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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h53372
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.2k150
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k433
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3k397
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.5k688
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h5.5k709
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.7k340
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k131
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.2k359
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h993112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k201
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.6k421
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k179
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.1k141
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k258
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.2k372
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k208
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k255
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.8k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.7k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23025
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k476
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h8.2k1.2k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k257
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k171
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.5k178
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h46959
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h10714
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h47330
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1977
5/3/77
Promised Land
4:43
Bertha
7:47
Me & My Uncle
4:16
Peggy-O
7:45
Jack Straw
7:30
Row Jimmy
11:54
Lazy Lightening > Supplication
8:16
Deal
7:53
Good Lovin'
6:42
Ship Of Fools
9:41
The Music Never Stopped
7:20
Might As Well
6:30
Estimated Prophet
9:30
Sugaree
13:30
Samson And Delilah
6:48
Friend Of The Devil
8:42
Eyes Of The World ->
14:03
Wharf Rat ->
15:48
Not Fade Away ->
11:57
Around & Around ->
8:42
Uncle John's Band
11:44
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:08:15
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd77-05-03.set1-sbd.miller.21646.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View NotesSBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller
Taper: Jerry Moore and Tim Dalton
3:10:04
Rating:
6.00 / 1 rating
Taper:
Jerry Moore and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-05-03.141831.sony.ecm33p.moore.dalton.miller.clugston.flac1644
Source:
Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the shnid86241 Sony ECMxx audience source which supplies the crowd and first few notes of "Promised Land" (1:39 total), the crowd and noodle into "Peggy O"(0:28 total), as well as "Might As Well" and "Friend Of The Devil" in their entirety - Transitions smoothed Mastered by Scott Clugston March 6, 2018
Taper: Barry Glassberg
3:12:57
Rating:
9.26 / 20 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert and D. McCabe
SHNID:
gd1977-05-03.aud.glassberg.motb.0042.86241.flac16
Source:
udience 1st Row Loge Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft.
Lineage:
MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV
Taper Notes:
View NotesMastering Notes: This Glassberg source does not circulate... until now. But the Glassberg master cassettes have speed issues and run slow. The two other sources for this show do not run at the same speed either. The Glassberg show runs 2.6% slower than the Moore source [gd77-05-03.moore.minches.17954.sbeok.shnf]. And the first set only soundboard [gd77-05-03.set1-sbd.miller.21646.sbeok.shnf] runs faster than the Moore source. We chose to use the Moore source for patches because it sounded the right "A" pitch compared to a guitar tuned, and since the Moore source was also recorded up in the front row balcony right next to Glassberg, it was a better patch source in overall sound. We matched the pitch by adjusting the Nakamichi playback speed - literally opening up the deck and adjusting the internal playback screws. We initially tried to alter the speed of the original 24-bit transfer with various software plugins, and found the digital spped/pitch change was not acceptable. We tried three different "high-end" plugins that will go nameless because they all sounded horrible and added swirling artifacts. By changing the playback speed BEFORE the A/D sounded the best. Yes... many hours were spent on this comparing. This show deserves it. Enjoy! 1: The very end of Peggy-o is clipped and missing. 2: End of Row Jimmy [10:31 to end] patched with gd77-05-03.moore.minches.17954.sbeok.shnf 3. Tape change during crowd between Estimated and Sugaree was fixed with crossfade 4. Tape change during crowd between Sugaree and Samson was fixed with crossfade 5: Tape change during crowd between FOTD and Eyes was fixed with crossfade 6: 6 secs of Around & Around [3:34 - 3:50] patched with gd77-05-03.moore.minches.17954.sbeok.shnf [which was slightly eq'd to best match Glassberg source, but you can still hear the transition]. Mastering Software Info: Bias Peak Pro 5.2 / Audiofile Engineering Wave Editor 1.3 / Izotope Ozone 3.0 / xACT 1.59 Audiofile Engineering Sample Manager 3.0.8 for +mbit dithering
Taper: Jerry Moore from first row loge or orchestra row 6 or 8
3:11:20
Rating:
8.80 / 5 ratings
Taper:
Jerry Moore from first row loge or orchestra row 6 or 8
Transferrer:
David Minches
SHNID:
gd77-05-03.moore.minches.17954.sbeok.shnf
Source:
Audience Recording
Lineage:
Sony ECM-33Ps>Sony TC-152 MAC > WAV > SHN
Taper Notes:
View NotesSony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
Transferrer: G. Gorinsky and Ron Spear
3:11:01
Rating:
10.00 / 1 rating
Transferrer:
G. Gorinsky and Ron Spear
SHNID:
gd1977-05-03.aud.gorinsky.6710.sbeok.shnf
Source:
AUD>MR>DAT>CDR > EAC (secure mode, test and copy) > SHN