RELISTENTOTHE Grateful Dead
Re
1978
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1978
4/12/78
Jack Straw
6:12
Dire Wolf
4:14
Beat It On Down The Line
3:55
Peggy-O
8:38
Mama Tried>
3:18
Mexicali Blues
3:55
Funiculi Funicula
1:46
Row Jimmy
10:45
New Minglewood Blues
5:40
Loser
8:37
Lazy Lightning> Supplication
9:29
Bertha>
8:02
Good Lovin'
6:51
It Must Have Been The Roses
8:48
Estimated Prophet>
12:03
Eyes Of The World>
11:55
Drums>
26:03
Truckin'>
9:04
Wharf Rat//>
10:29
Around & Around
8:13
U.S. Blues
5:47
FIN
View on archive.org
Sources
Taper: Betty Cantor and Tim Dalton
3:04:58
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-12.141776.sbd.betty.dalton.miller.sirmick.flac1644
Source:
Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
Taper Notes:
View NotesNotes: - Pitch correction. - The soundboard vocals are absent during most of "Dire Wolf". I have therefore, isolated the vocals from shnid 105875 as far as possible and matrixed them with this source. - Several minor dropouts have been patched with shnid 107156 - Shnid 105875 was also used for the following patches - Thank you Bob Wagner: "Eyes Of The World" - 8:30-8:57 "Wharf Rat" 10:13- end of track "Around And Around" 0:00-0:08 Thanks to Tim Dalton for providing this source Thanks to Charlie miller for the transfer. This is beautiful music played beautifully. edited and nastered SIRMick April 2018
Transferrer: Kevin Tobin
3:12:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134820.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-DEC-2015 - Trader Little Helper - Tagged 12-DEC-2015 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
3:12:27
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134567.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-NOV-2015 - Trader Little Helper - Tagged 07-NOV-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
3:12:27
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1978-04-12.134566.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(51%-SBD/49%-AUD) For the matrix only, the Soundboard patches in both Eyes and Wharf Rat/Around & Around listed above used the audio from the video to ensure no phase problems. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-NOV-2015 - Trader Little Helper - Tagged 07-NOV-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD + 0.5 AUD 0 SET TWO Stereo Matrix SBD + 0.5 AUD 0 --------------------------------------------------------- Brokedown House Production
Transferrer: PCM provided by anonymous, while hiding out away from the Bay Area. Edited & reMastered using Adobe Audition by Joe Noel November 8, 2019
3:05:16
SBD
Transferrer:
PCM provided by anonymous, while hiding out away from the Bay Area. Edited & reMastered using Adobe Audition by Joe Noel November 8, 2019
SHNID:
gd1978-04-12.149531.BettyBoard.Anon.Noel.fixed.t-flac16
Source:
Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesPatch info: - shnid 105875 (FOB, Sony 54P, Robert Wagner) - s2t07; 08:32 - 09:08 - s2t10; 10:25 - end - s2t11; start - 0:11 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - Garcia's mic malfunctions for first two songs Additional Notes (April 11, 2020): - tags were incorrect, they have been corrected - channels were reversed, they have been swapped
Taper: Betty Cantor
3:05:18
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1978-04-12.149339.BettyBoard.Anon.Noel.t-flac16
Source:
Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM
Lineage:
Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesDAT provided by anonymous, while hiding out away from the Bay Area. Edited & Mastered using Adobe Audition by Joe Noel November 8, 2019 Patch info: - shnid 105875 (FOB, Sony 54P, Robert Wagner) - s2t07; 08:32 - 09:08 - s2t10; 10:25 - end - s2t11; start - 0:11 Notes: - emphasis decoded & dc offset removed - the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy. - Garcia's mic malfunctions for first two songs
Transferrer: Jay Serafin
2:51:27
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Jay Serafin
SHNID:
gd1978-04-12.sbd.serafin.18805.sbeok.shnf
Source:
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
Taper Notes:
View NotesOriginally uploaded exclusively to GDLive.com by: John "Jay" Serafin, owner & chief audio engineer of Serafin Station Studio B "Making Kindness Dubs For Everyone!" No Copyright Infringements... EVER! Web Info: http://home.attbi.com/~kinddubs E-Mail: [email protected] GRATEFUL DEAD 04-12-78 Cameron Indoor Stadium, Duke University Durham, NC SETS: I / II / ENCORE LINEAGE: SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) AUDIO RATING: AR1a MEDIA REQUIRED: CD-R: 3x74 min. DAT: 1x180 min. DVD: 1x4.7GB DISC OFFICIAL FILE NAME (SHN): gd78-04-12_sssb.shn OFFICIAL FILE NAME (MP3): gd78-04-12_sssb_192kb.mp3 RELEASED ON: 01/22/03 OFFICIAL SHOW NOTES: LINEAGE: SBD > GD Master 2" 8 Track RTR @ 15 i.p.s. (two decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified); this show was "simulcast" on Duke University's FM campus radio station; any/all necessary editing, fades, noise reduction, hiss elimination, phase shifting, time smear correction, digital jitter elimination, equalization, quantization noise elimination (when converting audio sampling rates for CD-R or DVD mastering), and/or any other processes, were all digitally performed at 24-bit/96 kHz sampling rate at Serafin Station Studio B using the "Harpoon" editing software V1.084.782 JAY'S PERSONAL COMMENTS: As the "first show released in 2003", I figured I should make it a hell of a show to what I hope will be a hell of a year. I hope you agree with me that this show hits the nail on the head. LET'S BEGIN WITH A BIT OF "FYI TRIVIA": This is a little-known "set of factoids" about this show, which is almost always overlooked in the major "publications and set list" of Grateful Dead shows: this concert was simulcast over Duke's on-campus 50 watt FM radio station! On the date of this concert, the University's FM station (which was 94.7 MHz at that time) broadcasted it live; it's low power transmitter allowed it to be received by FM receivers within a 0.5 mile radius of the University grounds (per their FCC license). Many years later, in May of 1984, Duke University "donated" their RTR copies of this show to the Grateful Dead's Vault, when the station was undergoing renovation. Almost all of the oldest or "worst condition" equipment was being totally replaced with (at that time) "state of the art eight track cassette decks" and PCM decks; a brand new mixing consoles was designed and built by their engineering department students; and even a small, but very nicely designed, "live studio" was added, where bands could perform a song or two if they were doing interviews (live or for future broadcasts). To make room for all of this renovation, the station needed to "clean house" of all their archived RTR (80%) and cassette recordings (20%); these were recordings that the station personnel felt they longer were either required to keep (per FCC rules), or the large quantities of stored RTR/cassette media were no longer of any "musical and/or historical" value to the University as a whole. There were literally 1,500 RTR and cassette total recordings which were auctioned off (to past and present Duke University students and faculty only!), to help to defray the costs of the new equipment, and the renovation and expansion; any of the media which were not auctioned off were DESTROYED, not simply tossed into a dumpster. But, there were NO Dead/related concerts or interview recordings auctioned off! The students and faculty who ran the station agreed that rather than destroy the media that contained this parti
Source 16 of 17
3:14:07
SHNID:
gd1978-04-12.169012.mtx.seamons.ht172.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 31, 2024
Taper Notes:
View NotesNotes: There are some initial issues with the vocals in the first two songs of the SBD. Jerry is barely heard for Jack Straw and Dire Wolf, while Donna and Bobby's vocals fluctuate at times, coming in and out of the recording. Bob Wagner's audience recording fortunately restores the vocals in the matrix to a significant degree. The vocals smooth out after some initial reverb/feedback in Beat It On Down The Line. Several clicks and static-like pops in the SBD were removed during Peggy-O, Row Jimmy, and Loser. A section of dead air in the SBD was trimmed out to match the AUD cut. Virtually all of Wagner's AUD was preserved between songs, adding significant duration to the show. AUD cuts were cross-faded. Two AUD-only sections during songs were EQ'd to provide more bass and a warmer sound. No other EQ was used.