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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.2k150
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.7k260
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.6k219
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.4k316
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.6k344
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4.3k597
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k260
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k127
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h4.7k589
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h80993
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h5.4k621
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.6k318
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h902115
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k164
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k223
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.4k500
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1k148
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k202
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h7.6k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.9k1.9k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37839
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k374
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.8k508
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.4k299
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k147
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.2k150
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k238
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h76894
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10815
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h35622
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1977
2/27/77
New Minglewood Blues
5:31
Loser
7:15
El Paso
5:40
Ramble On Rose
9:11
Estimated Prophet
8:28
Peggy O
9:55
Good Lovin'
7:06
Mississippi Half-Step Uptown Toodeloo
10:02
The Music Never Stopped
7:05
Scarlet Begonias
13:19
Samson & Delilah
6:59
//St. Stephen >
8:17
Not Fade Away >
9:05
Drums
4:45
Terrapin Station >
9:57
Morning Dew
13:49
Sugar Magnolia
9:19
Encore Break
0:46
Johnny B. Goode
4:24
FIN
View on archive.org
Sources
Taper: Betty Cantor-Jackson
29:24
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor-Jackson
Transferrer:
Rob Eaton and Charlie Miller
SHNID:
gd1977-02-27.144912.sbd.pc.miller.flac1644
Source:
SBD > Master Reel (7.5ips 1/2trk) > FLAC
Lineage:
FLAC > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Rob Eaton did the transfer using Betty Cantor-Jackson's original Nagra -- The deck that made the tape also did the transfers (after restoration) -- The reel starts at end of Terrapin Station (all the currently exists) -- Thanks to Jason Chastain for the pitch correction settings
Taper: Betty Cantor-Jackson
29:34
SBD
Taper:
Betty Cantor-Jackson
Transferrer:
Rob Eaton and Charlie Miller
SHNID:
gd1977-02-27.144911.sbd.miller.flac1644
Source:
SBD > Master Reel (7.5ips 1/2trk) > FLAC
Lineage:
FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Rob Eaton did the transfer using Betty Cantor-Jackson's original Nagra -- The deck that made the tape also did the transfers (after restoration) -- The reel starts at end of Terrapin Station (all the currently exists)
Taper: Bob Menke
2:40:20
Taper:
Bob Menke
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1977-02-27.168958.sony.ecm280.menke.miller.clugston.st.stephen.patched.flac1648
Source:
SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg
Lineage:
Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Menke for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies a 0:16 patch at the beginning of "Morning Dew" - Some crowd and beginning of "St. Stephen" (1:11 total) patched using Barry Glassberg's Sony ECM-99 source (thanks to Bob Menke) from 4/30/77 - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Bob Menke
2:34:55
Taper:
Bob Menke
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1977-02-27.168957.sony.ecm280.menke.miller.clugston.flac1648
Source:
SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg
Lineage:
First Set: Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496 Second Set: Playback on Bob's Technics 1506 > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Menke for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies a 0:16 patch at the beginning of "Morning Dew" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Rob Bertrando
2:30:53
Rating:
10.00 / 1 rating
Taper:
Rob Bertrando
Transferrer:
Matt Smith, Scott Clugston, Charlie Miller
SHNID:
gd1977-02-27.145195.sony.ecm280.bertrando.smith.miller.clugston.flac1648
Source:
Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips
Lineage:
1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Bertrando for the 1st generation reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies a 0:12 patch at the beginning of "Morning Dew" (present on all previous copies, the cut was tightened up and not noted previously) - St. Stephen clipped - Pitch corrected Mastered by Scott Clugston February 2019
Source 6 of 9
2:31:03
SHNID:
gd1977-02-27.gd1977-02-27.145196.sony.ecm280.bertrando.smith.miller.clugston.flac2496
Taper: Rob Bertrando
2:31:18
Taper:
Rob Bertrando
Transferrer:
Jimmy Warburton and Matt Smith and Sirmick
SHNID:
gd1977-02-27.143885.SonyECM-280.bertrando.warburton.smith.sirmick.flac1644
Source:
Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: I asked Rob why the start of "St. Stephen" was missing and this is what he told me "Bob Menke, Reinhardt Hohlwein and I were all taping out of my mics; since Bob and Rhino had seats a couple of rows in front of me they had the mics. Just before "St Stephen", Ramrod came down the aisle, saw the mics, and busted Bob and Rhino, taking their decks and tapes but leaving them with the mics. Mike Johann and Sandy Troy were in the row between us, and managed to get the mic cables run back to me. By the time I had plugged them in, St Stephen was already started; if you listen really carefully, I think you can still hear Ramrod talking to Bob and Rhino after I had started taping again." Notes: - I have patched in some crowd/tuning segments for continuity purposes using shnid 10378 - Thank you Raoul Duke and Matt Vernon. - This source does not have any dropouts in "Mississippi Half-Step" and "Drums" is complete. Thanks to Rob Bertrando for a great recording and his assistance with pitch correction. Thanks to Matt Smith for a fine transfer. Thanks to Jimmy Warburton for making his copy available. edited and mastered SIRMick November 2018
Taper: Rob Bertrando
2:31:18
Rating:
9.00 / 2 ratings
Taper:
Rob Bertrando
Transferrer:
Jimmy Warburton and Matt Smith and Sirmick
SHNID:
gd1977-02-27.143884.SonyECM-280.bertrando.warburton.smith.sirmick.flac2496
Source:
Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: I asked Rob why the start of "St. Stephen" was missing and this is what he told me "Bob Menke, Reinhardt Hohlwein and I were all taping out of my mics; since Bob and Rhino had seats a couple of rows in front of me they had the mics. Just before "St Stephen", Ramrod came down the aisle, saw the mics, and busted Bob and Rhino, taking their decks and tapes but leaving them with the mics. Mike Johann and Sandy Troy were in the row between us, and managed to get the mic cables run back to me. By the time I had plugged them in, St Stephen was already started; if you listen really carefully, I think you can still hear Ramrod talking to Bob and Rhino after I had started taping again." Notes: - I have patched in some crowd/tuning segments for continuity purposes using shnid 10378 - Thank you Raoul Duke and Matt Vernon. - This source does not have any dropouts in "Mississippi Half-Step" and "Drums" is complete. Thanks to Rob Bertrando for a great recording and his assistance with pitch correction. Thanks to Matt Smith for a fine transfer. Thanks to Jimmy Warburton for making his copy available. edited and mastered SIRMick November 2018
Taper: Rob Bertrando
2:23:19
Rating:
8.24 / 58 ratings
Taper:
Rob Bertrando
SHNID:
gd77-02-27.bertrando.vernon.10378.sbeok.shnf
Source:
Audience Recording: Sony ECM-280
Lineage:
Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR
Taper Notes:
View NotesSony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.