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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1977
5/28/77
Bertha
6:48
Good Lovin'
5:34
Sugaree
21:32
Jack Straw
5:54
Row Jimmy
12:30
Minglewood Blues
7:51
Candyman
8:06
Passenger
4:44
Brown Eyed Women
7:20
Promised Land
4:40
Samson and Delilah
9:54
Tennessee Jed
12:13
Crowd
0:48
Estimated Prophet
11:33
Playin' in the Band
11:23
Terrapin Station
11:05
Not Fade Away
16:46
Wharf Rat
10:11
Playin' in the Band
6:48
One More Saturday Night
5:30
U.S. Blues
6:18
FIN
View on archive.org
Sources
Transferrer: Chris Chappell
3:11:20
SBD
Rating:
8.80 / 5 ratings
Transferrer:
Chris Chappell
SHNID:
gd1977-05-28.mtx.chappell.sb30b.97017.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSource: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: shnid=4983 (via Darrin Sacks via Seth Kaplan & Jack Warner) Lineage: SBD>MSR>DAT>CD Bettyboard 7 inch master reel @ 7 ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn Patch AUD source: Sony ECM 99a's->Sony TC-152 (Steve Rolfe FOB) AUD: shnid=18439 - recorded by Jerry Moore (via David Minches) Source: Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor Lineage: AUDMC > Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT Patch source: Senn 441/Nak 550 (supplies Bertha -> Good Lovin') General Notes: BCJ/Jerry Moore matrix - great combo. A great show to end the tour in epic May - love the 18 1/2 minute Sugaree. Editing Notes: - Dynamics Waves L2 was used for minor limiting (-0.7 threshold), and no EQ was used on the two primary sources. For the patch AUD source (d1t01+02) a little high end shelf was employed to get it closer to Moore's AUD. - Pitch/Synch AUD synched to the SBD. AUD Pitch Adjustment ranges (in cents): d1t01 > d1t02: +11 to +14 - patch AUD d1t02 > d1t04: +12 to +13 d1t05 > d2t02: +19 to +21 d2t03 > d3t06: +08 to +11 d3t07 > d3t09: +12 to +15 - Envelope Edits The following are places where the SBD and AUDs had splices, holes or incomplete coverage in reference to the final matrix timeline. Tuning and crowd noise holes are not mentioned - only incomplete music sections. Full coverage is achieved. AUD: d3t02 (08:19 - 08:25) - missing d3t07 (10:01 - 10:09) - missing SBD: d1t01 (05:19 - 05:21) - missing d3t02 (10:48 - 11:14) - missing (SBD patch AUD used - Rolfe/Moore mtx) d3t08 (02:44 - 03:17) - missing (SBD patch AUD used - Rolfe/Moore mtx) Many thanks to Betty Cantor Jackson for recording the SBD source and to Seth Kaplan (editing/conversion), Jack Warner (AUD patches) and Darrin Sacks for getting it out there. Special thanks to Jerry Moore for another stellar AUD recording, David Minches for editing and converting it, and Matt Vernon for providing the details. Enjoy! - Chappy
Transferrer: The Wizard
3:12:30
SBD
Rating:
9.78 / 11 ratings
Transferrer:
The Wizard
SHNID:
gd77-05-28.sbd.obv.31952.sbeok.shnf
Source:
Soundboard patched with Audience
Lineage:
Bettyboard 7 inch master reel @ 7.5 ips > DAT(zero gen) > Sony PCM R-700 > HHb CDR-800 > CDR > CDR (first gen) > EAC > SHN
Taper Notes:
View NotesMild Continuous Noise filter to reduce tape hiss. Equalized to cut bottom slightly and boost mid highs. Patched 2 sec dropout in Bertha with the AUD source. Also redid the Playin'> Terrapin AUD patch. Some tune ups patched from AUD for completeness and the patch in OMSN redone. AUD patches adjusted to match sbd as best as possible. All editing done with Diamond Cut DC6 software.
Transferrer: Jay Ashley
3:06:52
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Jay Ashley
SHNID:
gd1977-05-28.sbd.ashley-bertha.12827.sbeok.flac16
Source:
SBD>MSR>DAT>CD>>WAV>>DAW(Bertha)>>CDA
Taper Notes:
View NotesDigitally Remastered on a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 8-22-2001. Lineage Prior to Bertha Remaster: Bettyboard 7 inch master reel @ 7 ? ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn Notes of Seth Kaplan for work done prior to Bertha Remaster: Approximate 2 second splice in Bertha. 2 second gap/dropout @ 05:19 through 05:21 in Bertha was eliminated and the first thirty seconds or so of Bertha were normalised in Cool Edit due to low levels. Reel flips in between Playing in the Band & Terrapin Station & during One More Saturday Night have been patched by Jack Warner from an AUD source with the following lineage: Steve Rolfe's MAC>DAT>CD: Sony ECM-99As>Sony TC-152 (Extraction and.shn encoding by Seth Kaplan via EAC and MKW. Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool) Thank you to Seth Kaplan and Jack Warner for their fine work. jay
Source 4 of 11
3:07:28
SBD
Rating:
9.53 / 34 ratings
SHNID:
gd77-05-28.sbd.sacks.4983.sbefail.shnf
Source:
Soundboard
Lineage:
Bettyboard 7 inch master reel @ 7 ½ ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn
Taper Notes:
View NotesBettyboard 7 inch master reel @ 7 ½ ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74
Taper: Jerry Moore and Tim Dalton
2:51:01
Rating:
10.00 / 3 ratings
Taper:
Jerry Moore and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-05-28.141832.sony.ecm33p.moore.dalton.miller.clugston.flac1644
Source:
Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Chappell for the shnid97017 matrix source which supplies "Bertha > Good Lovin'", a 0"16 patch in "Playin' In The Band", as well as a 0:02 and 0:03 patch in "Wharf Rat" - Transitions smoothed Mastered by Scott Clugston April 26, 2018
Taper: Kathy Sublette
3:07:50
Taper:
Kathy Sublette
Transferrer:
DSD Transfer by Mark Goldey Edited & Mastered by Joe Noel April 25, 2024
SHNID:
gd1977-05-28.167735.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 > Sony-TC158 (dolby off)
Lineage:
MC (Set I UDXL-I 90; Set II UD-C 120) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition 24.0 > Flac @ 2496
Taper Notes:
View NotesNotes; - Officially released as "To Terrapin". - Tape pauses & flips in S1 were cross faded. Thanks to; - Kathy Sublette for recording the show. - Mark Goldey for the DSF transfer - Jimmy Warburton for the patch source. - Ted Mattes for organizing this project.
Taper: Jimmy Warburton
3:09:27
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-05-28.152477.ecm99a.warburton.smith.sirmick.flac24
Source:
Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.
Lineage:
1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24
Taper Notes:
View NotesComments: - This show was released as "To Terrapin" Notes: - Pitch adjusted - Jerry Moore's recording was used to patch a tape flip and for continuity before the encore. - Very loud claps have been attenuated. Thanks to Jimmy Warburton for providing his recording. Thanks to Matt Smith for the transfer. edited and mastered SIRMick May 2021
Taper: Jimmy Warburton
3:09:27
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-05-28.152476.ecm99a.warburton.smith.sirmick.flac16
Source:
Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.
Lineage:
1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
Taper Notes:
View NotesComments: - This show was released as "To Terrapin" Notes: - Pitch adjusted - Jerry Moore's recording was used to patch a tape flip and for continuity before the encore. - Very loud claps have been attenuated. Thanks to Jimmy Warburton for providing his recording. Thanks to Matt Smith for the transfer. edited and mastered SIRMick May 2021
Taper: Concert recording by Rich Petrunis.
2:17:32
Taper:
Concert recording by Rich Petrunis.
Transferrer:
Transferred by Andrew F. 05/2021
SHNID:
gd1977-05-28.152419.aud.petrunis.flac2448
Lineage:
1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesWith thanks to John and Rich Petrunis for sharing their tapes!
Taper: Teddy Goodbear
3:19:35
Rating:
8.00 / 4 ratings
Taper:
Teddy Goodbear
Transferrer:
Teddy Goodbear
SHNID:
gd1977-05-28.aud.wise.goodbear.77267.sbeok.flac16
Source:
Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) > various equalizers & editors > CD or DAT
Taper Notes:
View NotesWelcome To: +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+ Teddy GoodBear's Grateful Dead Audience Tree #2 (In association with The Family Tree) +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+ Idea Man and founder: Teddy GoodBear Conspirators and playground keepers: David Sorochty - administrator for batch #1 Mark Grason - administrator for batch #2 Teddy GoodBear, Hanno Bunjes & Al Zeffer: co-administrators Mike Hall - administrating consultant Tim Buller - web site consultant Rick Raver - CD label creator Redbeard & Douglas E. Hornig - FTP admins Jim Blackwood - radio distribution consultant David Sorochty - web page coordinator Mike Hall & Teddy GoodBear - web page contibutors -------------------------------------------------------------------------------- If anybody is looking for HQ sbd sounding tapes, these are NOT those tapes. However, most are rare & generally what circulates in aud's are generations from my masters or from another taper's tapes at the time, like Barry Glassberg. I'm one of those people that prefer SOME 'energetic' aud's over sbd's & these IMO are "energetic". I'm working on getting the remainder of say 5/3/77 (and any other better copies out there from this run) from Barry's masters, and other masters, in order to have the complete best 'aud' copies of these shows. The tapes that come from MY masters are: Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) > various equalizers & editors > CD or DAT ----------------------------------------------------------------------
Taper: Jerry Moore
3:08:59
Rating:
9.00 / 6 ratings
Taper:
Jerry Moore
Transferrer:
David Minches and Matt Vernon
SHNID:
gd77-05-28.moore.minches.18439.sbeok.shnf
Source:
Audience: Sony ECM-33P's
Lineage:
Sony ECM-33P's > Sony TC-153 > Nak Dragon > ART DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Feurio > mkwACT > SHN
Taper Notes:
View NotesSource: Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor Patch source: Senn 441/Nak 550 Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches