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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h760105
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h71198
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.7k491
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k365
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k353
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k377
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k153
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k247
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h927103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k144
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.6k207
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k217
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k298
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k682
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k182
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.5k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k503
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h83984
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.4k572
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k592
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k411
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k221
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h9.2k937
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36344
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23818
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1977
5/28/77
Jack Straw
6:20
Row Jimmy
10:50
Minglewood Blues
5:53
Candyman
6:32
Passenger
3:12
Brown Eyed Women
5:52
Promised Land
4:26
Samson & Delilah
7:12
Tennessee Jed
9:17
Estimated Prophet
11:45
Playin' in the Band
11:05
Terrapin
11:22
Not Fade Away
17:00
Wharf Rat
10:16
Playin' in the Band Reprise
5:53
One More Saturday Night
4:37
U.S. Blues
6:00
FIN
View on archive.org
Sources
Transferrer: Chris Chappell
3:11:20
SBD
Rating:
8.80 / 5 ratings
Transferrer:
Chris Chappell
SHNID:
gd1977-05-28.mtx.chappell.sb30b.97017.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSource: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: shnid=4983 (via Darrin Sacks via Seth Kaplan & Jack Warner) Lineage: SBD>MSR>DAT>CD Bettyboard 7 inch master reel @ 7 ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn Patch AUD source: Sony ECM 99a's->Sony TC-152 (Steve Rolfe FOB) AUD: shnid=18439 - recorded by Jerry Moore (via David Minches) Source: Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor Lineage: AUDMC > Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT Patch source: Senn 441/Nak 550 (supplies Bertha -> Good Lovin') General Notes: BCJ/Jerry Moore matrix - great combo. A great show to end the tour in epic May - love the 18 1/2 minute Sugaree. Editing Notes: - Dynamics Waves L2 was used for minor limiting (-0.7 threshold), and no EQ was used on the two primary sources. For the patch AUD source (d1t01+02) a little high end shelf was employed to get it closer to Moore's AUD. - Pitch/Synch AUD synched to the SBD. AUD Pitch Adjustment ranges (in cents): d1t01 > d1t02: +11 to +14 - patch AUD d1t02 > d1t04: +12 to +13 d1t05 > d2t02: +19 to +21 d2t03 > d3t06: +08 to +11 d3t07 > d3t09: +12 to +15 - Envelope Edits The following are places where the SBD and AUDs had splices, holes or incomplete coverage in reference to the final matrix timeline. Tuning and crowd noise holes are not mentioned - only incomplete music sections. Full coverage is achieved. AUD: d3t02 (08:19 - 08:25) - missing d3t07 (10:01 - 10:09) - missing SBD: d1t01 (05:19 - 05:21) - missing d3t02 (10:48 - 11:14) - missing (SBD patch AUD used - Rolfe/Moore mtx) d3t08 (02:44 - 03:17) - missing (SBD patch AUD used - Rolfe/Moore mtx) Many thanks to Betty Cantor Jackson for recording the SBD source and to Seth Kaplan (editing/conversion), Jack Warner (AUD patches) and Darrin Sacks for getting it out there. Special thanks to Jerry Moore for another stellar AUD recording, David Minches for editing and converting it, and Matt Vernon for providing the details. Enjoy! - Chappy
Transferrer: The Wizard
3:12:30
SBD
Rating:
9.78 / 11 ratings
Transferrer:
The Wizard
SHNID:
gd77-05-28.sbd.obv.31952.sbeok.shnf
Source:
Soundboard patched with Audience
Lineage:
Bettyboard 7 inch master reel @ 7.5 ips > DAT(zero gen) > Sony PCM R-700 > HHb CDR-800 > CDR > CDR (first gen) > EAC > SHN
Taper Notes:
View NotesMild Continuous Noise filter to reduce tape hiss. Equalized to cut bottom slightly and boost mid highs. Patched 2 sec dropout in Bertha with the AUD source. Also redid the Playin'> Terrapin AUD patch. Some tune ups patched from AUD for completeness and the patch in OMSN redone. AUD patches adjusted to match sbd as best as possible. All editing done with Diamond Cut DC6 software.
Transferrer: Jay Ashley
3:06:52
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Jay Ashley
SHNID:
gd1977-05-28.sbd.ashley-bertha.12827.sbeok.flac16
Source:
SBD>MSR>DAT>CD>>WAV>>DAW(Bertha)>>CDA
Taper Notes:
View NotesDigitally Remastered on a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 8-22-2001. Lineage Prior to Bertha Remaster: Bettyboard 7 inch master reel @ 7 ? ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn Notes of Seth Kaplan for work done prior to Bertha Remaster: Approximate 2 second splice in Bertha. 2 second gap/dropout @ 05:19 through 05:21 in Bertha was eliminated and the first thirty seconds or so of Bertha were normalised in Cool Edit due to low levels. Reel flips in between Playing in the Band & Terrapin Station & during One More Saturday Night have been patched by Jack Warner from an AUD source with the following lineage: Steve Rolfe's MAC>DAT>CD: Sony ECM-99As>Sony TC-152 (Extraction and.shn encoding by Seth Kaplan via EAC and MKW. Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool) Thank you to Seth Kaplan and Jack Warner for their fine work. jay
Source 4 of 11
3:07:28
SBD
Rating:
9.53 / 34 ratings
SHNID:
gd77-05-28.sbd.sacks.4983.sbefail.shnf
Source:
Soundboard
Lineage:
Bettyboard 7 inch master reel @ 7 ½ ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn
Taper Notes:
View NotesBettyboard 7 inch master reel @ 7 ½ ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74
Taper: Jerry Moore and Tim Dalton
2:51:01
Rating:
10.00 / 3 ratings
Taper:
Jerry Moore and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-05-28.141832.sony.ecm33p.moore.dalton.miller.clugston.flac1644
Source:
Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Chappell for the shnid97017 matrix source which supplies "Bertha > Good Lovin'", a 0"16 patch in "Playin' In The Band", as well as a 0:02 and 0:03 patch in "Wharf Rat" - Transitions smoothed Mastered by Scott Clugston April 26, 2018
Taper: Kathy Sublette
3:07:50
Taper:
Kathy Sublette
Transferrer:
DSD Transfer by Mark Goldey Edited & Mastered by Joe Noel April 25, 2024
SHNID:
gd1977-05-28.167735.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 > Sony-TC158 (dolby off)
Lineage:
MC (Set I UDXL-I 90; Set II UD-C 120) > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition 24.0 > Flac @ 2496
Taper Notes:
View NotesNotes; - Officially released as "To Terrapin". - Tape pauses & flips in S1 were cross faded. Thanks to; - Kathy Sublette for recording the show. - Mark Goldey for the DSF transfer - Jimmy Warburton for the patch source. - Ted Mattes for organizing this project.
Taper: Jimmy Warburton
3:09:27
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-05-28.152477.ecm99a.warburton.smith.sirmick.flac24
Source:
Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.
Lineage:
1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24
Taper Notes:
View NotesComments: - This show was released as "To Terrapin" Notes: - Pitch adjusted - Jerry Moore's recording was used to patch a tape flip and for continuity before the encore. - Very loud claps have been attenuated. Thanks to Jimmy Warburton for providing his recording. Thanks to Matt Smith for the transfer. edited and mastered SIRMick May 2021
Taper: Jimmy Warburton
3:09:27
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-05-28.152476.ecm99a.warburton.smith.sirmick.flac16
Source:
Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.
Lineage:
1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
Taper Notes:
View NotesComments: - This show was released as "To Terrapin" Notes: - Pitch adjusted - Jerry Moore's recording was used to patch a tape flip and for continuity before the encore. - Very loud claps have been attenuated. Thanks to Jimmy Warburton for providing his recording. Thanks to Matt Smith for the transfer. edited and mastered SIRMick May 2021
Taper: Concert recording by Rich Petrunis.
2:17:32
Taper:
Concert recording by Rich Petrunis.
Transferrer:
Transferred by Andrew F. 05/2021
SHNID:
gd1977-05-28.152419.aud.petrunis.flac2448
Lineage:
1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesWith thanks to John and Rich Petrunis for sharing their tapes!
Taper: Teddy Goodbear
3:19:35
Rating:
8.00 / 4 ratings
Taper:
Teddy Goodbear
Transferrer:
Teddy Goodbear
SHNID:
gd1977-05-28.aud.wise.goodbear.77267.sbeok.flac16
Source:
Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) > various equalizers & editors > CD or DAT
Taper Notes:
View NotesWelcome To: +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+ Teddy GoodBear's Grateful Dead Audience Tree #2 (In association with The Family Tree) +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+ Idea Man and founder: Teddy GoodBear Conspirators and playground keepers: David Sorochty - administrator for batch #1 Mark Grason - administrator for batch #2 Teddy GoodBear, Hanno Bunjes & Al Zeffer: co-administrators Mike Hall - administrating consultant Tim Buller - web site consultant Rick Raver - CD label creator Redbeard & Douglas E. Hornig - FTP admins Jim Blackwood - radio distribution consultant David Sorochty - web page coordinator Mike Hall & Teddy GoodBear - web page contibutors -------------------------------------------------------------------------------- If anybody is looking for HQ sbd sounding tapes, these are NOT those tapes. However, most are rare & generally what circulates in aud's are generations from my masters or from another taper's tapes at the time, like Barry Glassberg. I'm one of those people that prefer SOME 'energetic' aud's over sbd's & these IMO are "energetic". I'm working on getting the remainder of say 5/3/77 (and any other better copies out there from this run) from Barry's masters, and other masters, in order to have the complete best 'aud' copies of these shows. The tapes that come from MY masters are: Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) > various equalizers & editors > CD or DAT ----------------------------------------------------------------------
Taper: Jerry Moore
3:08:59
Rating:
9.00 / 6 ratings
Taper:
Jerry Moore
Transferrer:
David Minches and Matt Vernon
SHNID:
gd77-05-28.moore.minches.18439.sbeok.shnf
Source:
Audience: Sony ECM-33P's
Lineage:
Sony ECM-33P's > Sony TC-153 > Nak Dragon > ART DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Feurio > mkwACT > SHN
Taper Notes:
View NotesSource: Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor Patch source: Senn 441/Nak 550 Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches