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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1976
9/27/76
Promised Land
7:15
They Love Each Other
11:34
El Paso
5:09
Deal
7:14
Looks Like Rain
11:19
Row Jimmy
10:11
Take A Step Back
1:26
It's All Over Now
6:10
Loser
8:36
Lazy Lightning >
2:45
Supplication
6:56
Brown Eyed Women
6:51
The Music Never Stopped
6:38
Might As Well
7:49
Samson And Delilah
8:17
Help On The Way >
5:48
Slipknot! >
6:55
Drums >
5:52
The Other One >
10:08
Wharf Rat >
11:06
Slipknot! >
2:23
Franklin's Tower >
17:50
Around And Around
7:29
U.S. Blues
6:01
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
8.80 / 33 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-09-27.sbd.miller.87664.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Behringer Ultramatch SRC2000 ->
Taper Notes:
View NotesPatch Info: Sony ECM-33P>Master Cassette>Dat>CD (shnid=3821) supplies: Promised Land (0:00 - 0:09) It's All Over Now (0:00 - 3:09) Loser (3:52 - 4:39) Slipknot! (6:02 - 6:27) Around And Around (0:36 - 1:49) Notes: -- Set 2 is seamless -- Patch source was pitch adjusted to match sbd -- Fixed vocal distortion -- El Paso has a false start -- Supplication is instrumental -- First few seconds of U.S. Blues missing
Taper: See info file
3:00:44
SBD
Rating:
7.00 / 4 ratings
Taper:
See info file
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.tobin.87661.flac16
Source:
SBD + AUD Matrix 2 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes-------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 16-SEP-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD -3 SET TWO Stereo Matrix SBD -1 AUD -3 --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues.
Source 3 of 6
3:01:42
Rating:
10.00 / 2 ratings
SHNID:
gd1976-09-27.171281.mtx.seamons.ht177.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) May 5, 2025
Taper Notes:
View NotesNotes: Phil is low in the mix for Promised Land. The sound improves with They Love Each Other, after the band addresses "an annoying hum" in the sound system. The first 3:11 of It's All Over Now is AUD-only. Jerry's guitar and the vocal mics cut out late during Supplication (Jerry's guitar also has lower levels for a while before it cuts out). The guitar returns to the mix towards the end. The vocals return for Brown Eyed Women. The AUD cuts out at 2:55 of The Music Never Stopped. We patched some of the crowd reaction after Brown Eyed Women to the tail end of this track to maintain a matrix effect for the end of set 1. SBD clicks removed or reduced in They Love Each Other (4), The Music Never Stopped (2), and Help On The Way (1). There is a slight reverb "watery" effect in the guitars and vocals at times in the SBD recording, particularly during the second set. After a short cut in the SBD source near the end of the first Slipknot, there is a tonal shift where the sound becomes flatter and a little more left-channel heavy for the remainder of the recording. It seems like this could be a patch, but not sure. The matrix helps improve this lower quality sound. The AUD has a 2-second cut near the end of Drums and a 7-second cut in Franklin's Tower, from 0:27 to 0:34. At 5:39 in Around And Around, the rest of the AUD is patched with a different, poor quality AUD source that was un-matrixable. This source was still used to patch the first 20 seconds of U.S. Blues, which was missing in the SBD source, as well as the encore break. A brief section is also used after the encore.
Taper: Unknown
2:58:41
Transferrer:
Transfers and edits by Pete Ebel February 19, 2023
Source:
FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesNotes: * New Transfer of same Microphone source as #003821. This one has a different linage and does not have a CDR Source involved. This transfer seem to have less deck pauses and more lead in time. It has the same AUD Patch during Around & around but also includes U.S. Blues that is missing from other source. The older source has 30 of redundant music that repeats for CDR changes...this one does not. It seems to have a smoother sound!...Tagged and in flac. * Music never Stopped cuts and fades out (Same as previous versions) * All tracks are seamless Transfers and edits by Pete Ebel February 19, 2023
Taper: See info file
3:00:44
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.dts.tobin.87665.flac16
Source:
DTS-Audio-CD 5.1 Mix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 30-SEP-2007 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Source 6 of 6
2:51:36
Rating:
7.80 / 10 ratings
SHNID:
gd76-09-27.aud.parrillo.3821.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN
Taper Notes:
View NotesSony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore