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Bands
Grateful Dead
Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1977
Sources
Taper: Betty Cantor
2:43:45
SBD
Rating:
8.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1977-10-01.140578.sbd.betty.patched.smith.miller.clugston.flac1644
Source:
Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to the folks responsible for the WBOTB project who supplied the primary source - Thanks to Matt Smith for the AKG D224E audience source and transfer - Thanks to Charlie Miller for coordinating this effort - Master Audience Cassette; AKG D224E source supplies "Promised Land" in its entirety, as well as the first 4:21 of "They Love Each Other" - Master Audience 10" Reel; AKG D224E source supplies a 0:24 patch in "Drums" Mastered by Scott Clugston January 10, 2018
Transferrer: Charlie Miller
2:42:27
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-01.123211.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Most of the static in Estimated Prophet has been cleaned up -- Tape flip in Drums
Transferrer: Charlie Miller
2:34:30
SBD
Transferrer:
Charlie Miller
SHNID:
gd1977-10-01.123090.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Most of Promised Land is missing -- Front half of They Love Each Other is missing -- Most of the static in Estimated Prophet has been cleaned up -- Tape flip in Drums
Taper: Betty Cantor
2:35:33
SBD
Rating:
9.64 / 12 ratings
Taper:
Betty Cantor
Transferrer:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer..Transferred and mastered by ChrisL.
SHNID:
gd1977-10-01.sbd.cantor.gmb.86234.sbeok.flac16
Source:
Betty Board (see comments)
Lineage:
See info file
Taper Notes:
View NotesSource: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, July 2007. Comments: - Most of "Promised Land" is missing with cuts at the beginning and end. Also the mix fluctuates and is largely bass and drums. - First few minutes of "They Love Each Other" are absent. - Popping/distortion on master DAT during first 1:20 or so of "Estimated Prophet" attenuated with manual redrawing of waveform. Some audible artifacts remain, though the end result is an improvement. These are on the master DAT and all previous circulating sources and are not related to transfer. A few similar sounding pops were present at the end of the track preceding it (IMHBTR) and on previous circulating sources (though not commented on in the db) and were also attenuated. - Reel flip in Drums crossfaded. - High pitched whine @ 15600 KHz (inaudible to probably >90% of Jerry-experienced deadheads, but not their kids/grandkids) was attenuated using Waves Q10 Supernotch on 24/96 fileset.
Transferrer: Bertha Remaster of the Betty Board source
2:26:50
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Bertha Remaster of the Betty Board source
SHNID:
gd1977-10-01.sbd.cantor.ashley-bertha.10689.sbeok.shnf
Source:
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on April 16, 2002.
Source 6 of 7
2:26:55
SBD
Rating:
8.25 / 8 ratings
Source:
Soundboard
Lineage:
MR>P2>D1; 7in two track BBD reel w/ DBX-1 @7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder >analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz
Taper Notes:
View Notes<a href="http://www.oakland.edu/~crouch/wbotb.htm" rel="ugc nofollow">WBOTB</a> source; Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; <b>note</b> txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set
Taper: Unknown
2:34:20
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1977-10-01.140589.akg.d224e.smith.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the AKG D224E audience sources - Thanks to Charlie Miller for coordinating this effort Mastered by Scott Clugston December 19, 2017