RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h51768
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h959152
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k385
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.7k622
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5.2k670
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.6k347
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k356
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k157
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.2k728
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k119
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k201
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.6k529
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k181
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k166
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k217
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h7.9k943
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k236
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k262
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.8k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h17.9k2.4k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h35838
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k482
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k717
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.7k347
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k207
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k173
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k180
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42953
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14219
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h31322
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h151
7d1268
30d63237
2 shows
2 tapes
1977
10/28/77
Promised Land
6:08
They Love Each Other
10:43
Cassidy
6:47
Tennessee Jed
12:45
Mexicali Blues
3:15
Big River
7:57
Brown Eyed Women
7:16
Lazy Lightning
3:21
Supplication
6:37
Deal
7:01
Tuning
1:49
Samson and Delilah
9:59
Candyman
9:02
Sunrise
5:39
Passenger
7:35
He's Gone
19:22
Drums
3:24
Not Fade Away
14:03
Stella Blue
11:19
Going Down the Road Feeling Bad
7:26
Around and Around
7:48
Casey Jones
9:15
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:59:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1977-10-28.101243.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 10-SEP-2009 --------------------------------------------------------- Audio Patches: 1) Between Tennessee Jed and Mexicali Blues, 47.950 seconds were missing from the audience source and was filled in with audio from the soundboard source. 2) Between Big River and Brown Eyed Women, 52.039 seconds were missing from the audience source and was filled in with audio from the soundboard source. 3) At the beginning of the second set audience, 1 minute and 08.824 seconds were missing from the audience source and was filled in with audio from the soundboard source. 4) Between Samson And Delilah and Candyman, 2 minutes and 15.970 seconds were missing from the audience source and was filled in with audio from the soundboard source. 5) Between Candyman and Sunrise, 1 minutes and 32.971 seconds were missing from the audience source and was filled in with audio from the soundboard source. 6) Between Sunrise and Passenger, 1 minutes and 15.402 seconds were missing from the audience source and was filled in with audio from the soundboard source. 7) Between Passenger and He's Gone, 2 minutes and 55.724 seconds were missing from the audience source and was filled in with audio from the soundboard source. This is at the end of Disk 2. 8) 10 minutes into Stella Blue, 24.560 seconds were missing from the audience source and was filled in with audio from the soundboard source. 9) Charlie Miller's 3 patches to the soundboard during Promised Land, He's Gone and Around and Around were left as is. 10) Matrix\DTS were synced using the soundboard as a reference.Both sources were well matched soundwise with a small plus of actually being a show I was lucky enough to attend. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Charlie Miller
2:59:33
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-28.sbd.miller.96159.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Sony ECM-990 -> Cassette Master -> Reel -> CD supplies: The Promised Land (0:00 - 0:22) He's Gone (14:43 - 15:00) Around And Around (7:45 - 8:49) Notes: -- Set 2 is seamless -- Thanks to David Minches for the patch source -- Thanks to Joe B. Jones for his help with the patch source pitch correction
Taper: Betty Cantor
3:00:28
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-10-28.148907.betty-board.anon.noel.t-flac16
Source:
Betty SBD > Reel Master > PCM > pcm clone
Lineage:
Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesPCM clone provided by anonymous Edited & Mastered using Abobe Audition by Joe Noel January 29, 2020 patch info: - shnid 96569 (Sony ECM-990 > Cassette Master > Reel) - s1t01; start - 00:52 - s2t08; 14:38 - 14:50 - s2t13; 07:45 - 08:54 Notes: - Thanks to anonymous for sharing his source, while hiding out away from the Bay Area - emphasis decoded - dc offset removed - Thanks to Bob Wagner for providing the reel
Source 4 of 6
2:58:31
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd77-10-28.sbd.munder.8520.sbeok.shnf
Source:
Soundboard
Lineage:
Betty Board> MR> ?> CD
Taper Notes:
View NotesBetty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy
Transferrer: Kevin Tobin
2:59:26
Rating:
8.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1977-10-28.mtx.tobin.101196.flac16
Source:
Matrix 2 Source Mix
Taper Notes:
View NotesSBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin
Transferrer: David Minches
2:49:13
Rating:
10.00 / 2 ratings
Transferrer:
David Minches
SHNID:
gd1977-10-28.sonyECM990.minches.96569.flac16
Source:
Sony ECM-990 -> Cassette Master
Lineage:
Cassette Master -> Reel -> FLAC: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding
Taper Notes:
View Notes- Thanks to Bob Wagner for the reel. - Special thanks to Joe B. Jones for his help with the pitch correction. Just about every song required some correction as the speed varied throughout the tape.