Jack Straw
6:57
Dire Wolf
5:11
Beat It On Down The Line
3:17
tuning
2:00
Peggy O
10:14
Mama Tried ->
2:30
Mexicali Blues
3:51
Funiculì, Funiculà
2:05
Row Jimmy
11:17
New Minglewood Blues
5:59
Loser
9:38
Lazy Lightning ->
3:51
Supplication
5:53
tuning
3:03
Bertha ->
7:29
Good Lovin' ->
7:13
It Must've Been The Roses
7:24
tuning
3:05
Estimated Prophet ->
11:41
Eyes of The World ->
12:26
Drums ->
25:59
Truckin' ->
8:45
Wharf Rat ->
10:39
Around and Around
9:12
US Blues
5:37
FIN
View on archive.org
Sources
Taper: Betty Cantor and Tim Dalton
3:04:58
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-12.141776.sbd.betty.dalton.miller.sirmick.flac1644
Source:
Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
Taper Notes:
View NotesNotes: - Pitch correction. - The soundboard vocals are absent during most of "Dire Wolf". I have therefore, isolated the vocals from shnid 105875 as far as possible and matrixed them with this source. - Several minor dropouts have been patched with shnid 107156 - Shnid 105875 was also used for the following patches - Thank you Bob Wagner: "Eyes Of The World" - 8:30-8:57 "Wharf Rat" 10:13- end of track "Around And Around" 0:00-0:08 Thanks to Tim Dalton for providing this source Thanks to Charlie miller for the transfer. This is beautiful music played beautifully. edited and nastered SIRMick April 2018
Transferrer: Kevin Tobin
3:12:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134820.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-DEC-2015 - Trader Little Helper - Tagged 12-DEC-2015 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
3:12:27
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134567.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-NOV-2015 - Trader Little Helper - Tagged 07-NOV-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
3:12:27
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134566.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(51%-SBD/49%-AUD) For the matrix only, the Soundboard patches in both Eyes and Wharf Rat/Around & Around listed above used the audio from the video to ensure no phase problems. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-NOV-2015 - Trader Little Helper - Tagged 07-NOV-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD + 0.5 AUD 0 SET TWO Stereo Matrix SBD + 0.5 AUD 0 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:05:12
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-12.sbd.fix.miller.107156.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is a fix of shnid=106985 (Fix skip in Mama Tried)
Transferrer: Charlie Miller
3:05:12
SBD
Rating:
9.71 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-12.sbd.miller.106985.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: PCM provided by anonymous, while hiding out away from the Bay Area. Edited & reMastered using Adobe Audition by Joe Noel November 8, 2019
3:05:16
SBD
Transferrer:
PCM provided by anonymous, while hiding out away from the Bay Area. Edited & reMastered using Adobe Audition by Joe Noel November 8, 2019
SHNID:
gd1978-04-12.149531.BettyBoard.Anon.Noel.fixed.t-flac16
Source:
Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesPatch info: - shnid 105875 (FOB, Sony 54P, Robert Wagner) - s2t07; 08:32 - 09:08 - s2t10; 10:25 - end - s2t11; start - 0:11 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - Garcia's mic malfunctions for first two songs Additional Notes (April 11, 2020): - tags were incorrect, they have been corrected - channels were reversed, they have been swapped
Taper: Betty Cantor
3:05:18
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1978-04-12.149339.BettyBoard.Anon.Noel.t-flac16
Source:
Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesDAT provided by anonymous, while hiding out away from the Bay Area. Edited & Mastered using Adobe Audition by Joe Noel November 8, 2019 Patch info: - shnid 105875 (FOB, Sony 54P, Robert Wagner) - s2t07; 08:32 - 09:08 - s2t10; 10:25 - end - s2t11; start - 0:11 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - Garcia's mic malfunctions for first two songs
Transferrer: J. Henry
2:53:44
SBD
Rating:
10.00 / 2 ratings
Transferrer:
J. Henry
SHNID:
gd1978-04-12.sbd.henry.95673.sbefail.shnf
Source:
SBD>MR>PCM>D>CD
Lineage:
CD>Toast Audio Extractor>Peak>SHN
Taper Notes:
View NotesFlaws: No/Low Jerry vocals on d1t1 &t2 (Jack Straw and Dire Wolf) Reduced sound "burst" at 0:45 on d1t2 (Dire Wolf) Patched the dropout at 8:32 on d2t5 (Eyes Of The World) Reel flip/dropout between d3t2 & t3 (Wharf Rat and Around & Around) Thanks to Jeff Cotsman for the fine Audio CD
Transferrer: Jay Serafin
2:51:27
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Jay Serafin
SHNID:
gd1978-04-12.sbd.serafin.18805.sbeok.shnf
Source:
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
Taper Notes:
View NotesOriginally uploaded exclusively to GDLive.com by: John "Jay" Serafin, owner & chief audio engineer of Serafin Station Studio B "Making Kindness Dubs For Everyone!" No Copyright Infringements... EVER! Web Info: http://home.attbi.com/~kinddubs E-Mail: [email protected] GRATEFUL DEAD 04-12-78 Cameron Indoor Stadium, Duke University Durham, NC SETS: I / II / ENCORE LINEAGE: SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) AUDIO RATING: AR1a MEDIA REQUIRED: CD-R: 3x74 min. DAT: 1x180 min. DVD: 1x4.7GB DISC OFFICIAL FILE NAME (SHN): gd78-04-12_sssb.shn OFFICIAL FILE NAME (MP3): gd78-04-12_sssb_192kb.mp3 RELEASED ON: 01/22/03 OFFICIAL SHOW NOTES: LINEAGE: SBD > GD Master 2" 8 Track RTR @ 15 i.p.s. (two decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified); this show was "simulcast" on Duke University's FM campus radio station; any/all necessary editing, fades, noise reduction, hiss elimination, phase shifting, time smear correction, digital jitter elimination, equalization, quantization noise elimination (when converting audio sampling rates for CD-R or DVD mastering), and/or any other processes, were all digitally performed at 24-bit/96 kHz sampling rate at Serafin Station Studio B using the "Harpoon" editing software V1.084.782 JAY'S PERSONAL COMMENTS: As the "first show released in 2003", I figured I should make it a hell of a show to what I hope will be a hell of a year. I hope you agree with me that this show hits the nail on the head. LET'S BEGIN WITH A BIT OF "FYI TRIVIA": This is a little-known "set of factoids" about this show, which is almost always overlooked in the major "publications and set list" of Grateful Dead shows: this concert was simulcast over Duke's on-campus 50 watt FM radio station! On the date of this concert, the University's FM station (which was 94.7 MHz at that time) broadcasted it live; it's low power transmitter allowed it to be received by FM receivers within a 0.5 mile radius of the University grounds (per their FCC license). Many years later, in May of 1984, Duke University "donated" their RTR copies of this show to the Grateful Dead's Vault, when the station was undergoing renovation. Almost all of the oldest or "worst condition" equipment was being totally replaced with (at that time) "state of the art eight track cassette decks" and PCM decks; a brand new mixing consoles was designed and built by their engineering department students; and even a small, but very nicely designed, "live studio" was added, where bands could perform a song or two if they were doing interviews (live or for future broadcasts). To make room for all of this renovation, the station needed to "clean house" of all their archived RTR (80%) and cassette recordings (20%); these were recordings that the station personnel felt they longer were either required to keep (per FCC rules), or the large quantities of stored RTR/cassette media were no longer of any "musical and/or historical" value to the University as a whole. There were literally 1,500 RTR and cassette total recordings which were auctioned off (to past and present Duke University students and faculty only!), to help to defray the costs of the new equipment, and the renovation and expansion; any of the media which were not auctioned off were DESTROYED, not simply tossed into a dumpster. But, there were NO Dead/related concerts or interview recordings auctioned off! The students and faculty who ran the station agreed that rather than destroy the media that contained this parti
Source 11 of 17
2:53:47
SBDREMASTER
Rating:
9.40 / 43 ratings
SHNID:
gd78-04-12.sbd.ashley-bertha.14085.sbeok.shnf
Source:
Soundboard
Lineage:
Bertha Remaster of Master Reel source.SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesBertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
Source 12 of 17
2:53:44
SBD
Rating:
7.00 / 4 ratings
SHNID:
gd78-04-12.sbd.henry.11476.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MR>PCM>D>CD
Taper Notes:
View NotesSBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
Taper: Bob Wagner
3:17:41
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-12.148071.fob.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid141776 soundboard source which supplies a 0:11 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
3:17:41
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-12.148070.fob.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid141776 soundboard source which supplies a 0:11 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
3:17:09
Rating:
10.00 / 2 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1978-04-12.sony54p.wagner.miller.105875.flac16
Source:
(FOB) Sony 54P -> Cassette Master (Sony TC-158)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Recorded By Robert Wagner -- This is from an old transfer I did years ago
Source 16 of 17
3:14:07
SHNID:
gd1978-04-12.169012.mtx.seamons.ht172.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 31, 2024
Taper Notes:
View NotesNotes: There are some initial issues with the vocals in the first two songs of the SBD. Jerry is barely heard for Jack Straw and Dire Wolf, while Donna and Bobby's vocals fluctuate at times, coming in and out of the recording. Bob Wagner's audience recording fortunately restores the vocals in the matrix to a significant degree. The vocals smooth out after some initial reverb/feedback in Beat It On Down The Line. Several clicks and static-like pops in the SBD were removed during Peggy-O, Row Jimmy, and Loser. A section of dead air in the SBD was trimmed out to match the AUD cut. Virtually all of Wagner's AUD was preserved between songs, adding significant duration to the show. AUD cuts were cross-faded. Two AUD-only sections during songs were EQ'd to provide more bass and a warmer sound. No other EQ was used.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:12:39
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1978-04-12.155360.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes-------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-JAN-2022 - Trader Little Helper - Tagged 19-JAN-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production