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June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h61683
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k221
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.2k390
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k300
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k463
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.4k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k303
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k138
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k206
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h71180
7d2.3k257
30d12.5k1.4k
47 shows
683 tapes
1985
22.1k
PlaybackListensHours
48h1.5k168
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h2.8k335
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k161
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k145
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k179
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h5k565
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k224
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k237
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.6k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6k871
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h52252
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k973
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h5.8k736
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.3k288
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.6k182
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k222
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.8k284
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h925125
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13618
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28516
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h392
7d1076
30d59434
2 shows
2 tapes
1977
10/1/77
The Promised Land//
1:07
They Love Each Other
4:51
Mexicali Blues
4:34
Dire Wolf
4:23
Cassidy
5:07
Deal
7:53
Passenger
3:55
Tenessee Jed
8:21
New Minglewood Blues
6:10
Peggy-O
9:38
The Music Never Stopped
8:17
tuning
1:31
Bertha >
6:09
Good Lovin'
7:51
It Must Have Been The Roses
9:54
Esimated Prophet >
9:46
Eyes Of The World >
11:47
Dancing In The Street >
10:54
Drums >
4:51
Not Fade Away >
10:39
Black Peter >
9:04
Around and Around
8:51
FIN
View on archive.org
Sources
Taper: Betty Cantor
2:43:45
SBD
Rating:
8.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1977-10-01.140578.sbd.betty.patched.smith.miller.clugston.flac1644
Source:
Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to the folks responsible for the WBOTB project who supplied the primary source - Thanks to Matt Smith for the AKG D224E audience source and transfer - Thanks to Charlie Miller for coordinating this effort - Master Audience Cassette; AKG D224E source supplies "Promised Land" in its entirety, as well as the first 4:21 of "They Love Each Other" - Master Audience 10" Reel; AKG D224E source supplies a 0:24 patch in "Drums" Mastered by Scott Clugston January 10, 2018
Transferrer: Charlie Miller
2:42:27
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-01.123211.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Most of the static in Estimated Prophet has been cleaned up -- Tape flip in Drums
Transferrer: Charlie Miller
2:34:30
SBD
Transferrer:
Charlie Miller
SHNID:
gd1977-10-01.123090.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Most of Promised Land is missing -- Front half of They Love Each Other is missing -- Most of the static in Estimated Prophet has been cleaned up -- Tape flip in Drums
Taper: Betty Cantor
2:35:33
SBD
Rating:
9.64 / 12 ratings
Taper:
Betty Cantor
Transferrer:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer..Transferred and mastered by ChrisL.
SHNID:
gd1977-10-01.sbd.cantor.gmb.86234.sbeok.flac16
Source:
Betty Board (see comments)
Lineage:
See info file
Taper Notes:
View NotesSource: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, July 2007. Comments: - Most of "Promised Land" is missing with cuts at the beginning and end. Also the mix fluctuates and is largely bass and drums. - First few minutes of "They Love Each Other" are absent. - Popping/distortion on master DAT during first 1:20 or so of "Estimated Prophet" attenuated with manual redrawing of waveform. Some audible artifacts remain, though the end result is an improvement. These are on the master DAT and all previous circulating sources and are not related to transfer. A few similar sounding pops were present at the end of the track preceding it (IMHBTR) and on previous circulating sources (though not commented on in the db) and were also attenuated. - Reel flip in Drums crossfaded. - High pitched whine @ 15600 KHz (inaudible to probably >90% of Jerry-experienced deadheads, but not their kids/grandkids) was attenuated using Waves Q10 Supernotch on 24/96 fileset.
Transferrer: Bertha Remaster of the Betty Board source
2:26:50
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Bertha Remaster of the Betty Board source
SHNID:
gd1977-10-01.sbd.cantor.ashley-bertha.10689.sbeok.shnf
Source:
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on April 16, 2002.
Source 6 of 7
2:26:55
SBD
Rating:
8.25 / 8 ratings
Source:
Soundboard
Lineage:
MR>P2>D1; 7in two track BBD reel w/ DBX-1 @7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder >analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz
Taper Notes:
View Notes<a href="http://www.oakland.edu/~crouch/wbotb.htm" rel="ugc nofollow">WBOTB</a> source; Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; <b>note</b> txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set
Taper: Unknown
2:34:20
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1977-10-01.140589.akg.d224e.smith.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the AKG D224E audience sources - Thanks to Charlie Miller for coordinating this effort Mastered by Scott Clugston December 19, 2017