RELISTENTOTHE Grateful Dead
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1977
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1977
5/28/77
Bertha ->
6:56
Good Lovin' ->
5:33
Sugaree
20:41
Jack Straw
5:41
[crowd - tuning]
2:35
Row Jimmy
11:00
New Minglewood Blues
7:25
Candyman
8:09
Passenger
5:00
Brown Eyed Women
7:57
Promised Land
4:13
[crowd - tuning]
1:26
Samson and Delilah
7:10
[hello everyone back there]
2:30
Tennessee Jed
9:07
[crowd - tuning]
2:33
Estimated Prophet ->
11:32
Playing in the Band ->
11:27
Terrapin Station ->
11:04
Drums ->
1:30
Not Fade Away ->
15:18
Wharf Rat ->
12:21
Playing in the Band (reprise) ->
4:41
One More Saturday Night
6:24
U.S. Blues
5:37
FIN
View on archive.org
Sources
Transferrer: Chris Chappell
3:11:20
SBD
Rating:
8.80 / 5 ratings
Transferrer:
Chris Chappell
SHNID:
gd1977-05-28.mtx.chappell.sb30b.97017.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSource: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: shnid=4983 (via Darrin Sacks via Seth Kaplan & Jack Warner) Lineage: SBD>MSR>DAT>CD Bettyboard 7 inch master reel @ 7 ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn Patch AUD source: Sony ECM 99a's->Sony TC-152 (Steve Rolfe FOB) AUD: shnid=18439 - recorded by Jerry Moore (via David Minches) Source: Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor Lineage: AUDMC > Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT Patch source: Senn 441/Nak 550 (supplies Bertha -> Good Lovin') General Notes: BCJ/Jerry Moore matrix - great combo. A great show to end the tour in epic May - love the 18 1/2 minute Sugaree. Editing Notes: - Dynamics Waves L2 was used for minor limiting (-0.7 threshold), and no EQ was used on the two primary sources. For the patch AUD source (d1t01+02) a little high end shelf was employed to get it closer to Moore's AUD. - Pitch/Synch AUD synched to the SBD. AUD Pitch Adjustment ranges (in cents): d1t01 > d1t02: +11 to +14 - patch AUD d1t02 > d1t04: +12 to +13 d1t05 > d2t02: +19 to +21 d2t03 > d3t06: +08 to +11 d3t07 > d3t09: +12 to +15 - Envelope Edits The following are places where the SBD and AUDs had splices, holes or incomplete coverage in reference to the final matrix timeline. Tuning and crowd noise holes are not mentioned - only incomplete music sections. Full coverage is achieved. AUD: d3t02 (08:19 - 08:25) - missing d3t07 (10:01 - 10:09) - missing SBD: d1t01 (05:19 - 05:21) - missing d3t02 (10:48 - 11:14) - missing (SBD patch AUD used - Rolfe/Moore mtx) d3t08 (02:44 - 03:17) - missing (SBD patch AUD used - Rolfe/Moore mtx) Many thanks to Betty Cantor Jackson for recording the SBD source and to Seth Kaplan (editing/conversion), Jack Warner (AUD patches) and Darrin Sacks for getting it out there. Special thanks to Jerry Moore for another stellar AUD recording, David Minches for editing and converting it, and Matt Vernon for providing the details. Enjoy! - Chappy
Transferrer: Jay Ashley
3:06:52
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Jay Ashley
SHNID:
gd1977-05-28.sbd.ashley-bertha.12827.sbeok.flac16
Source:
SBD>MSR>DAT>CD>>WAV>>DAW(Bertha)>>CDA
Taper Notes:
View NotesDigitally Remastered on a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 8-22-2001. Lineage Prior to Bertha Remaster: Bettyboard 7 inch master reel @ 7 ? ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn Notes of Seth Kaplan for work done prior to Bertha Remaster: Approximate 2 second splice in Bertha. 2 second gap/dropout @ 05:19 through 05:21 in Bertha was eliminated and the first thirty seconds or so of Bertha were normalised in Cool Edit due to low levels. Reel flips in between Playing in the Band & Terrapin Station & during One More Saturday Night have been patched by Jack Warner from an AUD source with the following lineage: Steve Rolfe's MAC>DAT>CD: Sony ECM-99As>Sony TC-152 (Extraction and.shn encoding by Seth Kaplan via EAC and MKW. Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool) Thank you to Seth Kaplan and Jack Warner for their fine work. jay
Taper: Jimmy Warburton
3:09:27
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-05-28.152477.ecm99a.warburton.smith.sirmick.flac24
Source:
Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.
Lineage:
1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24
Taper Notes:
View NotesComments: - This show was released as "To Terrapin" Notes: - Pitch adjusted - Jerry Moore's recording was used to patch a tape flip and for continuity before the encore. - Very loud claps have been attenuated. Thanks to Jimmy Warburton for providing his recording. Thanks to Matt Smith for the transfer. edited and mastered SIRMick May 2021
Taper: Jimmy Warburton
3:09:27
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-05-28.152476.ecm99a.warburton.smith.sirmick.flac16
Source:
Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.
Lineage:
1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
Taper Notes:
View NotesComments: - This show was released as "To Terrapin" Notes: - Pitch adjusted - Jerry Moore's recording was used to patch a tape flip and for continuity before the encore. - Very loud claps have been attenuated. Thanks to Jimmy Warburton for providing his recording. Thanks to Matt Smith for the transfer. edited and mastered SIRMick May 2021
Taper: Teddy Goodbear
3:19:35
Rating:
8.00 / 4 ratings
Taper:
Teddy Goodbear
Transferrer:
Teddy Goodbear
SHNID:
gd1977-05-28.aud.wise.goodbear.77267.sbeok.flac16
Source:
Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) > various equalizers & editors > CD or DAT
Taper Notes:
View NotesWelcome To: +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+ Teddy GoodBear's Grateful Dead Audience Tree #2 (In association with The Family Tree) +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+ Idea Man and founder: Teddy GoodBear Conspirators and playground keepers: David Sorochty - administrator for batch #1 Mark Grason - administrator for batch #2 Teddy GoodBear, Hanno Bunjes & Al Zeffer: co-administrators Mike Hall - administrating consultant Tim Buller - web site consultant Rick Raver - CD label creator Redbeard & Douglas E. Hornig - FTP admins Jim Blackwood - radio distribution consultant David Sorochty - web page coordinator Mike Hall & Teddy GoodBear - web page contibutors -------------------------------------------------------------------------------- If anybody is looking for HQ sbd sounding tapes, these are NOT those tapes. However, most are rare & generally what circulates in aud's are generations from my masters or from another taper's tapes at the time, like Barry Glassberg. I'm one of those people that prefer SOME 'energetic' aud's over sbd's & these IMO are "energetic". I'm working on getting the remainder of say 5/3/77 (and any other better copies out there from this run) from Barry's masters, and other masters, in order to have the complete best 'aud' copies of these shows. The tapes that come from MY masters are: Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) > various equalizers & editors > CD or DAT ----------------------------------------------------------------------