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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h47864
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k303
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.5k329
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.1k420
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.2k424
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k393
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k358
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k171
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.8k961
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k119
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.1k246
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.4k628
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.4k176
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k204
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.2k1.1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.7k236
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k251
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h11.8k1.6k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37339
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k488
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.3k695
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.9k379
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k194
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k227
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k220
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h66882
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9214
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25419
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h362
7d1037
30d62737
2 shows
2 tapes
1978
1/22/78
Minglewood Blues
6:19
Dire Wolf
6:00
Cassidy
7:28
Peggy-O
7:45
El Paso
6:08
Tennessee Jed
4:42
Jack Straw
4:51
Row Jimmy
7:27
The Music Never Stopped
5:00
Bertha ->
8:43
Good Lovin'
5:43
Ship Of Fools
10:18
Samson and Delilah
8:00
Terrapin Station ->
10:48
Drums ->
7:33
The Other One ->
17:08
Jerry Solo (Close Encounters) ->
3:50
Saint Stephen ->
7:39
Not Fade Away ->
13:56
Around & Around
8:22
U.S. Blues
5:42
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:34
SBD
Rating:
9.63 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-01-22.sbd.miller.110632.flac16
Source:
Multiple Masters (Reels and Cassettes) -> My Hard Drive
Lineage:
My Hard Drive -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Close Encounters jam in The Other One -- Part of the show may have an extra cassette gen -- Thanks to David Gans for his help with this project -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Unknown
2:54:34
SBD
Rating:
10.00 / 1 rating
Source:
? SBD, 1st 4 songs in 2nd set AUD
Source 3 of 8
2:42:01
SBD
Rating:
9.12 / 68 ratings
SHNID:
gd78-01-22.sbd.popi.4974.sbeok.shnf
Source:
Soundboard and Audience Composite
Lineage:
sbd>??>cd>eac>shn; Audience FOB Sony TC-640 reel to reel > TCD-D8
Taper Notes:
View Notesd1,d3: sbd> ??> cd> eac> shn, d2 from <a href="http://db.etree.org/shninfo_detail.php?shnid=2014" rel="ugc nofollow">previous</a> shn set (see notes in info file); to gdlive, via popi
Source 4 of 8
2:27:58
SBD
Rating:
10.00 / 2 ratings
Source:
SBD>M?>C>PCM>Sound Forge>CD-R>SHN
Taper Notes:
View NotesThis show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD.
Taper: Reinhart Holwein
2:46:12
Rating:
10.00 / 1 rating
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101437.flac24
Source:
Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesFirst 8 seconds of Bertha patched with SHNID 31940 AND 5 seconds at the beginning of St. Stephen Patched with un-released Pat Lee Source.
Taper: Reinhart Holwein
2:46:12
Rating:
9.82 / 11 ratings
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101436.flac16
Source:
Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesFirst 8 seconds of Bertha patched with SHNID 31940 AND 5 seconds at the beginning of St. Stephen Patched with un-released Pat Lee Source.
Transferrer: Chris Chappell
2:43:22
Rating:
7.75 / 8 ratings
Transferrer:
Chris Chappell
SHNID:
gd1978-01-22.mtx.chappell.sb4.28846.flac16
Source:
Matrix - see info file
Lineage:
See info file
Taper Notes:
View NotesTransfer/Editing: All sources were snh files downloaded from LMA and converted to WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 4/01/05 General Notes: Given the two sources available on the Llama, I decided to put the effort into editing a matrix of all this incredible night in Eugene. The FOB AUD is a decent recording for '78 and the SBD is balanced with everyone in the mix. The two together work well as the energy in "The Pit" is palpable in this matrix. Unfortunately, no SBD circulates for the 4 songs that comprise disc 2, but the rest is epic, especially the Jerry mutron solo where he references the Close Encounters theme, shortly after the movie came out. Editing Notes: - Pitch Both sources were pitched differently, the SBD being the sharpest, and the AUD being the flatest. I used the SBD as my master timeline and pitch referenced the AUD to it. The AUD on average had to be pitched up about .06 (6 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. I did not reference A=440 as I did not desire to pitch adjust the SBD. It is very close though to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was a little EQ to the SBD source. One difference was that I noticed NR had been applied to disc 1 but not to disc 3. For Disc 1 I added about 1dB at 2.5kHz to get back some of which was lost from the previous NR. Both Disc 1 and 3 had a small shelf (less than 1dB) starting at about 170 Hz. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t01 (5:50 - 6:07) - missing (crowd) d1t04 (7:10 - 7:13) - missing (crowd) d1t05 (4:44 - 4:56) - missing (crowd) d1t06 (2:06:00 - 2:06:08) - missing d1t08 (10:02 - 10:10) - missing (crowd) d3t01 (4:24 - 4:25) - splice from another show d3t05 (6:56 - 7:27) - splice from another show d2t06 (2:50:05 - 2:50:17) - missing d3t07 (8:05 - 8:21) - missing (crowd) d3t08 (5:17 - 5:42) - missing (crowd) AUD: d1t01 (5:26 - 5:32) - missing (crowd) d1t02 (4:03 - 4:05) - missing (crowd) Note that alot of the missing elements from the SBD source are just crowd segments except for a few minor dropouts, as well as very stealth splicing in two spots on disc 3, the most noticeable being 31 seconds at the end of St. Stephen. I decided to leave the splices (from another show in the same time period (probably 1-11-78) because I was able to match them up with the AUD source without too much problem since it was during a verse, thus maintaining a SBD source in the mix during these points. This might seem objectionable to some, but since we are used to these splices, I felt that the difference in content is negligable, and it was better to have a SBD source in these parts than just the AUD. Other than that, all of the music is intact. Thanks to Popi for seeding the SBD. Thanks to John D'Auria for the transfer to DAT and SHN of the AUD. Thanks to Jonathan Aizen for uploading both sources to the Llama. Enjoy!!! -Chappy
Source 8 of 8
2:43:32
Rating:
9.09 / 11 ratings
SHNID:
gd78-01-22.sony.dauria.2014.sbefail.shnf
Source:
Audience FOB Sony TC-640 reel to reel > TCD-D8
Lineage:
TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
Taper Notes:
View NotesSource: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria