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June 14th
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1977
11/4/77
Bertha >
7:43
Good Lovin'
6:42
Brown Eyed Women
6:11
Cassidy
5:54
It Must Have Been The Roses
7:48
Sunrise
4:13
New Minglewood Blues
6:15
Dupree's Diamond Blues
6:43
Let It Grow
13:47
Phil introduces "The Jones Gang"
2:26
Samson And Delilah >
7:22
Cold Rain And Snow
5:58
crowd/tuning
3:11
Playing In The Band >
12:47
Eyes Of The World >
12:43
Estimated Prophet >
11:46
The Other One >
4:26
Drums >
3:35
Iko Iko >
10:26
Stella Blue >
12:03
Playing In The Band (reprise)
7:43
Johnny B. Goode
5:11
FIN
View on archive.org
Sources
Transferrer: rstone5
2:38:20
SBD
Transferrer:
rstone5
SHNID:
gd1977-11-04.142304.sbd.eac.flac1644
Source:
Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs)>xACT 2.41 (ffp’s, sector boundaries) > Flac 6
Taper Notes:
View NotesSome Comments: My CD copy of this show has always been a real favorite. Nice clear sound, great song list. The real break between sets is after Let It Grow, as BW announces (“so hang out”). Set 2 starts with Something Doesn’t Work… But if recording to CD by sets, the second set will not fit on a single CD (>90 min.). As dl’ed if desired to do so will fit nicely on two CD’s. CDa is separate songs, CDb jams with real intensity and fire for the most part, (Playin’>>>Other One), slowing for a real nice Stella. Garcia’s guitar sound is harder than in previous years, and everyone goes into jams with a real intensity (turn it up!). Dead on a real roll in 1977. Very nearly forty years and still raises the shivers. Dr. Flashback said in 2004: “Guaranteed to bring a smile and get you kind!”
Transferrer: Unknown
2:38:20
SBD
Rating:
2.00 / 1 rating
SHNID:
gd1977-11-04.139656.sbd.flac1644
Source:
This source is a DAE of the GDLive material listed as <a href="http://db.etree.org/shn/2595">source ID 2595</a>; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6
Transferrer: Phil Matera
2:38:11
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Phil Matera
SHNID:
gd1977-11-04.sbd.matera.130927.flac16
Source:
<a href="http://db.etree.org/shn/3739">Source ID 3739</a> Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac
Taper Notes:
View NotesRemaster - August 10, 2014 - Phil Matera Seed: gd77-11-04.sbd.braverman.3739.sbeok.shnf Adjusted amplitudes and equalization with Cool Edit 2000 shn > wav > flac All (I think) drop outs are fixed and tracks resplit to begin at the start of the songs or where I perceived the start of the track. Good show. I think that you guys will enjoy this "new anad improved" remaster.
Transferrer: Peter Braverman
2:40:56
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Peter Braverman
SHNID:
gd1977-11-04.sbd.braverman.3739.shnf
Source:
SBD:MR > DAT > CD-R
Taper Notes:
View Notes*The NEW track (d2T01.NEW) contains a patch for the famous "Jones Gang" introduction to set 2. This has been patched to contain the complete intro from a quite good audience tape (AUD: MR> C> C -- not a completely reliable sourcing, but close enough for its purpose here). The crowd is prominent, and the AUD is fun because they're absolutely nuts. In fact, the whole show circulates in AUD and it's recommended. There are two .md5 files for d2. The first (gd77-11-04d2.md5) contains the original tracks. The second .md5 file (gd77-11-04d2NEW.md5) contains checksum information for the new track ONLY. You should when burning choose either d2t01.shn (no patch) OR d2t01.NEW.shn (with AUD patch), but not both. New track seeded by [email protected], 2/01. Other tracks seeded but not accompanied by text file, so source information is missing; sorry. pb -------------- The following was posted by the Undernet sometime after the initial seeding. [email protected] wholeheartedly concurs, but suggests respectfully that the authors read more widely than middle-period Hunter Thompson. gd77-11-04 - Jones Gang@Colgate University Homecoming This seed slipped into the 'tree under the radar from the alt.dead crew last month without the fanfare this Royal Assblaster deserves. The crazily fast, tight mania that crackles off of this show will leave you breathless and exhausted after a full listen. A good show to compare this to would be 77.05.04. While both shows exhibit the signature '77 hyperdelic cocaine soundstamp -- 05.04 is a nice moonlit, redwine convertible ride compared to the violent psychic enema the Dead gave these undergraduates that magical night at Colgate. The blistering solos during this Eyes of the World alone will make every effort to toss you bodily over The Cliff. This one will clean the tubes right out -- never mind the initial pressure behind the eyes and those leering insectoid midgets as the skein of space/time unravels, just hang ON to your faces, loyal SHNarvesters, this is some ride...
Source 5 of 11
3:03:06
SBD
Rating:
9.42 / 46 ratings
Source:
Soundboard
Lineage:
SBD:MR > DAT > CD-R
Taper Notes:
View NotesSBD:MR > DAT > CD-R; noted at gdlive (also to abgd?)
Taper: Jerry Moore and Tim Dalton
2:35:21
Rating:
10.00 / 1 rating
Taper:
Jerry Moore and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-11-04.141833.sony.ecm33p.moore.dalton.miller.clugston.flac1644
Source:
Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Alan Zimmerman and David Minches for the shnid81110 Sony sterteo mic source which supplies a 0:09 patch in "Eyes Of The World" - Thanks to Chris Chappell for the shnid29091 matrix source which supplies a 0:15 patch in the "Stella Blue > Playin' In The Band Reprise" transition - Transitions smoothed Mastered by Scott Clugston April 28, 2018
Taper: Will Boswell
2:44:53
Rating:
10.00 / 2 ratings
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1977-11-04.141005.aud.boswell.smith.sirmick.flac1644
Source:
Source: Audience Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018
Taper Notes:
View NotesComments: - This may be a crew recording from the board. - Matt says this is the best audience recording from 1977 that he has heard. Notes: - DC Offset removed. - Adjusted gain to balance the channels. - Last 4 tracks of Set I and all of Set II have been speed corrected. Thanks to Will for providing this great source and Matt for doing the transfer Thank you to John Perry Barlow who wrote the lyrics to "Cassidy", one of my favourite GD songs, may he live on in our collective memory for a very long time. edited and mastered SIRMick February 2018
Taper: Will Boswell
2:44:53
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1977-11-04.141004.aud.boswell.smith.sirmick.flac2496
Source:
Source: Audience Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018
Taper Notes:
View NotesComments: - This may be a crew recording from the board. - Matt says this is the best audience recording from 1977 that he has heard. Notes: - DC Offset removed. - Adjusted gain to balance the channels. - Last 4 tracks of Set I and all of Set II have been speed corrected. Thanks to Will for providing this great source and Matt for doing the transfer Thank you to John Perry Barlow who wrote the lyrics to "Cassidy", one of my favourite GD songs, may he live on in our collective memory for a very long time. edited and mastered SIRMick February 2018
Taper: Alan Zimmerman
3:01:54
Rating:
7.50 / 4 ratings
Taper:
Alan Zimmerman
Transferrer:
David Minches
SHNID:
gd1977-11-04.aud.zimmerman.minches.81110.sbeok.flac16
Source:
Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s)
Lineage:
Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
Taper: See info file
2:42:53
Rating:
9.50 / 16 ratings
Taper:
See info file
Transferrer:
Chris Chappell
SHNID:
gd1977-11-04.mtx.chappell.SB5.29091.flac16
Source:
Sick Bits Vol. 5 Matrix By Chris Chappell
Lineage:
See info file
Taper Notes:
View NotesSick Bits Vol. 5 Source: Matrix: (SBD/AUD mix) SBD: MR > DAT > CD-R (shn ID #2595) AUD: MAC: Sony ECM 33Ps > Sony TC-158 > CDR (shn ID #15208) Taped by Jerry Moore [complete text files for each source appended at end] Transfer/Editing: Both sources were shn files downloaded from LMA and converted to WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 (level 8) Matrixed by Chris Chappell [email protected] 4/23/05 General Notes: Given the two sources available on the Llama, I decided to put the effort into editing a matrix of this weird and powerful night at Colgate U. during their homecoming weekend. The Jerry Moore FOB AUD is an excellent recording, and the SBD is balanced with everyone in the mix and Keith featured prominently throughout. The two sources work well together even though the venue was basically an ice rink with steel walls. Music Notes: This show, albeit sloppy at points, epitomizes the ability of the band to take chances musically, knowing they can falter at any moment but also collectively discover something around the bend never before seen or heard. This is also reflected in the setlist which has some noteworthy aspects. The Let It Grow to end the first set is both out there and raging, purporting what is to come next. Technical difficulties allow time for Phil to introduce the band as the "Jones Gang" at the start of the second set. This level of hilarity is indicative of the playing to follow: loose, strange, daring, and plain old rockin'. Cold Rain & Snow hadn't been played in over a year and is one of two played in '77. The Playin' in the Band is very exploratory building to a crescendo that segues into the gem of the show: Eyes of the World - simply the most rockin' I have heard. Then, to top it off, they transition into Estimated, with Jerry sort of happening upon the song unexpectedly. This is the first Eyes > Estimated, with another on 11-5-79 and then not again until the famous night at Nassau with Branford Marsalis on 3-29-90. A powerful one-verse only Other One follows, and then the 4th Iko-Iko ever comes out of Drums. The Stella Blue is very intimate with Jerry crooning at the end similar to certain nights in the 90's. A very long and jammed out Playin' reprise ends the set at a fervent level, and the Johnny B. Goode to follow doesn't let up. Editing Notes: - Pitch Both sources were pitched differently, the AUD being the sharpest, and the SBD being the flatest. I used the SBD as my master timeline and pitch referenced the AUD to it. The AUD on average had to be pitched down about .33 (33 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. I did not reference A=440 as I did not desire to pitch adjust the SBD. It is very close though to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was a little bit of limiting (Waves L2) to the SBD source. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. Crossfades were used throughout for smooth transitions to a single source. SBD: d1t01 (0:00 - 0:03) - missing (crowd) d1t02 (6:10 - 6:30) - missing (crowd) d1t04 (4:49 - 4:53) - missing (crowd) d1t05 (7:23 - 7:25) - missing (crowd) d1t06 (4:10 - 4:23) - missing (crowd) d1t07 (5:19 - 5:30) - missing (crowd) d1t08 (6:09 - 6:13) - missing (crowd) d2t01 (0:30 - 1:08) - missing d2t03 (6:10 - 8:18) - missing (crowd) d3t01 (
Taper: Jerry Moore
2:39:28
Rating:
9.28 / 25 ratings
Taper:
Jerry Moore
Transferrer:
John Steinthal
SHNID:
gd77-11-04.moore.jupile-weiner.15208.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
MAC (Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > track
Taper Notes:
View NotesMAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner.