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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h48767
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.4k391
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k313
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k320
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.9k384
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k389
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k361
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k162
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.7k970
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h973111
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.9k343
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.9k570
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k189
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k230
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k983
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k196
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k243
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h11k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k382
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k175
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.8k212
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.8k271
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h822100
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12719
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h402
7d886
30d60836
2 shows
2 tapes
1978
Sources
Taper: Betty Cantor;Tim Dalton
2:40:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor;Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1978-04-06.147759.sbd.betty.dalton.miller.sirmick.flac16
Source:
SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection.
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
Taper Notes:
View NotesNotes: - Bertha has been patched on from shnid 19510 - Thank you Bob Wagner and David Minches. I have tweaked it a little. - I have attenuated the static in Set II but it is still noticeable. - Tape flip in "TOO" has been patched with shnid 140694 Thanks to Tim for providing this source and Charlie for the transfer. edited and mastered SIRMick October 2019
Transferrer: Charlie Miller and SIRMick
2:40:56
SBD
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1978-04-06.140694.sbd.pcm.miller.sirmick.flac1644
Source:
Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
Taper Notes:
View NotesNotes: - The whole of "Bertha" has been patched on from shnid 18510 - Thank you Bob Wagner and David minches. - There were a number of small dropouts and some digital noise due to the age of the tape which have been patched with shnid 81307 - Charlie to the rescue. - There is some static present in the last four tracks of Set II but I have been able to reduce it substantially. Thanks to Charlie Miller for providing this source and doing the transfer edited and mastered SIRMick January 2018
Taper: Bob Wagner
2:45:50
SBD
Rating:
8.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Kevin Tobin;Charlie Miller;David Minches
SHNID:
gd1978-04-06.mtx.miller.wagner.81508.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 09-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6 --------------------------------------------------------- Additional Notes: This is my first matrix ... I thought it came out sounding good but I prefer the dts versions as the sound is distinct. Thanks to amdig for his helps and pushing for me to move into the matrix world of stereo vice the 5.1 format. Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time.
Transferrer: Charlie Miller
2:39:08
SBD
Rating:
6.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-04-06.sbd.miller.81307.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat D
Lineage:
Dat -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: Sony 54P -> Cassette Master -> Cool Edit 2000 -> CD (By Robert Wagner) Bertha (Complete Track) Notes: -- Set 2 is seamless -- Some PA static in the last few songs
Source 5 of 10
2:31:05
SBD
Rating:
6.50 / 4 ratings
Source:
Soundboard
Lineage:
mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp ->wav2cdr -> CDR
Taper Notes:
View NotesmSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148069.sony.54p.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: Bob Wagner
2:48:15
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1978-04-06.148068.sony.54p.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the fresh transfer and coordinating this effort - Thanks to Charlie Miller and SIRMick for the shnid140694 soundboard source which supplies a 0:14 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2019
Taper: See info file
2:45:50
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1978-04-06.mtx.dts.tobin.81767.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - Mixed by [email protected] - FLAC conversion 17-JAN-2007 Audio Patching: 1) To start the show, 7 minutes 01.232 seconds was missing from the sbd and was filled in with audio from the audience. This portion of the audio was normalized to blend in better. 2) Between Good Lovin' and Dire Wolf, 2 minutes 10.500 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 3) Between Dire Wolf and Me and My Uncle, 1 minutes 33.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 4) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 5) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 6) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 7) Between It Must Have Been the Roses and Estimated Prophet, 2 minutes 3.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 8) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 9) 3 minutes 17 seconds into the Other One, 3.400 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 10) 14 minutes 11 seconds into the Other One, 34.800 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. 11) 20 seconds before the start of US Blues, 30.600 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -3db SBD Surround Left Channel -1.5db AUD Right Channel -1.5db AUD Sub/LFE Mixed to mono -3db SBD Reel --------------------------------------------------------- Additional Notes: Bertha is missing on the sbd source ... both the dts and matrix version of this song are a little bright but still very energetic. The static during Around and Around through US Blues is still present but the matrix cancelled it out a little. The Robert Wagner audience was patched and corrected for speed - the updated version was released as shnid 81494. As most of the patches to the sbd were during the dead space between songs, I will not be circulating the more complete sbd at this time. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Bob Wagner
2:45:50
Taper:
Bob Wagner
Transferrer:
David Mincjes - Pitch and patching by Kevin Tobin
SHNID:
gd1978-04-06.aud.tobin.81494.sbeok.flac16
Source:
Sony 54Ps> Sony TC-158. AUDMC > SHN
Taper Notes:
View NotesCharlie Miller recently released a need sbd of this show and I thought it would make a great dts/matrix show so I pulled out this wonderful recording done by Rob Wagner to compliment it. Beside the audio patching listed below, I corrected for a speed varience of about 1 second fast for every 2 minutes played. Audio Patching: 1) Between Big River and Friend of the Devil, 8.850 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 2) Between Friend of the Devil and Passenger, 1 minute 8.763 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 3) Between Samson and Delilah and It Must Have Been the Roses, 33.394 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. 4) 4 minute 20 seconds into Drums, 14.033 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd and audio dvd - Mixed by [email protected] - FLAC conversion 07-JAN-2007
Taper: Bob Wagner
2:43:58
Rating:
7.33 / 3 ratings
Taper:
Bob Wagner
Transferrer:
David Minches
SHNID:
gd78-04-06.wagner.minches.18510.sbeok.shnf
Source:
Audience Recording (Sony 54Ps> Sony TC-158 )
Lineage:
AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496>Cool Edit 2000> Feurio/mkwACT
Taper Notes:
View Notes- some PA crackling in set 2 but its minor d1t03 - bass presence increased briefly in Dire Wolf (PA mix change?) d1t06 - tape flip perhaps after FOTD d3t04 - 4:20 presumed tape flip :)