Bands
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Bands
Grateful Dead
Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1977
Sources
Transferrer: Matrix by dusborne
3:15:05
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1977-05-07.124619.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
Taper Notes:
View Notes------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. dusborne 05-21-2013
Transferrer: Charlie Miller
3:08:32
SBD
Rating:
9.69 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-05-07.sbd.miller.88525.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: Sony ECM 33P -> Cassette Master -> Sound Forge -> SHN (shnid=6021) supplies: Around And Around (1:48 - 2:09) Alternate SBD source supplies: U.S. Blues (complete track) Notes: -- All disc changes are seamless -- Adjusted pitch of AUD patch to match Master Reel SBD
Taper: Source & Transfer by Anonymous
3:11:29
SBD
Taper:
Source & Transfer by Anonymous
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148755.SBD.Betty.Anon.Noel.fix.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly. fix: - d/o's were repaired in the first set (no music was effected)
Taper: Betty Cantor
3:11:51
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148736.SBD.Betty.Anon.Noel.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly.
Source 5 of 9
3:15:28
SBD
Rating:
9.93 / 30 ratings
SHNID:
gd77-05-07.sbd.bertha-ashley.26361.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Rob Eaton/The Wizard <a href="shn/26085" rel="ugc nofollow">soundboard source</a>: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
Source 6 of 9
3:15:25
SBD
Rating:
9.48 / 93 ratings
SHNID:
gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding b
Taper Notes:
View NotesSBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
Source 7 of 9
2:43:33
SBD
Rating:
9.80 / 53 ratings
Source:
Soundboard
Lineage:
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN
Taper Notes:
View NotesSBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around); note tracking in info file here is 9-6-4, tracking in md5s is 8-6-4?
Taper: Kathy Sublette
2:54:36
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel April 02, 2024
SHNID:
gd1977-05-07.167736.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 > Sony-TC158 (dolby ??) > Master Cassettes
Lineage:
Master Cassettes > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes: - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way, worldly. - The crowd was rowdy (but good natured, I'm sure.) Thanks to; - Kathy Sublette for recording the show. - Mark Goldey for the DSF Transfer. - Ted Mattes for organizing this project.
Taper: Steve Rolfe
3:12:47
Rating:
8.60 / 10 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd77-05-07.rolfe.weiner.6021.sbeok.shnf
Source:
Audience Recording: Sony ECM 33P mic > TC-152 deck
Lineage:
AudMC > DAT > Soundforge > CDWAV > SHN
Taper Notes:
View NotesSony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing