Bands
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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1977
Sources
Transferrer: Matrix by dusborne
3:15:05
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1977-05-07.124619.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
Taper Notes:
View Notes------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. dusborne 05-21-2013
Transferrer: Charlie Miller
3:08:32
SBD
Rating:
9.69 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-05-07.sbd.miller.88525.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: Sony ECM 33P -> Cassette Master -> Sound Forge -> SHN (shnid=6021) supplies: Around And Around (1:48 - 2:09) Alternate SBD source supplies: U.S. Blues (complete track) Notes: -- All disc changes are seamless -- Adjusted pitch of AUD patch to match Master Reel SBD
Taper: Source & Transfer by Anonymous
3:11:29
SBD
Taper:
Source & Transfer by Anonymous
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148755.SBD.Betty.Anon.Noel.fix.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly. fix: - d/o's were repaired in the first set (no music was effected)
Taper: Betty Cantor
3:11:51
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148736.SBD.Betty.Anon.Noel.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly.
Source 5 of 9
3:15:28
SBD
Rating:
9.93 / 30 ratings
SHNID:
gd77-05-07.sbd.bertha-ashley.26361.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Rob Eaton/The Wizard <a href="shn/26085" rel="ugc nofollow">soundboard source</a>: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
Source 6 of 9
3:15:25
SBD
Rating:
9.48 / 93 ratings
SHNID:
gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding b
Taper Notes:
View NotesSBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
Source 7 of 9
2:43:33
SBD
Rating:
9.80 / 53 ratings
Source:
Soundboard
Lineage:
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN
Taper Notes:
View NotesSBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around); note tracking in info file here is 9-6-4, tracking in md5s is 8-6-4?
Taper: Kathy Sublette
2:54:36
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel April 02, 2024
SHNID:
gd1977-05-07.167736.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 > Sony-TC158 (dolby ??) > Master Cassettes
Lineage:
Master Cassettes > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes: - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way, worldly. - The crowd was rowdy (but good natured, I'm sure.) Thanks to; - Kathy Sublette for recording the show. - Mark Goldey for the DSF Transfer. - Ted Mattes for organizing this project.
Taper: Steve Rolfe
3:12:47
Rating:
8.60 / 10 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd77-05-07.rolfe.weiner.6021.sbeok.shnf
Source:
Audience Recording: Sony ECM 33P mic > TC-152 deck
Lineage:
AudMC > DAT > Soundforge > CDWAV > SHN
Taper Notes:
View NotesSony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing