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1976
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Featured
Grateful Dead
1.3M
2,080
shows
18,062
tapes
Phish
293k
Powered by Phish.in
1,864
shows
1,868
tapes
Bands
311
936
249
shows
284
tapes
7 Walkers
202
67
shows
104
tapes
Ace Bandage
27
49
shows
49
tapes
Adam Deitch
395
81
shows
114
tapes
Akron/Family
20
40
shows
43
tapes
American Babies
28
87
shows
106
tapes
Andrew Bird
256
125
shows
133
tapes
Andy Frasco & The UN
364
82
shows
114
tapes
Animal Collective
311
123
shows
134
tapes
Animal Liberation Orchestra
1.8k
429
shows
533
tapes
Antibalas
134
81
shows
92
tapes
Aquarium Rescue Unit
1.3k
159
shows
236
tapes
Aqueous
164
161
shows
248
tapes
Assembly of Dust
604
286
shows
421
tapes
Barefoot Manner
34
102
shows
107
tapes
Bela Fleck and the Flecktones
1.4k
488
shows
610
tapes
Ben Kweller
30
32
shows
35
tapes
Benevento Russo Duo
247
277
shows
380
tapes
Bernie Worrell
43
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
76
27
shows
29
tapes
Bernie Worrell Orchestra
20
19
shows
27
tapes
Big Something
345
351
shows
522
tapes
Billy & the Kids
2.3k
17
shows
61
tapes
Billy Strings
90.2k
539
shows
1,056
tapes
Blind Melon
1.7k
62
shows
76
tapes
Blueground Undergrass
56
182
shows
205
tapes
Grateful Dead
Years
Recent
Top
Venues
Songs
Tours
Today In History
June 17th
8 shows
70 tapes
Years
1995
30.9k
49
shows
343
tapes
1994
12.9k
85
shows
460
tapes
1993
38.6k
83
shows
656
tapes
1992
46.1k
57
shows
539
tapes
1991
43k
78
shows
973
tapes
1990
51.1k
78
shows
1,139
tapes
1989
48.5k
78
shows
1,017
tapes
1988
20.2k
82
shows
882
tapes
1987
43k
88
shows
1,025
tapes
1986
12.7k
47
shows
684
tapes
1985
28.5k
73
shows
1,357
tapes
1984
27.2k
67
shows
1,075
tapes
1983
20.6k
71
shows
1,069
tapes
1982
42.4k
63
shows
753
tapes
1981
30.4k
92
shows
868
tapes
1980
70.9k
91
shows
794
tapes
1979
21.2k
79
shows
608
tapes
1978
38k
87
shows
592
tapes
1977
253k
64
shows
418
tapes
1976
99.8k
45
shows
298
tapes
1975
6.3k
25
shows
63
tapes
1974
88.3k
42
shows
324
tapes
1973
90.5k
75
shows
445
tapes
1972
58.6k
88
shows
361
tapes
1971
33.7k
82
shows
357
tapes
1970
38.8k
101
shows
376
tapes
1969
28.5k
112
shows
326
tapes
1968
7.7k
41
shows
125
tapes
1967
1.7k
23
shows
55
tapes
1966
8.2k
32
shows
78
tapes
1965
638
2
shows
2
tapes
1976
SBD
12/31
SBD
Cow Palace
Daly City, CA, USA
839
3:13:40
5
tapes
10/15
SBD
Shrine Auditorium
Los Angeles, CA, USA
467
2:57:01
6
tapes
10/14
SBD
Shrine Auditorium
Los Angeles, CA, USA
131
2:45:44
5
tapes
10/10
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
336
2:51:00
4
tapes
10/09
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
482
2:33:32
8
tapes
10/03
SBD
COBO Arena
Detriot, MI, USA
49
2:42:35
5
tapes
10/02
Riverfront Arena
Cincinnati, OH, USA
66
3:08:20
3
tapes
10/01
SBD
Market Square Arena
Indianapolis, IN, USA
411
2:52:22
10
tapes
9/30
SBD
Auditorium, Ohio State U
Columbus, OH, USA
183
2:52:24
4
tapes
9/28
SBD
Onondaga County War Memorial
Syracuse, NY, USA
269
2:38:21
4
tapes
9/27
SBD
Community War Memorial Auditorium
Rochester, NY, USA
342
3:01:42
6
tapes
9/25
SBD
Capital Centre
Landover, MD, USA
262
2:58:06
5
tapes
9/24
William and Mary College Hall
Williamsburg, VA, USA
108
2:58:10
2
tapes
9/23
SBD
Cameron Indoor Stadium, Duke U.
Durham, NC, USA
207
3:04:28
2
tapes
8/26
Club Front Studio
San Rafael, CA
4
11:25
1
tape
8/04
SBD
Roosevelt Stadium
Jersey City, NJ, USA
937
3:35:02
13
tapes
8/02
Colt Park
Hartford, CT, USA
184
3:20:35
8
tapes
7/18
SBD
Orpheum Theatre
San Francisco, CA, USA
2.5k
3:24:20
7
tapes
7/17
SBD
Orpheum Theatre
San Francisco, CA, USA
437
2:39:39
7
tapes
7/16
SBD
Orpheum Theatre
San Francisco, CA, USA
238
3:10:39
8
tapes
7/14
SBD
Orpheum Theatre
San Francisco, CA, USA
88
4:44:29
6
tapes
7/13
SBD
Orpheum Theatre
San Francisco, CA, USA
237
2:44:28
15
tapes
7/12
SBD
Orpheum Theatre
San Francisco, CA, USA
293
3:49:29
8
tapes
6/29
SBD
Auditorium Theatre
Chicago, IL, USA
697
2:58:01
8
tapes
6/28
SBD
Auditorium Theatre
Chicago, IL, USA
236
2:41:07
5
tapes
6/27
SBD
Auditorium Theatre
Chicago, IL, USA
509
2:36:59
4
tapes
6/26
SBD
Auditorium Theatre
Chicago, IL, USA
382
2:59:17
7
tapes
6/24
SBD
Tower Theatre
Upper Darby, PA, USA
430
2:34:07
10
tapes
6/23
Tower Theatre
Upper Darby, PA, USA
207
3:05:22
3
tapes
6/22
SBD
Tower Theatre
Upper Darby, PA, USA
406
3:07:57
5
tapes
6/21
SBD
Tower Theatre
Upper Darby, PA, USA
1.1k
2:59:21
7
tapes
6/19
SBD
Capitol Theater
Passaic, NJ, USA
878
5:51:11
10
tapes
6/18
SBD
Capitol Theater
Passaic, NJ, USA
124
5:09:11
6
tapes
6/17
SBD
Capitol Theater
Passaic, NJ, USA
1.2k
3:17:52
6
tapes
6/15
SBD
Beacon Theatre
New York, NY, USA
6.6k
2:59:44
8
tapes
6/14
SBD
Beacon Theatre
New York, NY, USA
7.8k
3:23:35
8
tapes
6/12
SBD
Boston Music Hall
Boston, MA, USA
8.8k
3:09:53
10
tapes
6/11
SBD
Boston Music Hall
Boston, MA, USA
15.7k
3:18:49
9
tapes
6/10
SBD
Boston Music Hall
Boston, MA, USA
9.5k
3:09:06
12
tapes
6/09
SBD
Boston Music Hall
Boston, MA, USA
8.5k
3:47:39
10
tapes
6/04
SBD
Paramount Theater
Portland, OR, USA
4.3k
3:11:35
8
tapes
6/03
SBD
Paramount Theater
Portland, OR, USA
22.4k
3:23:28
16
tapes
5/28
SBD
Unknown Venue
Unknown, Unknown
818
2:26:44
2
tapes
5/18
Studio
Unknown, CA
34
6:04
1
tape
4/20
SBD
Mickey's Barn
Novato, CA
120
26:11
1
tape
10/9/76
The Promised Land
4:34
Mississippi Half Step
10:20
Cassidy
4:40
Tennessee Jed
8:51
Looks Like Rain
9:09
They Love Each Other
7:17
Minglewood Blues
5:18
Scarlet Begonias
12:16
Lazy Lightning>
4:55
Supplication
5:46
Sugaree
11:30
Saint Stephen>
4:23
Not Fade Away>
11:37
Saint Stephen>
0:48
Help On The Way>
6:16
Slipknot!>drums
4:53
drums>
2:52
Samson And Delilah>
7:10
Slipknot!>
6:40
Franklin's Tower>
12:29
One More Saturday Night
5:40
U.S. Blues
6:08
FIN
View on archive.org
Sources
Taper: See info file
1:09:50
SBD
Rating:
10.00 / 3 ratings
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dan.89544.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
Tech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. SF8.0 was used for the EQ setting pre mixdown. This is a 60% SBD, 40% AUD mix. - Mixed by
[email protected]
- FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by
[email protected]
- For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- Multitrack Mixdown Settings SET TWO Stereo Matrix SBD -2.5db AUD -5db --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genius, the transitions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not too distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: See info file
1:09:50
SBD
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dts.dan.86437.flac16
Source:
Matrix mix of Set 2 SBD by Dan Haugh
Lineage:
See info file
Taper Notes:
View Notes
Tech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. Surcode CD Pro DTS was used to encode to DTS. - Mixed by
[email protected]
- FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by
[email protected]
- For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Right Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Sub/LFE Mono Mix -5db SBD DEQ'd --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genious, the transistions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not to distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------
Source 3 of 8
1:09:50
SBD
Rating:
9.58 / 20 ratings
SHNID:
gd76-10-09.set2-sbd.miller.12519.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>Rm>Dat>Sonic Solutions>CD
Taper Notes:
View Notes
Update: This show is featured on Dick's Picks Vol. 33 Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller
Source 4 of 8
1:59:23
SBD
Rating:
10.00 / 3 ratings
Source:
Soundboard
Lineage:
S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC>SHN
Taper Notes:
View Notes
Update: This show is featured on Dick's Picks Vol. 33 partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN;Â No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler
Taper: Louis Falanga
2:33:32
Rating:
6.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Rob Berger
SHNID:
gd1976-10-09.aud.falanga.berger.99003.flac16
Source:
master taped on a sony tc-152sd
Lineage:
MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac
Taper: Louis Falanga
2:33:32
Rating:
10.00 / 4 ratings
Taper:
Louis Falanga
Transferrer:
Rob Berger
SHNID:
gd1976-10-09.aud.falanga.berger.99002.flac24
Source:
master taped on a sony tc-152sd
Lineage:
MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac
Taper Notes:
View Notes
24 bit version.
Transferrer: Pitch correction and other fixes by Bill Tetzeli
2:27:26
Rating:
8.75 / 10 ratings
Transferrer:
Pitch correction and other fixes by Bill Tetzeli
SHNID:
gd1976-10-09.aud.fix-10179.tetzeli.sbeok.83819.flac16
Taper Notes:
View Notes
-------------------------------------------------------------------------------- Fix of shnid 10179 This source had to main flaws. First, the left channel was inverted, putting the whole show out of phase. Second, it's about 3% fast when compared with the circulating SBD and generated tones in Cool Edit. I reinverted the left channel and time/pitch stretched each track to 102.998% in Cool Edit Pro. Resulting SBEs were fixed using shntool. Other than that, this is an excellent sounding AUD, well worthy of the download. Many thanks to the original taper, Dave Minor for providing the DAT, and Marc Pujol and Matt Vernon for their work on getting this source out to the hoi paloi. Also to archive.org, from where I got this source. Amen. ;-) Fixed and seeded by Bill Tetzeli (
[email protected]
) 4:45 PM 4/2/2007
Transferrer: Marc Pujol
2:23:08
Rating:
9.60 / 5 ratings
Transferrer:
Marc Pujol
SHNID:
gd76-10-09.aud.vernon.10179.sbeok.shnf
Source:
Audience Recording