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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1978
1/22/78
Minglewood Blues
6:19
Dire Wolf
6:00
Cassidy
7:28
Peggy-O
7:45
El Paso
6:08
Tennessee Jed
4:42
Jack Straw
4:51
Row Jimmy
7:27
The Music Never Stopped
5:00
Bertha ->
8:43
Good Lovin'
5:43
Ship Of Fools
10:18
Samson and Delilah
8:00
Terrapin Station ->
10:48
Drums ->
7:33
The Other One ->
17:08
Jerry Solo (Close Encounters) ->
3:50
Saint Stephen ->
7:39
Not Fade Away ->
13:56
Around & Around
8:22
U.S. Blues
5:42
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:59:34
SBD
Rating:
9.63 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd1978-01-22.sbd.miller.110632.flac16
Source:
Multiple Masters (Reels and Cassettes) -> My Hard Drive
Lineage:
My Hard Drive -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Close Encounters jam in The Other One -- Part of the show may have an extra cassette gen -- Thanks to David Gans for his help with this project -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Unknown
2:54:34
SBD
Rating:
10.00 / 1 rating
Source:
? SBD, 1st 4 songs in 2nd set AUD
Source 3 of 8
2:42:01
SBD
Rating:
9.12 / 68 ratings
SHNID:
gd78-01-22.sbd.popi.4974.sbeok.shnf
Source:
Soundboard and Audience Composite
Lineage:
sbd>??>cd>eac>shn; Audience FOB Sony TC-640 reel to reel > TCD-D8
Taper Notes:
View Notesd1,d3: sbd> ??> cd> eac> shn, d2 from <a href="http://db.etree.org/shninfo_detail.php?shnid=2014" rel="ugc nofollow">previous</a> shn set (see notes in info file); to gdlive, via popi
Source 4 of 8
2:27:58
SBD
Rating:
10.00 / 2 ratings
Source:
SBD>M?>C>PCM>Sound Forge>CD-R>SHN
Taper Notes:
View NotesThis show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD.
Taper: Reinhart Holwein
2:46:12
Rating:
10.00 / 1 rating
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101437.flac24
Source:
Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesFirst 8 seconds of Bertha patched with SHNID 31940 AND 5 seconds at the beginning of St. Stephen Patched with un-released Pat Lee Source.
Taper: Reinhart Holwein
2:46:12
Rating:
9.82 / 11 ratings
Taper:
Reinhart Holwein
Transferrer:
Bob Menke and Adam Egert
SHNID:
gd1978-01-22.fob.akgd224e.holwein.motb-0086.101436.flac16
Source:
Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
Taper Notes:
View NotesFirst 8 seconds of Bertha patched with SHNID 31940 AND 5 seconds at the beginning of St. Stephen Patched with un-released Pat Lee Source.
Transferrer: Chris Chappell
2:43:22
Rating:
7.75 / 8 ratings
Transferrer:
Chris Chappell
SHNID:
gd1978-01-22.mtx.chappell.sb4.28846.flac16
Source:
Matrix - see info file
Lineage:
See info file
Taper Notes:
View NotesTransfer/Editing: All sources were snh files downloaded from LMA and converted to WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 4/01/05 General Notes: Given the two sources available on the Llama, I decided to put the effort into editing a matrix of all this incredible night in Eugene. The FOB AUD is a decent recording for '78 and the SBD is balanced with everyone in the mix. The two together work well as the energy in "The Pit" is palpable in this matrix. Unfortunately, no SBD circulates for the 4 songs that comprise disc 2, but the rest is epic, especially the Jerry mutron solo where he references the Close Encounters theme, shortly after the movie came out. Editing Notes: - Pitch Both sources were pitched differently, the SBD being the sharpest, and the AUD being the flatest. I used the SBD as my master timeline and pitch referenced the AUD to it. The AUD on average had to be pitched up about .06 (6 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. I did not reference A=440 as I did not desire to pitch adjust the SBD. It is very close though to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was a little EQ to the SBD source. One difference was that I noticed NR had been applied to disc 1 but not to disc 3. For Disc 1 I added about 1dB at 2.5kHz to get back some of which was lost from the previous NR. Both Disc 1 and 3 had a small shelf (less than 1dB) starting at about 170 Hz. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t01 (5:50 - 6:07) - missing (crowd) d1t04 (7:10 - 7:13) - missing (crowd) d1t05 (4:44 - 4:56) - missing (crowd) d1t06 (2:06:00 - 2:06:08) - missing d1t08 (10:02 - 10:10) - missing (crowd) d3t01 (4:24 - 4:25) - splice from another show d3t05 (6:56 - 7:27) - splice from another show d2t06 (2:50:05 - 2:50:17) - missing d3t07 (8:05 - 8:21) - missing (crowd) d3t08 (5:17 - 5:42) - missing (crowd) AUD: d1t01 (5:26 - 5:32) - missing (crowd) d1t02 (4:03 - 4:05) - missing (crowd) Note that alot of the missing elements from the SBD source are just crowd segments except for a few minor dropouts, as well as very stealth splicing in two spots on disc 3, the most noticeable being 31 seconds at the end of St. Stephen. I decided to leave the splices (from another show in the same time period (probably 1-11-78) because I was able to match them up with the AUD source without too much problem since it was during a verse, thus maintaining a SBD source in the mix during these points. This might seem objectionable to some, but since we are used to these splices, I felt that the difference in content is negligable, and it was better to have a SBD source in these parts than just the AUD. Other than that, all of the music is intact. Thanks to Popi for seeding the SBD. Thanks to John D'Auria for the transfer to DAT and SHN of the AUD. Thanks to Jonathan Aizen for uploading both sources to the Llama. Enjoy!!! -Chappy
Source 8 of 8
2:43:32
Rating:
9.09 / 11 ratings
SHNID:
gd78-01-22.sony.dauria.2014.sbefail.shnf
Source:
Audience FOB Sony TC-640 reel to reel > TCD-D8
Lineage:
TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
Taper Notes:
View NotesSource: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria