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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1977
10/1/77
Promised Land
4:44
They Love Each Other
9:14
Mexicali Blues
4:32
Dire Wolf
4:19
Cassidy
5:16
Deal
7:45
Passenger
4:03
Tennessee Jed
8:31
New Minglewood Blues
6:08
Peggy-O
9:33
The Music Never Stopped
8:01
Tuning
1:44
Bertha ->
6:08
Good Lovin'
7:23
It Must Have Been The Roses
9:48
Estimated Prophet ->
9:45
Eyes Of The World ->
11:58
Dancing In The Street ->
10:40
Drums ->
4:52
Not Fade Away ->
10:43
Black Peter ->
8:59
Around And Around
8:21
FIN
View on archive.org
Sources
Taper: Betty Cantor
2:43:45
SBD
Rating:
8.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1977-10-01.140578.sbd.betty.patched.smith.miller.clugston.flac1644
Source:
Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to the folks responsible for the WBOTB project who supplied the primary source - Thanks to Matt Smith for the AKG D224E audience source and transfer - Thanks to Charlie Miller for coordinating this effort - Master Audience Cassette; AKG D224E source supplies "Promised Land" in its entirety, as well as the first 4:21 of "They Love Each Other" - Master Audience 10" Reel; AKG D224E source supplies a 0:24 patch in "Drums" Mastered by Scott Clugston January 10, 2018
Transferrer: Charlie Miller
2:42:27
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-10-01.123211.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Most of the static in Estimated Prophet has been cleaned up -- Tape flip in Drums
Transferrer: Charlie Miller
2:34:30
SBD
Transferrer:
Charlie Miller
SHNID:
gd1977-10-01.123090.sbd.miller.flac16
Source:
SBD -> Master Reel -> PCM -> Dat
Lineage:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Most of Promised Land is missing -- Front half of They Love Each Other is missing -- Most of the static in Estimated Prophet has been cleaned up -- Tape flip in Drums
Taper: Betty Cantor
2:35:33
SBD
Rating:
9.64 / 12 ratings
Taper:
Betty Cantor
Transferrer:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer..Transferred and mastered by ChrisL.
SHNID:
gd1977-10-01.sbd.cantor.gmb.86234.sbeok.flac16
Source:
Betty Board (see comments)
Lineage:
See info file
Taper Notes:
View NotesSource: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at bt.etree.org, July 2007. Comments: - Most of "Promised Land" is missing with cuts at the beginning and end. Also the mix fluctuates and is largely bass and drums. - First few minutes of "They Love Each Other" are absent. - Popping/distortion on master DAT during first 1:20 or so of "Estimated Prophet" attenuated with manual redrawing of waveform. Some audible artifacts remain, though the end result is an improvement. These are on the master DAT and all previous circulating sources and are not related to transfer. A few similar sounding pops were present at the end of the track preceding it (IMHBTR) and on previous circulating sources (though not commented on in the db) and were also attenuated. - Reel flip in Drums crossfaded. - High pitched whine @ 15600 KHz (inaudible to probably >90% of Jerry-experienced deadheads, but not their kids/grandkids) was attenuated using Waves Q10 Supernotch on 24/96 fileset.
Transferrer: Bertha Remaster of the Betty Board source
2:26:50
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Bertha Remaster of the Betty Board source
SHNID:
gd1977-10-01.sbd.cantor.ashley-bertha.10689.sbeok.shnf
Source:
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on April 16, 2002.
Source 6 of 7
2:26:55
SBD
Rating:
8.25 / 8 ratings
Source:
Soundboard
Lineage:
MR>P2>D1; 7in two track BBD reel w/ DBX-1 @7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder >analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz
Taper Notes:
View Notes<a href="http://www.oakland.edu/~crouch/wbotb.htm" rel="ugc nofollow">WBOTB</a> source; Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; <b>note</b> txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set
Taper: Unknown
2:34:20
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1977-10-01.140589.akg.d224e.smith.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the AKG D224E audience sources - Thanks to Charlie Miller for coordinating this effort Mastered by Scott Clugston December 19, 2017