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June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1977
10/2/77
Casey Jones
13:45
Jack Straw
5:37
Sunrise
5:26
Brown Eyed Women
6:37
El Paso
6:23
Dupree's Diamond Blues
6:09
Let It Grow
13:42
Deal
7:16
Tuning
1:51
Samson and Delilah
8:52
Scarlet Begonias
9:10
Fire on the Mountain
12:36
Funiculi Funicula
2:42
Playin' in the Band
9:11
Drums
5:58
The Wheel
5:16
Truckin'
8:53
The Other One
7:21
Wharf Rat
10:51
Sugar Magnolia
10:52
Johnny B. Goode
4:43
FIN
View on archive.org
Sources
Transferrer: Scott Clugston and Charlie Miller
2:43:01
SBD
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-10-02.142122.sbd.miller.clugston.patched.flac1644
Source:
SBD > Master Reel > PCM > Dat
Lineage:
Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC
Taper Notes:
View NotesNotes: - Thanks to Sandy Troy, Matt Smith and Charlie Miller for the AKG D224E source which supplies a 0:30 patch in "Wharf Rat" Mastered by Scott Clugston May 29, 2018
Transferrer: Charlie Miller
2:42:44
SBD
Rating:
9.33 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-02.123102.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Tape flip in Wharf Rat at 9:24
Taper: Betty Cantor
2:43:21
SBD
Rating:
9.65 / 17 ratings
Taper:
Betty Cantor
Transferrer:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer..Transferred and mastered by ChrisL.
SHNID:
gd1977-10-02.sbd.cantor.gmb.86354.sbeok.flac16
Source:
Betty Board (see comments)
Lineage:
See info file
Taper Notes:
View NotesSource: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, July 2007. Comments: - High pitched whine @ 15600 KHz was attenuated using Waves Q10 Supernotch on 24/96 fileset. - Intermittently before the start of several tracks, there is a stage-amplifier related buzzing that is faded up/down. - Reel flip during "Wharf Rat" smoothed to a nearly seamless state with a 4 measure loop and crossfade.
Source 4 of 6
2:43:11
SBD
Rating:
9.64 / 44 ratings
Source:
Soundboard
Lineage:
MR>P2>D1); 7in two track BBD reel w/ DBX-1@ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder> analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz
Taper Notes:
View NotesWBOTB <a href="http://gastineau.home.mindspring.com/cdr102.htm" rel="ugc nofollow">tree</a>; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; <b>note</b> md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set
Taper: Sandy Troy
2:31:18
Taper:
Sandy Troy
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1977-10-02.142121.akg.d224e.troy.smith.miller.clugston.flac1648
Source:
Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for the source and coordinating this effort - Pitch corrected - Missing "Johnny B. Goode" encore - 1st audience source in general circulation (5/2018) Mastered by Scott Clugston May 9, 2018
Taper: Sandy Troy
2:31:29
Taper:
Sandy Troy
Transferrer:
Matt Smith, Charlie Miller, Scott Clugston
SHNID:
gd1977-10-02.142120.akg.d224e.troy-smith-miller-clugston.flac2496
Source:
Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics
Lineage:
Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for the source and coordinating this effort - Pitch corrected - Missing "Johnny B. Goode" encore - 1st audience source in general circulation (5/2018) Mastered by Scott Clugston May 9, 2018