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Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h65991
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h756103
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.3k441
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.7k341
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k359
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k362
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k149
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k237
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h89098
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.7k198
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k138
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k197
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k218
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k286
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k687
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.9k258
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.4k468
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86284
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k579
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.3k562
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.2k388
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k216
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.6k871
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36144
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11516
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23418
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h352
7d1026
30d57334
2 shows
2 tapes
1977
12/30/77
Mississippi Half-Step Uptown Toodeloo
11:55
Me And My Uncle
5:30
Dire Wolf
5:48
Looks Like Rain
9:24
Row Jimmy
9:16
Big River
9:22
Peggy-O
9:48
Passenger
5:07
Ramble On Rose
9:09
Let It Grow
13:00
Tuning
3:08
Samson And Delilah
10:57
Ship Of Fools
6:44
Estimated Prophet ->
10:41
Eyes Of The World ->
15:26
St. Stephen ->
9:18
Sugar Magnolia
9:49
U.S. Blues
6:21
Good Lovin'
7:29
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:51:58
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1977-12-30.142698.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller;
Lineage:
Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-JUL-2018 - Trader Little Helper - Tagged 19-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:51:59
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1977-12-30.142696.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller;
Lineage:
Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 19-JUL-2018 - Trader Little Helper - Tagged 19-JUL-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:48:59
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-12-30.139536.sbd-patched.miller.flac1644
Source:
SBD > Master Reel > Dat > FLAC
Lineage:
FLAC > Samplitude Professional Pro X3 Suite > FLAC
Taper Notes:
View NotesNotes: -- This is a patched version of shnid=132379 -- Thanks to SIRMick for his help with this project
Transferrer: Charlie Miller
2:48:12
SBD
Rating:
9.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-12-30.132379.sbd.miller.flac16
Source:
SBD -> Master Reel -> Dat -> FLAC
Lineage:
FLAC -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- This is a fixed version of shnid=132379 -- Levels were increased approximately 14db
Transferrer: Sean Cribbs
1:38:23
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Sean Cribbs
SHNID:
gd1977-12-30.sbd.cribbs.30624.sbeok.shnf
Lineage:
SBDMR>DAT>Sonic Solutions>CD>EAC>SHN
Source 6 of 8
1:37:28
SBD
Rating:
7.86 / 15 ratings
SHNID:
gd77-12-30.sbd.dp-leftovers.20009.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> CDA
Taper Notes:
View NotesSBD>>MR>>DAT>>CDA via Candyman
Taper: Sandy Troy
2:33:19
Taper:
Sandy Troy
Transferrer:
Charlie Miller and Matt Smith and SIRMick
SHNID:
gd1977-12-30.139533.aud.troy.miller.smith.sirmick.flac24
Source:
Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017
Taper Notes:
View Notes- Tape pauses have been cleaned up with crossfades. - Quite a number of small droputs have been repaired. - All tracks have been pitch corrected. - The soundboard that circulates and DP10 both have a splice in "Eyes Of The World", around 47 seconds is missing. This is the only complete version currently in circulation.
Taper: Gene Taback
1:13:54
Taper:
Gene Taback
Transferrer:
Jamie Waddell
SHNID:
gd1977-12-30.GEMS.Taback.partial.112745.flac16
Source:
Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData
Taper Notes:
View NotesI've noticed that there's no audience of 77-12-30. I wonder if that's because major players are hiding their aud (as with 72-12-11) or there really is no aud. At any rate I have a cassette master partial of this show that I recorded at Winterland. It's quite good sounding (both channels are there!), but in those days I was playing a game of only recording those songs I wanted to hear repeatedly in the future.