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Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h58779
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h781106
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.1k409
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.5k312
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3k387
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k353
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k138
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k230
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h84393
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k188
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h995131
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k211
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k274
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.6k702
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k242
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.2k439
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85382
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k593
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k549
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3k368
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.8k198
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7.8k792
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h37346
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11016
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22817
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1976
10/9/76
The Promised Land
4:34
Mississippi Half Step
10:20
Cassidy
4:40
Tennessee Jed
8:51
Looks Like Rain
9:09
They Love Each Other
7:17
Minglewood Blues
5:18
Scarlet Begonias
12:16
Lazy Lightning>
4:55
Supplication
5:46
Sugaree
11:30
Saint Stephen>
4:23
Not Fade Away>
11:37
Saint Stephen>
0:48
Help On The Way>
6:16
Slipknot!>drums
4:53
drums>
2:52
Samson And Delilah>
7:10
Slipknot!>
6:40
Franklin's Tower>
12:29
One More Saturday Night
5:40
U.S. Blues
6:08
FIN
View on archive.org
Sources
Taper: See info file
1:09:50
SBD
Rating:
10.00 / 3 ratings
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dan.89544.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. SF8.0 was used for the EQ setting pre mixdown. This is a 60% SBD, 40% AUD mix. - Mixed by [email protected] - FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- Multitrack Mixdown Settings SET TWO Stereo Matrix SBD -2.5db AUD -5db --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genius, the transitions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not too distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: See info file
1:09:50
SBD
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dts.dan.86437.flac16
Source:
Matrix mix of Set 2 SBD by Dan Haugh
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Right Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Sub/LFE Mono Mix -5db SBD DEQ'd --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genious, the transistions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not to distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------
Source 3 of 8
1:09:50
SBD
Rating:
9.58 / 20 ratings
SHNID:
gd76-10-09.set2-sbd.miller.12519.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>Rm>Dat>Sonic Solutions>CD
Taper Notes:
View NotesUpdate: This show is featured on Dick's Picks Vol. 33 Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller
Source 4 of 8
1:59:23
SBD
Rating:
10.00 / 3 ratings
Source:
Soundboard
Lineage:
S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC>SHN
Taper Notes:
View NotesUpdate: This show is featured on Dick's Picks Vol. 33 partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN;Â No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler
Taper: Louis Falanga
2:33:32
Rating:
6.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Rob Berger
SHNID:
gd1976-10-09.aud.falanga.berger.99003.flac16
Source:
master taped on a sony tc-152sd
Lineage:
MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac
Taper: Louis Falanga
2:33:32
Rating:
10.00 / 4 ratings
Taper:
Louis Falanga
Transferrer:
Rob Berger
SHNID:
gd1976-10-09.aud.falanga.berger.99002.flac24
Source:
master taped on a sony tc-152sd
Lineage:
MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac
Taper Notes:
View Notes24 bit version.
Transferrer: Pitch correction and other fixes by Bill Tetzeli
2:27:26
Rating:
8.75 / 10 ratings
Transferrer:
Pitch correction and other fixes by Bill Tetzeli
SHNID:
gd1976-10-09.aud.fix-10179.tetzeli.sbeok.83819.flac16
Taper Notes:
View Notes-------------------------------------------------------------------------------- Fix of shnid 10179 This source had to main flaws. First, the left channel was inverted, putting the whole show out of phase. Second, it's about 3% fast when compared with the circulating SBD and generated tones in Cool Edit. I reinverted the left channel and time/pitch stretched each track to 102.998% in Cool Edit Pro. Resulting SBEs were fixed using shntool. Other than that, this is an excellent sounding AUD, well worthy of the download. Many thanks to the original taper, Dave Minor for providing the DAT, and Marc Pujol and Matt Vernon for their work on getting this source out to the hoi paloi. Also to archive.org, from where I got this source. Amen. ;-) Fixed and seeded by Bill Tetzeli ([email protected]) 4:45 PM 4/2/2007
Transferrer: Marc Pujol
2:23:08
Rating:
9.60 / 5 ratings
Transferrer:
Marc Pujol
SHNID:
gd76-10-09.aud.vernon.10179.sbeok.shnf
Source:
Audience Recording