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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54373
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k283
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k353
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.1k553
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k504
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k410
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k382
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k178
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k222
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.9k678
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k208
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k241
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k255
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k524
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k737
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k204
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k233
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k222
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h61877
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1978
4/6/78
Bertha >
7:06
Good Lovin'
8:38
Dire Wolf
6:58
Me & My Uncle >
3:07
Big River
7:16
Friend Of The Devil
8:54
Passenger
7:11
Candyman
10:07
Lazy Lightning >
3:30
Supplication
4:49
Crowd
2:12
Samson & Delilah
10:25
It Must Have Been The Roses
10:46
Estimated Prophet >
12:01
He's Gone >
13:12
Drums >
7:29
The Other One >
16:39
Wharf Rat >
11:33
Around & Around
7:55
Encore Break
2:19
US Blues
6:08
FIN
View on archive.org
Sources
Taper: Betty Cantor;Tim Dalton
2:40:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-06.147759.sbd.betty.dalton.miller.sirmick.flac16
Source:
SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
Taper Notes:
View NotesNotes: - Bertha has been patched on from shnid 19510 - Thank you Bob Wagner and David Minches. I have tweaked it a little. - I have attenuated the static in Set II but it is still noticeable. - Tape flip in "TOO" has been patched with shnid 140694 Thanks to Tim for providing this source and Charlie for the transfer. edited and mastered SIRMick October 2019
Transferrer: Charlie Miller and SIRMick
2:40:56
SBD
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-06.140694.sbd.pcm.miller.sirmick.flac1644
Source:
Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
Taper Notes:
View NotesNotes: - The whole of "Bertha" has been patched on from shnid 18510 - Thank you Bob Wagner and David minches. - There were a number of small dropouts and some digital noise due to the age of the tape which have been patched with shnid 81307 - Charlie to the rescue. - There is some static present in the last four tracks of Set II but I have been able to reduce it substantially. Thanks to Charlie Miller for providing this source and doing the transfer edited and mastered SIRMick January 2018
Taper: Bob Wagner
2:45:50
SBD
Rating:
8.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Kevin Tobin;Charlie Miller;David Minches
SHNID:
gd1978-04-06.mtx.miller.wagner.81508.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 09-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6 --------------------------------------------------------- Additional Notes: This is my first matrix ... I thought it came out sounding good but I prefer the dts versions as the sound is distinct. Thanks to amdig for his helps and pushing for me to move into the matrix world of stereo vice the 5.1 format. Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time.
Transferrer: Charlie Miller
2:39:08
SBD
Rating:
6.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-06.sbd.miller.81307.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat D
Lineage:
Dat -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: Sony 54P -> Cassette Master -> Cool Edit 2000 -> CD (By Robert Wagner) Bertha (Complete Track) Notes: -- Set 2 is seamless -- Some PA static in the last few songs
Source 5 of 10
2:31:05
SBD
Rating:
6.50 / 4 ratings
Source:
Soundboard
Lineage:
mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp ->wav2cdr -> CDR
Taper Notes:
View NotesmSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148069.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148068.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: See info file
2:45:50
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1978-04-06.mtx.dts.tobin.81767.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 17-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -3db SBD Surround Left Channel -1.5db AUD Right Channel -1.5db AUD Sub/LFE Mixed to mono -3db SBD Reel --------------------------------------------------------- Additional Notes: Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Bob Wagner
2:45:50
Taper:
Bob Wagner
Transferrer:
David Mincjes - Pitch and patching by Kevin Tobin
SHNID:
gd1978-04-06.aud.tobin.81494.sbeok.flac16
Source:
Sony 54Ps> Sony TC-158. AUDMC > SHN
Taper Notes:
View NotesCharlie Miller recently released a need sbd of this show and I thought it would make a great dts/matrix show so I pulled out this wonderful recording done by Rob Wagner to compliment it. Beside the audio patching listed below, I corrected for a speed varience of about 1 second fast for every 2 minutes played. Audio Patching: 1) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 3) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 4) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd and audio dvd - Mixed by [email protected] - FLAC conversion 07-JAN-2007
Taper: Bob Wagner
2:43:58
Rating:
7.33 / 3 ratings
Taper:
Bob Wagner
Transferrer:
David Minches
SHNID:
gd78-04-06.wagner.minches.18510.sbeok.shnf
Source:
Audience Recording (Sony 54Ps> Sony TC-158 )
Lineage:
AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496>Cool Edit 2000> Feurio/mkwACT
Taper Notes:
View Notes- some PA crackling in set 2 but its minor d1t03 - bass presence increased briefly in Dire Wolf (PA mix change?) d1t06 - tape flip perhaps after FOTD d3t04 - 4:20 presumed tape flip :)