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June 8th
Years
1995
30k
PlaybackListensHours
48h62786
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h769104
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.2k421
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.6k327
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.3k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.8k370
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k357
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k232
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h86295
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k194
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k134
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k194
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k214
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k279
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.5k693
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k247
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.3k456
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85683
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k586
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k552
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.1k377
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.9k207
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.2k836
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k352
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h35543
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11516
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22317
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h382
7d1026
30d57334
2 shows
2 tapes
1977
5/3/77
The Promised Land
4:41
Bertha
8:35
Me And My Uncle
3:25
Peggy-O
9:56
Jack Straw
6:27
Row Jimmy
11:24
Lazy Lightnin'
3:27
Supplication
5:26
Deal
7:39
Good Lovin'
6:24
Tuning/crowd
1:17
Ship Of Fools
8:19
The Music Never Stopped
7:13
Tuning/crowd
0:22
Might As Well
7:05
Estimated Prophet
8:45
Sugaree
13:37
Samson And Delilah
7:18
Friend Of The Devil
8:16
Tuning/crowd
0:12
Eyes Of The World > Space
14:52
Wharf Rat
10:42
Drums
3:14
Not Fade Away
12:09
Around And Around
11:24
Uncle John's Band
9:11
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:08:15
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd77-05-03.set1-sbd.miller.21646.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View NotesSBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller
Taper: Jerry Moore and Tim Dalton
3:10:04
Rating:
6.00 / 1 rating
Taper:
Jerry Moore and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-05-03.141831.sony.ecm33p.moore.dalton.miller.clugston.flac1644
Source:
Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the shnid86241 Sony ECMxx audience source which supplies the crowd and first few notes of "Promised Land" (1:39 total), the crowd and noodle into "Peggy O"(0:28 total), as well as "Might As Well" and "Friend Of The Devil" in their entirety - Transitions smoothed Mastered by Scott Clugston March 6, 2018
Taper: Barry Glassberg
3:12:57
Rating:
9.26 / 20 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert and D. McCabe
SHNID:
gd1977-05-03.aud.glassberg.motb.0042.86241.flac16
Source:
udience 1st Row Loge Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft.
Lineage:
MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV
Taper Notes:
View NotesMastering Notes: This Glassberg source does not circulate... until now. But the Glassberg master cassettes have speed issues and run slow. The two other sources for this show do not run at the same speed either. The Glassberg show runs 2.6% slower than the Moore source [gd77-05-03.moore.minches.17954.sbeok.shnf]. And the first set only soundboard [gd77-05-03.set1-sbd.miller.21646.sbeok.shnf] runs faster than the Moore source. We chose to use the Moore source for patches because it sounded the right "A" pitch compared to a guitar tuned, and since the Moore source was also recorded up in the front row balcony right next to Glassberg, it was a better patch source in overall sound. We matched the pitch by adjusting the Nakamichi playback speed - literally opening up the deck and adjusting the internal playback screws. We initially tried to alter the speed of the original 24-bit transfer with various software plugins, and found the digital spped/pitch change was not acceptable. We tried three different "high-end" plugins that will go nameless because they all sounded horrible and added swirling artifacts. By changing the playback speed BEFORE the A/D sounded the best. Yes... many hours were spent on this comparing. This show deserves it. Enjoy! 1: The very end of Peggy-o is clipped and missing. 2: End of Row Jimmy [10:31 to end] patched with gd77-05-03.moore.minches.17954.sbeok.shnf 3. Tape change during crowd between Estimated and Sugaree was fixed with crossfade 4. Tape change during crowd between Sugaree and Samson was fixed with crossfade 5: Tape change during crowd between FOTD and Eyes was fixed with crossfade 6: 6 secs of Around & Around [3:34 - 3:50] patched with gd77-05-03.moore.minches.17954.sbeok.shnf [which was slightly eq'd to best match Glassberg source, but you can still hear the transition]. Mastering Software Info: Bias Peak Pro 5.2 / Audiofile Engineering Wave Editor 1.3 / Izotope Ozone 3.0 / xACT 1.59 Audiofile Engineering Sample Manager 3.0.8 for +mbit dithering
Taper: Jerry Moore from first row loge or orchestra row 6 or 8
3:11:20
Rating:
8.80 / 5 ratings
Taper:
Jerry Moore from first row loge or orchestra row 6 or 8
Transferrer:
David Minches
SHNID:
gd77-05-03.moore.minches.17954.sbeok.shnf
Source:
Audience Recording
Lineage:
Sony ECM-33Ps>Sony TC-152 MAC > WAV > SHN
Taper Notes:
View NotesSony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
Transferrer: G. Gorinsky and Ron Spear
3:11:01
Rating:
10.00 / 1 rating
Transferrer:
G. Gorinsky and Ron Spear
SHNID:
gd1977-05-03.aud.gorinsky.6710.sbeok.shnf
Source:
AUD>MR>DAT>CDR > EAC (secure mode, test and copy) > SHN