Row Jimmy | 1977-04-23 | Grateful Dead

View NotesPatch Info:
(FOB) Sony ECM-99A -> Cassette Master -> Dat -> CD -> Samplitude supplies:
Franklin's Tower (5:05 - 5:34)
Notes:
-- All disc changes are seamless
-- Cleaned up many flaws and fixed the levels
-- This seed does not have any diginoise in Sugaree

Transferrer: Hunter Seamons

3:13:05

SBD

gd1977-04-23.mtx.seamons.97596.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes*Matrix*

----------------------------------------------------
SBD (shnid=88401):

Recording Info:
SBD -> Master Reel -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
November 9, 2007

Patch Info:
(FOB) Sony ECM-99A -> Cassette Master -> Dat -> CD -> Samplitude supplies:
Franklin's Tower (5:05 - 5:34)

----------------------------------------------------
AUD (shnid=17178):

Source: Sony ECM99A > Sony152TC taped by Steve Hopkins
Lineage: AUDMC > DAT > CD
Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by [email protected]

notes
MB - some crackle near the end from PA??, tape flip after song completes
RJ - some mild crackle in a few places
FT - one instance with a bit of distortion on the vocals
AAA - tape flip covered by omitting a part of a refrain

---------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Steve Hopkins for recording the show,
and to Matt Vernon for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
February 23, 2009

Notes:

1) Fades were used to create a continuous AUD track between songs.  

2) Shnid=17178 was preferred over shnid=83685.

3) Third Fire On The Mountain

Source 3 of 13

View NotesNotes: right after the guitar solo in franklins tower, the recording splits to mic's to allow you 
to hear the crowd going absolutely nuts, then goes back into soundboard!   simply amazing

If you have a show with a help slipknot franklins that comes even close to this one please post

Transferrer: AJ and Tony Gardner

gd1977-04-23.sbd.aj.gardner.4334.shnf

Source:

SBD->MR->DAT->CD

Taper Notes:

View Notesd3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks)to cover missing SBD source due to reel flip.
No other known flaws.
Discs #1 and #2 have tuning tracks between songs.

Special thanks to Sam Esla for providing the seed.
Enjoy!

Aud patch & CD->EAC->SHN conversion & upload by AJ - [email protected] - September 26th 2000.

retracked and shortened by Tony Gardner April, 2001.  appended tuning tracks
to end of previous track.  V3 SHN

Source 5 of 13

gd77-04-23.sbd.jerugim.1827.sbefail.shnf

Source:

Soundboard with audience patches

Lineage:

SBD-> MR-> DAT-> CD, with AUD patch on reel splice (FOB Sony ECM99A mics-> Sony TC152-> DAT-> CD via Darrin Sacks)

Taper Notes:

View NotesSBD-> MR-> DAT-> CD, with AUD patch on reel splice (FOB Sony ECM99A mics-> Sony TC152-> DAT-> CD via Darrin Sacks); via Adam Jerugim

Taper: Dave Weidner

gd1977-04-23.143265.akgd200e.miller.fixed.flac1644

Source:

(FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700)

Lineage:

CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- This is a fixed versions of shnid=143220 (huge improvement)
-- I patched a drop-out and lowered the crowd noise between songs approx 8.5db
-- Sounds like the recording was made with a limiter on
-- The CD's I received were brickwalled but not distorted
-- This recording has no tape pauses and includes all tunings
-- The pitch was off on the discs so I adjusted it on playback
-- Recorded by Dave Weidner
-- Thanks to David Davis for the discs
-- Thanks to Steve Hopkins for the patch source
-- Thanks to Scott Clugston for his help with this project
-- Thanks to Joe B. Jones for the pitch correction settings

Taper: Dave Weidner

gd1977-04-23.143220.weidner.akg-d200e.miller.flac1644

Source:

(FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700)

Lineage:

CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- Sounds like the recording was made with a limiter on
-- The CD's I received were brickwalled but not distorted
-- This recording has no tape pauses and includes all tunings
-- The pitch was off on the discs so I adjusted it on playback
-- Recorded by Dave Weidner
-- Thanks to David Davis for the discs
-- Thanks to Steve Hopkins for the patch source
-- Thanks to Scott Clugston for his help with this project
-- Thanks to Joe B. Jones for the pitch correction settings

Taper: Steve Hopkins

Charlie Miller, Scott Clugston

SHNID:

gd1977-04-23.139535.fob.ecm.99a.hopkins.miller.clugston.flac1648

Source:

Steve Hopkins Master FOB Audience Cassette; Sony ECM-99a > Sony TC-152sd > DAT

Taper Notes:

View NotesNotes:
- fresh 16/48 transfer (10/2017) of Steve Hopkins master FOB source
- upgrade is in the transfer
- this is presented in all it's glory, tunings intact and tracked, boy, could they tune
- Jerry Moore's Sony ECM-33p source (shnid=18438) used to patch tape flip in Around & Around (t29)from 6:03 thru 6:21
- fixed several digital anomalies (ticks, pops, clicks)
- Scarlet -> Fire 3rd time played
- Thanks to Steve Hopkins, Jerry Moore & David Minches for shnid=18438, and Charlie Miller
- IMO, an under appreciated show

Transfer by Charlie Miller
Mastered by Scott Clugston

Taper: Jimmy Warburton

gd1977-04-23.152693.ecm-99a.warburton.smith.sirmick.flac24

Source:

Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head.

Lineage:

1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24

Taper Notes:

View NotesNotes:

-All tracks pitch corrected.
- Pauses after most tracks have been smoothed out.
- A number of small dropouts fixed by copying one channel to the other.


Thanks to Jimmy Warburton for providing this source.

Thanks to Matt Smith for the transfer.


edited and mastered
SIRMick
June 2021

Taper: Jimmy Warburton

gd1977-04-23.152692.ecm-99a.warburton.smith.sirmick.flac16

Source:

Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head.

Lineage:

Taper Notes:

View NotesNotes:

-All tracks pitch corrected.
- Pauses after most tracks have been smoothed out.
- A number of small dropouts fixed by copying one channel to the other.


Thanks to Jimmy Warburton for providing this source.

Thanks to Matt Smith for the transfer.


edited and mastered
SIRMick
June 2021

Taper: Steve Hopkins

gd1977-04-23.sonyECM99a.hopkins.minches.83685.flac16

Source:

Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding According to Steve "we set up just about center ice, as i recall, perhaps a little to the right so we were more lined up with the right stack. if my memory serves me well, we taped the microphone to the top of a walking cane and hand-held that about 2 to 3 feet over our heads and above the crowd."

Lineage:

Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC

Taper Notes:

View Notes* Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152

Taper: Jerry Moore

gd77-04-23.moore.minches.18438.sbeok.shnf

Source:

Audience Recording: Sony ECM-33Ps

Lineage:

Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN

Taper Notes:

View NotesSource: Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line  
Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> 
Cool Edit 2000> Feurio/mkwACT by David Minches

Taper: Steve Hopkins

gd77-04-23.hopkins.vernon.17178.sbeok.shnf

Source:

Audience Recording: Sony ECM 99A

Lineage:

AUDMC (Sony ECM99A > Sony152TC) > DAT > CD

Taper Notes:

View NotesAUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon