06
1977
Sources
Taper: Sandy Troy
3:06:39
Taper:
Sandy Troy
Transferrer:
Matt Smith, Charlie Miller, Sirmick
SHNID:
gd1977-06-07.144910.akg.d224.bertrando.troy.miller.smith.sirmick.flac1644
Source:
AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller
Lineage:
Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesNotes: - tape pauses have been smoothed out and a couple of small patches for continuity. - There are a couple of small sections that have been affected by tape deterioration, I have repaired these as best I can. - "Funiculi Funicula" is slightly clipped. - This file set is 16 bit @ 44.1 Thanks to Sandy, Charlie and Matt edited and mastered SIRMick March 2018
Taper: Sandy Troy
3:06:40
Taper:
Sandy Troy
Transferrer:
Charlie Miller and SIRMick and Matt Smith
SHNID:
gd1977-06-07.141358.akg-d224.troy.miller.smith.sirmick.flac2496
Source:
Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesNotes: - tape pauses have been smoothed out and a couple of small patches for continuity. - There are a couple of small sections that have been affected by tape deterioration, I have repaired these as best I can. - "Funiculi Funicula" is slightly clipped. Thanks to Sandy, Charlie and Matt edited and mastered SIRMick March 2018
Transferrer: Hunter Seamons
3:02:26
Rating:
9.14 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1977-06-07.mtx.seamons.99001.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=24291): SBD>MR>DAT. DAT>CD transfers, including patches by David Hollister. CD>WAV(EAC Secure mode) with editing of patches to raise volume of patches to audibly match adjacent SBD source, conversion to SHN, and uploading by Keith Bode. David Hollister's original transfer done approximately 1999. Editing of patches, SHN conversion, and uploading done in May, 2004. I believe this transfer of the show has not been widely spread, and I am glad to have been involved in the editing and making of the show available. Keith Bode ---------------------------------------------------- AUD (shnid=31951): MAR > Reel > DAT > CDs CDR > EAC > WAV > TLH (SBE-OK & checksums) > FLAC Frontend, Dec 2005. Recording by Rob Bertrando --------------------------------------------------- Thank you to David Hollister and Keith Bode for the SBD transfer, and to Rob Bertrando for recording the show. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) May 14, 2009 Notes: 1) The underrated show of the Winterland run, but just as many highlights: raging Music, above par Scarlet > Fire, a most amazing Estimated > Gone transition, very top notch Terrapin, and an all-time Dew (more than comparable to the 5/8/77 version). Probably the best sonic quality of the three Winterland matrixes...while the others have more "character" to them(especially 6/9), which I like.
Source 6 of 6
3:01:34
Rating:
10.00 / 10 ratings
SHNID:
gd1977-06-07.aud.bertrando.31951.flac16
Source:
AUD, Likely: MAR > Reel > DAT > CDs (See note below)
Taper Notes:
View NotesThere's some minor bumping and adjusting of the mics after Jack Straw. And, there's a channel drop-out that has been cross-faded to mono from 12:52 of Morning Dew to 00:11 of Around & Around. No other flaws. There seems to be some debate as to who taped this, and if this source is a transfer from the master reels, or the first-gen reels. It appears to be from the same circulating aud sources as 6-8-77 and 6-9-77. The consensus seems to be that the show was taped by Bob Menke and Reinhardt Hollwein, using AKG D224 mics and a Tandberg 10XD reel to reel deck, and that Rob Bertrando's first-gen reels were transferred to DAT and then to CD. I received these discs with no source info, so I can't say if the lineage is correct or not... In any event, the tape sounds great, and gives us the audience perspective of this excellent '77 show. Enjoy! CDR > EAC > WAV > TLH (SBE-OK & checksums) > FLAC Frontend, Dec 2005.