1977
Bands
Featured
Bands
Grateful Dead
Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1977
Sources
Transferrer: Hunter Seamons
3:13:05
SBD
Rating:
9.77 / 36 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1977-04-23.mtx.seamons.97596.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=88401): Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] November 9, 2007 Patch Info: (FOB) Sony ECM-99A -> Cassette Master -> Dat -> CD -> Samplitude supplies: Franklin's Tower (5:05 - 5:34) ---------------------------------------------------- AUD (shnid=17178): Source: Sony ECM99A > Sony152TC taped by Steve Hopkins Lineage: AUDMC > DAT > CD Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by [email protected] notes MB - some crackle near the end from PA??, tape flip after song completes RJ - some mild crackle in a few places FT - one instance with a bit of distortion on the vocals AAA - tape flip covered by omitting a part of a refrain --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Steve Hopkins for recording the show, and to Matt Vernon for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) February 23, 2009 Notes: 1) Fades were used to create a continuous AUD track between songs. 2) Shnid=17178 was preferred over shnid=83685. 3) Third Fire On The Mountain
Taper: Dave Weidner
3:08:28
Rating:
10.00 / 1 rating
Taper:
Dave Weidner
Transferrer:
Charlie Miller
SHNID:
gd1977-04-23.143265.akgd200e.miller.fixed.flac1644
Source:
(FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700)
Lineage:
CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a fixed versions of shnid=143220 (huge improvement) -- I patched a drop-out and lowered the crowd noise between songs approx 8.5db -- Sounds like the recording was made with a limiter on -- The CD's I received were brickwalled but not distorted -- This recording has no tape pauses and includes all tunings -- The pitch was off on the discs so I adjusted it on playback -- Recorded by Dave Weidner -- Thanks to David Davis for the discs -- Thanks to Steve Hopkins for the patch source -- Thanks to Scott Clugston for his help with this project -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Dave Weidner
3:08:29
Rating:
9.50 / 4 ratings
Taper:
Dave Weidner
Transferrer:
Charlie Miller
SHNID:
gd1977-04-23.143220.weidner.akg-d200e.miller.flac1644
Source:
(FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700)
Lineage:
CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Sounds like the recording was made with a limiter on -- The CD's I received were brickwalled but not distorted -- This recording has no tape pauses and includes all tunings -- The pitch was off on the discs so I adjusted it on playback -- Recorded by Dave Weidner -- Thanks to David Davis for the discs -- Thanks to Steve Hopkins for the patch source -- Thanks to Scott Clugston for his help with this project -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Steve Hopkins
3:03:09
Taper:
Steve Hopkins
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1977-04-23.139535.fob.ecm.99a.hopkins.miller.clugston.flac1648
Source:
Steve Hopkins Master FOB Audience Cassette; Sony ECM-99a > Sony TC-152sd > DAT
Taper Notes:
View NotesNotes: - fresh 16/48 transfer (10/2017) of Steve Hopkins master FOB source - upgrade is in the transfer - this is presented in all it's glory, tunings intact and tracked, boy, could they tune - Jerry Moore's Sony ECM-33p source (shnid=18438) used to patch tape flip in Around & Around (t29)from 6:03 thru 6:21 - fixed several digital anomalies (ticks, pops, clicks) - Scarlet -> Fire 3rd time played - Thanks to Steve Hopkins, Jerry Moore & David Minches for shnid=18438, and Charlie Miller - IMO, an under appreciated show Transfer by Charlie Miller Mastered by Scott Clugston
Taper: Jimmy Warburton
2:39:04
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-04-23.152693.ecm-99a.warburton.smith.sirmick.flac24
Source:
Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head.
Lineage:
1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24
Taper Notes:
View NotesNotes: -All tracks pitch corrected. - Pauses after most tracks have been smoothed out. - A number of small dropouts fixed by copying one channel to the other. Thanks to Jimmy Warburton for providing this source. Thanks to Matt Smith for the transfer. edited and mastered SIRMick June 2021
Taper: Jimmy Warburton
2:39:04
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & SIRMick
SHNID:
gd1977-04-23.152692.ecm-99a.warburton.smith.sirmick.flac16
Source:
Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head.
Lineage:
1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
Taper Notes:
View NotesNotes: -All tracks pitch corrected. - Pauses after most tracks have been smoothed out. - A number of small dropouts fixed by copying one channel to the other. Thanks to Jimmy Warburton for providing this source. Thanks to Matt Smith for the transfer. edited and mastered SIRMick June 2021
Taper: Steve Hopkins
3:15:17
Rating:
9.00 / 4 ratings
Taper:
Steve Hopkins
Transferrer:
David Minches
SHNID:
gd1977-04-23.sonyECM99a.hopkins.minches.83685.flac16
Source:
Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding According to Steve "we set up just about center ice, as i recall, perhaps a little to the right so we were more lined up with the right stack. if my memory serves me well, we taped the microphone to the top of a walking cane and hand-held that about 2 to 3 feet over our heads and above the crowd."
Lineage:
Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC
Taper Notes:
View Notes* Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152