RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1978
4/6/78
Bertha ->
7:04
Good Lovin'
8:31
Dire Wolf
6:53
Me & My Uncle ->
3:06
Big River
7:17
Friend Of The Devil
9:59
Passenger
5:53
Candyman
10:02
Lazy Lightning ->
3:28
Supplication
4:33
crowd/tuning
1:39
Samson And Delilah
11:00
It Must Have Been The Roses
10:37
Estimated Prophet ->
12:26
He's Gone ->
12:35
Drums ->
7:24
The Other One ->
16:20
Wharf Rat ->
11:33
Around and Around
9:35
U. S. Blues
5:55
FIN
View on archive.org
Sources
Taper: Betty Cantor;Tim Dalton
2:40:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-06.147759.sbd.betty.dalton.miller.sirmick.flac16
Source:
SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
Taper Notes:
View NotesNotes: - Bertha has been patched on from shnid 19510 - Thank you Bob Wagner and David Minches. I have tweaked it a little. - I have attenuated the static in Set II but it is still noticeable. - Tape flip in "TOO" has been patched with shnid 140694 Thanks to Tim for providing this source and Charlie for the transfer. edited and mastered SIRMick October 2019
Transferrer: Charlie Miller and SIRMick
2:40:56
SBD
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-06.140694.sbd.pcm.miller.sirmick.flac1644
Source:
Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
Taper Notes:
View NotesNotes: - The whole of "Bertha" has been patched on from shnid 18510 - Thank you Bob Wagner and David minches. - There were a number of small dropouts and some digital noise due to the age of the tape which have been patched with shnid 81307 - Charlie to the rescue. - There is some static present in the last four tracks of Set II but I have been able to reduce it substantially. Thanks to Charlie Miller for providing this source and doing the transfer edited and mastered SIRMick January 2018
Taper: Bob Wagner
2:45:50
SBD
Rating:
8.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Kevin Tobin;Charlie Miller;David Minches
SHNID:
gd1978-04-06.mtx.miller.wagner.81508.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 09-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6 --------------------------------------------------------- Additional Notes: This is my first matrix ... I thought it came out sounding good but I prefer the dts versions as the sound is distinct. Thanks to amdig for his helps and pushing for me to move into the matrix world of stereo vice the 5.1 format. Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time.
Transferrer: Charlie Miller
2:39:08
SBD
Rating:
6.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-06.sbd.miller.81307.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat D
Lineage:
Dat -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: Sony 54P -> Cassette Master -> Cool Edit 2000 -> CD (By Robert Wagner) Bertha (Complete Track) Notes: -- Set 2 is seamless -- Some PA static in the last few songs
Source 5 of 10
2:31:05
SBD
Rating:
6.50 / 4 ratings
Source:
Soundboard
Lineage:
mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp ->wav2cdr -> CDR
Taper Notes:
View NotesmSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148069.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148068.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: See info file
2:45:50
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1978-04-06.mtx.dts.tobin.81767.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 17-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -3db SBD Surround Left Channel -1.5db AUD Right Channel -1.5db AUD Sub/LFE Mixed to mono -3db SBD Reel --------------------------------------------------------- Additional Notes: Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Bob Wagner
2:45:50
Taper:
Bob Wagner
Transferrer:
David Mincjes - Pitch and patching by Kevin Tobin
SHNID:
gd1978-04-06.aud.tobin.81494.sbeok.flac16
Source:
Sony 54Ps> Sony TC-158. AUDMC > SHN
Taper Notes:
View NotesCharlie Miller recently released a need sbd of this show and I thought it would make a great dts/matrix show so I pulled out this wonderful recording done by Rob Wagner to compliment it. Beside the audio patching listed below, I corrected for a speed varience of about 1 second fast for every 2 minutes played. Audio Patching: 1) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 3) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 4) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd and audio dvd - Mixed by [email protected] - FLAC conversion 07-JAN-2007
Taper: Bob Wagner
2:43:58
Rating:
7.33 / 3 ratings
Taper:
Bob Wagner
Transferrer:
David Minches
SHNID:
gd78-04-06.wagner.minches.18510.sbeok.shnf
Source:
Audience Recording (Sony 54Ps> Sony TC-158 )
Lineage:
AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496>Cool Edit 2000> Feurio/mkwACT
Taper Notes:
View Notes- some PA crackling in set 2 but its minor d1t03 - bass presence increased briefly in Dire Wolf (PA mix change?) d1t06 - tape flip perhaps after FOTD d3t04 - 4:20 presumed tape flip :)