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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.5k344
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h719102
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.5k605
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k135
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.3k299
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k364
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4k499
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k157
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k293
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h87296
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k236
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k197
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.5k198
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k230
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k291
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k679
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h7.5k956
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h15.5k2.1k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h8.4k1.2k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h90376
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.3k540
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k573
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.1k386
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k240
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k722
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k579
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59675
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h15423
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h49135
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h443
7d1277
30d57234
2 shows
2 tapes
1978
4/6/78
Bertha
6:58
Good Lovin'
8:29
Dire Wolf
6:50
Me And My Uncle
3:04
Big River
7:06
Friend Of The Devil
8:47
Passenger
5:04
Crowd/tuning
1:31
Candyman
9:58
Lazy Lightnin'
3:27
Supplication
4:47
Crowd/tuning
2:06
Samson And Delilah
10:16
It Must Have Been The Roses
6:43
Crowd/tuning
3:49
Estimated Prophet
12:18
He's Gone
12:33
Drums
7:06
The Other One
16:14
Wharf Rat
11:27
Around And Around
9:30
U.S. Blues
5:55
FIN
View on archive.org
Sources
Taper: Betty Cantor;Tim Dalton
2:40:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-06.147759.sbd.betty.dalton.miller.sirmick.flac16
Source:
SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
Taper Notes:
View NotesNotes: - Bertha has been patched on from shnid 19510 - Thank you Bob Wagner and David Minches. I have tweaked it a little. - I have attenuated the static in Set II but it is still noticeable. - Tape flip in "TOO" has been patched with shnid 140694 Thanks to Tim for providing this source and Charlie for the transfer. edited and mastered SIRMick October 2019
Transferrer: Charlie Miller and SIRMick
2:40:56
SBD
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-06.140694.sbd.pcm.miller.sirmick.flac1644
Source:
Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
Taper Notes:
View NotesNotes: - The whole of "Bertha" has been patched on from shnid 18510 - Thank you Bob Wagner and David minches. - There were a number of small dropouts and some digital noise due to the age of the tape which have been patched with shnid 81307 - Charlie to the rescue. - There is some static present in the last four tracks of Set II but I have been able to reduce it substantially. Thanks to Charlie Miller for providing this source and doing the transfer edited and mastered SIRMick January 2018
Taper: Bob Wagner
2:45:50
SBD
Rating:
8.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Kevin Tobin;Charlie Miller;David Minches
SHNID:
gd1978-04-06.mtx.miller.wagner.81508.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 09-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6 --------------------------------------------------------- Additional Notes: This is my first matrix ... I thought it came out sounding good but I prefer the dts versions as the sound is distinct. Thanks to amdig for his helps and pushing for me to move into the matrix world of stereo vice the 5.1 format. Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time.
Transferrer: Charlie Miller
2:39:08
SBD
Rating:
6.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-06.sbd.miller.81307.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat D
Lineage:
Dat -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: Sony 54P -> Cassette Master -> Cool Edit 2000 -> CD (By Robert Wagner) Bertha (Complete Track) Notes: -- Set 2 is seamless -- Some PA static in the last few songs
Source 5 of 10
2:31:05
SBD
Rating:
6.50 / 4 ratings
Source:
Soundboard
Lineage:
mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp ->wav2cdr -> CDR
Taper Notes:
View NotesmSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148069.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148068.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: See info file
2:45:50
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1978-04-06.mtx.dts.tobin.81767.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 17-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -3db SBD Surround Left Channel -1.5db AUD Right Channel -1.5db AUD Sub/LFE Mixed to mono -3db SBD Reel --------------------------------------------------------- Additional Notes: Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Bob Wagner
2:45:50
Taper:
Bob Wagner
Transferrer:
David Mincjes - Pitch and patching by Kevin Tobin
SHNID:
gd1978-04-06.aud.tobin.81494.sbeok.flac16
Source:
Sony 54Ps> Sony TC-158. AUDMC > SHN
Taper Notes:
View NotesCharlie Miller recently released a need sbd of this show and I thought it would make a great dts/matrix show so I pulled out this wonderful recording done by Rob Wagner to compliment it. Beside the audio patching listed below, I corrected for a speed varience of about 1 second fast for every 2 minutes played. Audio Patching: 1) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 3) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 4) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd and audio dvd - Mixed by [email protected] - FLAC conversion 07-JAN-2007
Taper: Bob Wagner
2:43:58
Rating:
7.33 / 3 ratings
Taper:
Bob Wagner
Transferrer:
David Minches
SHNID:
gd78-04-06.wagner.minches.18510.sbeok.shnf
Source:
Audience Recording (Sony 54Ps> Sony TC-158 )
Lineage:
AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496>Cool Edit 2000> Feurio/mkwACT
Taper Notes:
View Notes- some PA crackling in set 2 but its minor d1t03 - bass presence increased briefly in Dire Wolf (PA mix change?) d1t06 - tape flip perhaps after FOTD d3t04 - 4:20 presumed tape flip :)