Bands
Featured
Bands
Grateful Dead
Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1977
Sources
Transferrer: Kevin Tobin
2:59:26
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1977-10-28.101243.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 10-SEP-2009 --------------------------------------------------------- Audio Patches: 1) Between Tennessee Jed and Mexicali Blues, 47.950 seconds were missing from the audience source and was filled in with audio from the soundboard source. 2) Between Big River and Brown Eyed Women, 52.039 seconds were missing from the audience source and was filled in with audio from the soundboard source. 3) At the beginning of the second set audience, 1 minute and 08.824 seconds were missing from the audience source and was filled in with audio from the soundboard source. 4) Between Samson And Delilah and Candyman, 2 minutes and 15.970 seconds were missing from the audience source and was filled in with audio from the soundboard source. 5) Between Candyman and Sunrise, 1 minutes and 32.971 seconds were missing from the audience source and was filled in with audio from the soundboard source. 6) Between Sunrise and Passenger, 1 minutes and 15.402 seconds were missing from the audience source and was filled in with audio from the soundboard source. 7) Between Passenger and He's Gone, 2 minutes and 55.724 seconds were missing from the audience source and was filled in with audio from the soundboard source. This is at the end of Disk 2. 8) 10 minutes into Stella Blue, 24.560 seconds were missing from the audience source and was filled in with audio from the soundboard source. 9) Charlie Miller's 3 patches to the soundboard during Promised Land, He's Gone and Around and Around were left as is. 10) Matrix\DTS were synced using the soundboard as a reference.Both sources were well matched soundwise with a small plus of actually being a show I was lucky enough to attend. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Charlie Miller
2:59:33
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-28.sbd.miller.96159.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Sony ECM-990 -> Cassette Master -> Reel -> CD supplies: The Promised Land (0:00 - 0:22) He's Gone (14:43 - 15:00) Around And Around (7:45 - 8:49) Notes: -- Set 2 is seamless -- Thanks to David Minches for the patch source -- Thanks to Joe B. Jones for his help with the patch source pitch correction
Taper: Betty Cantor
3:00:28
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-10-28.148907.betty-board.anon.noel.t-flac16
Source:
Betty SBD > Reel Master > PCM > pcm clone
Lineage:
Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
Taper Notes:
View NotesPCM clone provided by anonymous Edited & Mastered using Abobe Audition by Joe Noel January 29, 2020 patch info: - shnid 96569 (Sony ECM-990 > Cassette Master > Reel) - s1t01; start - 00:52 - s2t08; 14:38 - 14:50 - s2t13; 07:45 - 08:54 Notes: - Thanks to anonymous for sharing his source, while hiding out away from the Bay Area - emphasis decoded - dc offset removed - Thanks to Bob Wagner for providing the reel
Source 4 of 6
2:58:31
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd77-10-28.sbd.munder.8520.sbeok.shnf
Source:
Soundboard
Lineage:
Betty Board> MR> ?> CD
Taper Notes:
View NotesBetty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy
Transferrer: Kevin Tobin
2:59:26
Rating:
8.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1977-10-28.mtx.tobin.101196.flac16
Source:
Matrix 2 Source Mix
Taper Notes:
View NotesSBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin
Transferrer: David Minches
2:49:13
Rating:
10.00 / 2 ratings
Transferrer:
David Minches
SHNID:
gd1977-10-28.sonyECM990.minches.96569.flac16
Source:
Sony ECM-990 -> Cassette Master
Lineage:
Cassette Master -> Reel -> FLAC: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding
Taper Notes:
View Notes- Thanks to Bob Wagner for the reel. - Special thanks to Joe B. Jones for his help with the pitch correction. Just about every song required some correction as the speed varied throughout the tape.