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Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.4k169
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.7k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k238
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.7k363
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k357
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k718
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k268
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k137
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.4k545
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86199
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.4k736
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k295
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h958121
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k241
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k455
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1k150
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.4k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h44046
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k400
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k527
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k314
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k165
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k148
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h77093
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12517
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h41925
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1977
12/30/77
Mississippi Half-Step Uptown Toodeloo
11:58
Me And My Uncle
5:27
Dire Wolf
6:14
Looks Like Rain
8:58
Row Jimmy
9:16
Big River
8:23
Weir's Deer Joke
0:58
Peggy-O
9:50
Passenger
5:09
Ramble On Rose
9:09
Let It Grow
12:47
Samson And Delilah
10:58
Ship Of Fools
9:53
Estimated Prophet >
10:42
Eyes Of The World >
16:14
St. Stephen >
9:16
Sugar Magnolia
10:37
U.S. Blues
9:20
Good Lovin'
6:49
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:51:58
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1977-12-30.142698.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller;
Lineage:
Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-JUL-2018 - Trader Little Helper - Tagged 19-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:51:59
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1977-12-30.142696.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller;
Lineage:
Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-JUL-2018 - Trader Little Helper - Tagged 19-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:48:59
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-12-30.139536.sbd-patched.miller.flac1644
Source:
SBD > Master Reel > Dat > FLAC
Lineage:
FLAC > Samplitude Professional Pro X3 Suite > FLAC
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=132379 -- Thanks to SIRMick for his help with this project
Transferrer: Charlie Miller
2:48:12
SBD
Rating:
9.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-12-30.132379.sbd.miller.flac16
Source:
SBD -> Master Reel -> Dat -> FLAC
Lineage:
FLAC -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- This is a fixed version of shnid=132379 -- Levels were increased approximately 14db
Transferrer: Sean Cribbs
1:38:23
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Sean Cribbs
SHNID:
gd1977-12-30.sbd.cribbs.30624.sbeok.shnf
Lineage:
SBDMR>DAT>Sonic Solutions>CD>EAC>SHN
Source 6 of 8
1:37:28
SBD
Rating:
7.86 / 15 ratings
SHNID:
gd77-12-30.sbd.dp-leftovers.20009.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> CDA
Taper Notes:
View NotesSBD>>MR>>DAT>>CDA via Candyman
Taper: Sandy Troy
2:33:19
Taper:
Sandy Troy
Transferrer:
Charlie Miller and Matt Smith and SIRMick
SHNID:
gd1977-12-30.139533.aud.troy.miller.smith.sirmick.flac24
Source:
Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017
Taper Notes:
View Notes- Tape pauses have been cleaned up with crossfades. - Quite a number of small droputs have been repaired. - All tracks have been pitch corrected. - The soundboard that circulates and DP10 both have a splice in "Eyes Of The World", around 47 seconds is missing. This is the only complete version currently in circulation.
Taper: Gene Taback
1:13:54
Taper:
Gene Taback
Transferrer:
Jamie Waddell
SHNID:
gd1977-12-30.GEMS.Taback.partial.112745.flac16
Source:
Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData
Taper Notes:
View NotesI've noticed that there's no audience of 77-12-30. I wonder if that's because major players are hiding their aud (as with 72-12-11) or there really is no aud. At any rate I have a cassette master partial of this show that I recorded at Winterland. It's quite good sounding (both channels are there!), but in those days I was playing a game of only recording those songs I wanted to hear repeatedly in the future.