Sugar Magnolia | 1977-02-27 | Grateful Dead

View NotesNotes:
-- Rob Eaton did the transfer using Betty Cantor-Jackson's original Nagra
-- The deck that made the tape also did the transfers (after restoration)
-- The reel starts at end of Terrapin Station (all the currently exists)
-- Thanks to Jason Chastain for the pitch correction settings

Taper: Betty Cantor-Jackson

29:34

SBD

Taper:

Betty Cantor-Jackson

Transferrer:

Rob Eaton and Charlie Miller

SHNID:

gd1977-02-27.144911.sbd.miller.flac1644

Source:

SBD > Master Reel (7.5ips 1/2trk) > FLAC

Lineage:

FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- Rob Eaton did the transfer using Betty Cantor-Jackson's original Nagra
-- The deck that made the tape also did the transfers (after restoration)
-- The reel starts at end of Terrapin Station (all the currently exists)

Taper: Bob Menke

Scott Clugston, Charlie Miller

SHNID:

gd1977-02-27.168958.sony.ecm280.menke.miller.clugston.st.stephen.patched.flac1648

Source:

SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg

Lineage:

Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Menke for the master cassettes source and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charlie Miller for the soundboard source which supplies a 0:16 patch at the beginning of "Morning Dew"
- Some crowd and beginning of "St. Stephen" (1:11 total) patched using Barry Glassberg's Sony ECM-99 source (thanks to Bob Menke) from 4/30/77
- Pitch corrected

Mastered by Scott Clugston
August 2024

Taper: Bob Menke

Scott Clugston, Charlie Miller

SHNID:

gd1977-02-27.168957.sony.ecm280.menke.miller.clugston.flac1648

Source:

SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg

Lineage:

First Set: Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496 Second Set: Playback on Bob's Technics 1506 > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Menke for the master cassettes source and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charlie Miller for the soundboard source which supplies a 0:16 patch at the beginning of "Morning Dew"
- Pitch corrected

Mastered by Scott Clugston
August 2024

Taper: Rob Bertrando

Matt Smith, Scott Clugston, Charlie Miller

SHNID:

gd1977-02-27.145195.sony.ecm280.bertrando.smith.miller.clugston.flac1648

Source:

Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips

Lineage:

1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Bertrando for the 1st generation reels
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charlie Miller for the soundboard source which supplies a 0:12 patch at the beginning of "Morning Dew" (present on all previous copies, the cut was tightened up and not noted previously)
- St. Stephen clipped
- Pitch corrected

Mastered by Scott Clugston
February 2019

Source 6 of 9

2:31:03

SHNID:

gd1977-02-27.gd1977-02-27.145196.sony.ecm280.bertrando.smith.miller.clugston.flac2496

Taper: Rob Bertrando

Jimmy Warburton and Matt Smith and Sirmick

SHNID:

gd1977-02-27.143885.SonyECM-280.bertrando.warburton.smith.sirmick.flac1644

Source:

Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy.

Lineage:

Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24

Taper Notes:

View NotesComments:

I asked Rob why the start of "St. Stephen" was missing and this is what he told me "Bob Menke, Reinhardt Hohlwein and I were all taping out of my mics; since Bob and Rhino had seats a couple of rows in front of me they had the mics.  Just before "St Stephen", Ramrod came down the aisle, saw the mics, and busted Bob and Rhino, taking their decks and tapes but leaving them with the mics.  Mike Johann and Sandy Troy were in the row between us, and managed to get the mic cables run back to me.  By the time I had plugged them in, St Stephen was already started; if you listen really carefully, I think you can still hear Ramrod talking to Bob and Rhino after I had started taping again."

Notes:

- I have patched in some crowd/tuning segments for continuity purposes using shnid 10378 - Thank you Raoul Duke and Matt Vernon.
- This source does not have any dropouts in "Mississippi Half-Step" and "Drums" is complete.

Thanks to Rob Bertrando for a great recording and his assistance with pitch correction.

Thanks to Matt Smith for a fine transfer.

Thanks to Jimmy Warburton for making his copy available.

edited and mastered
SIRMick
November 2018

Taper: Rob Bertrando

Jimmy Warburton and Matt Smith and Sirmick

SHNID:

gd1977-02-27.143884.SonyECM-280.bertrando.warburton.smith.sirmick.flac2496

Source:

Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy.

Lineage:

Taper Notes:

View NotesComments:

I asked Rob why the start of "St. Stephen" was missing and this is what he told me "Bob Menke, Reinhardt Hohlwein and I were all taping out of my mics; since Bob and Rhino had seats a couple of rows in front of me they had the mics.  Just before "St Stephen", Ramrod came down the aisle, saw the mics, and busted Bob and Rhino, taking their decks and tapes but leaving them with the mics.  Mike Johann and Sandy Troy were in the row between us, and managed to get the mic cables run back to me.  By the time I had plugged them in, St Stephen was already started; if you listen really carefully, I think you can still hear Ramrod talking to Bob and Rhino after I had started taping again."

Notes:

- I have patched in some crowd/tuning segments for continuity purposes using shnid 10378 - Thank you Raoul Duke and Matt Vernon.
- This source does not have any dropouts in "Mississippi Half-Step" and "Drums" is complete.

Thanks to Rob Bertrando for a great recording and his assistance with pitch correction.

Thanks to Matt Smith for a fine transfer.

Thanks to Jimmy Warburton for making his copy available.

edited and mastered
SIRMick
November 2018

Taper: Rob Bertrando

gd77-02-27.bertrando.vernon.10378.sbeok.shnf

Source:

Audience Recording: Sony ECM-280

Lineage:

Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR

Taper Notes:

View NotesSony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming  error and the show is complete as is.