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Today In History
June 16th
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622
2
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2
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1976
SBD
12/31
SBD
Cow Palace
Daly City, CA, USA
787
3:13:40
5
tapes
10/15
SBD
Shrine Auditorium
Los Angeles, CA, USA
466
2:57:01
6
tapes
10/14
SBD
Shrine Auditorium
Los Angeles, CA, USA
131
2:45:44
5
tapes
10/10
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
331
2:51:00
4
tapes
10/09
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
461
2:33:32
8
tapes
10/03
SBD
COBO Arena
Detriot, MI, USA
48
2:42:35
5
tapes
10/02
Riverfront Arena
Cincinnati, OH, USA
66
3:08:20
3
tapes
10/01
SBD
Market Square Arena
Indianapolis, IN, USA
404
2:52:22
10
tapes
9/30
SBD
Auditorium, Ohio State U
Columbus, OH, USA
183
2:52:24
4
tapes
9/28
SBD
Onondaga County War Memorial
Syracuse, NY, USA
260
2:38:21
4
tapes
9/27
SBD
Community War Memorial Auditorium
Rochester, NY, USA
311
3:01:42
6
tapes
9/25
SBD
Capital Centre
Landover, MD, USA
256
2:58:06
5
tapes
9/24
William and Mary College Hall
Williamsburg, VA, USA
105
2:58:10
2
tapes
9/23
SBD
Cameron Indoor Stadium, Duke U.
Durham, NC, USA
207
3:04:28
2
tapes
8/26
Club Front Studio
San Rafael, CA
4
11:25
1
tape
8/04
SBD
Roosevelt Stadium
Jersey City, NJ, USA
932
3:35:02
13
tapes
8/02
Colt Park
Hartford, CT, USA
151
3:20:35
8
tapes
7/18
SBD
Orpheum Theatre
San Francisco, CA, USA
2.5k
3:24:20
7
tapes
7/17
SBD
Orpheum Theatre
San Francisco, CA, USA
434
2:39:39
7
tapes
7/16
SBD
Orpheum Theatre
San Francisco, CA, USA
238
3:10:39
8
tapes
7/14
SBD
Orpheum Theatre
San Francisco, CA, USA
88
4:44:29
6
tapes
7/13
SBD
Orpheum Theatre
San Francisco, CA, USA
226
2:44:28
15
tapes
7/12
SBD
Orpheum Theatre
San Francisco, CA, USA
289
3:49:29
8
tapes
6/29
SBD
Auditorium Theatre
Chicago, IL, USA
671
2:58:01
8
tapes
6/28
SBD
Auditorium Theatre
Chicago, IL, USA
229
2:41:07
5
tapes
6/27
SBD
Auditorium Theatre
Chicago, IL, USA
480
2:36:59
4
tapes
6/26
SBD
Auditorium Theatre
Chicago, IL, USA
370
2:59:17
7
tapes
6/24
SBD
Tower Theatre
Upper Darby, PA, USA
419
2:34:07
10
tapes
6/23
Tower Theatre
Upper Darby, PA, USA
196
3:05:22
3
tapes
6/22
SBD
Tower Theatre
Upper Darby, PA, USA
377
3:07:57
5
tapes
6/21
SBD
Tower Theatre
Upper Darby, PA, USA
1.1k
2:59:21
7
tapes
6/19
SBD
Capitol Theater
Passaic, NJ, USA
835
5:51:11
10
tapes
6/18
SBD
Capitol Theater
Passaic, NJ, USA
108
5:09:11
6
tapes
6/17
SBD
Capitol Theater
Passaic, NJ, USA
1.1k
3:17:52
6
tapes
6/15
SBD
Beacon Theatre
New York, NY, USA
1.4k
2:59:44
8
tapes
6/14
SBD
Beacon Theatre
New York, NY, USA
6.1k
3:23:35
8
tapes
6/12
SBD
Boston Music Hall
Boston, MA, USA
8.6k
3:09:53
10
tapes
6/11
SBD
Boston Music Hall
Boston, MA, USA
15.2k
3:18:49
9
tapes
6/10
SBD
Boston Music Hall
Boston, MA, USA
9.4k
3:09:06
12
tapes
6/09
SBD
Boston Music Hall
Boston, MA, USA
8.3k
3:47:39
10
tapes
6/04
SBD
Paramount Theater
Portland, OR, USA
4.3k
3:11:35
8
tapes
6/03
SBD
Paramount Theater
Portland, OR, USA
22.2k
3:23:28
16
tapes
5/28
SBD
Unknown Venue
Unknown, Unknown
806
2:26:44
2
tapes
5/18
Studio
Unknown, CA
32
6:04
1
tape
4/20
SBD
Mickey's Barn
Novato, CA
118
26:11
1
tape
9/27/76
Promised Land
7:15
They Love Each Other
11:34
El Paso
5:09
Deal
7:14
Looks Like Rain
11:19
Row Jimmy
10:11
Take A Step Back
1:26
It's All Over Now
6:10
Loser
8:36
Lazy Lightning >
2:45
Supplication
6:56
Brown Eyed Women
6:51
The Music Never Stopped
6:38
Might As Well
7:49
Samson And Delilah
8:17
Help On The Way >
5:48
Slipknot! >
6:55
Drums >
5:52
The Other One >
10:08
Wharf Rat >
11:06
Slipknot! >
2:23
Franklin's Tower >
17:50
Around And Around
7:29
U.S. Blues
6:01
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
8.80 / 33 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-09-27.sbd.miller.87664.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Behringer Ultramatch SRC2000 ->
Taper Notes:
View Notes
Patch Info: Sony ECM-33P>Master Cassette>Dat>CD (shnid=3821) supplies: Promised Land (0:00 - 0:09) It's All Over Now (0:00 - 3:09) Loser (3:52 - 4:39) Slipknot! (6:02 - 6:27) Around And Around (0:36 - 1:49) Notes: -- Set 2 is seamless -- Patch source was pitch adjusted to match sbd -- Fixed vocal distortion -- El Paso has a false start -- Supplication is instrumental -- First few seconds of U.S. Blues missing
Taper: See info file
3:00:44
SBD
Rating:
7.00 / 4 ratings
Taper:
See info file
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.tobin.87661.flac16
Source:
SBD + AUD Matrix 2 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
-------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by
[email protected]
- FLAC conversion 16-SEP-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD -3 SET TWO Stereo Matrix SBD -1 AUD -3 --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues.
Source 3 of 6
3:01:42
Rating:
10.00 / 2 ratings
SHNID:
gd1976-09-27.171281.mtx.seamons.ht177.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) May 5, 2025
Taper Notes:
View Notes
Notes: Phil is low in the mix for Promised Land. The sound improves with They Love Each Other, after the band addresses "an annoying hum" in the sound system. The first 3:11 of It's All Over Now is AUD-only. Jerry's guitar and the vocal mics cut out late during Supplication (Jerry's guitar also has lower levels for a while before it cuts out). The guitar returns to the mix towards the end. The vocals return for Brown Eyed Women. The AUD cuts out at 2:55 of The Music Never Stopped. We patched some of the crowd reaction after Brown Eyed Women to the tail end of this track to maintain a matrix effect for the end of set 1. SBD clicks removed or reduced in They Love Each Other (4), The Music Never Stopped (2), and Help On The Way (1). There is a slight reverb "watery" effect in the guitars and vocals at times in the SBD recording, particularly during the second set. After a short cut in the SBD source near the end of the first Slipknot, there is a tonal shift where the sound becomes flatter and a little more left-channel heavy for the remainder of the recording. It seems like this could be a patch, but not sure. The matrix helps improve this lower quality sound. The AUD has a 2-second cut near the end of Drums and a 7-second cut in Franklin's Tower, from 0:27 to 0:34. At 5:39 in Around And Around, the rest of the AUD is patched with a different, poor quality AUD source that was un-matrixable. This source was still used to patch the first 20 seconds of U.S. Blues, which was missing in the SBD source, as well as the encore break. A brief section is also used after the encore.
Taper: Unknown
2:58:41
Transferrer:
Transfers and edits by Pete Ebel February 19, 2023
Source:
FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View Notes
Notes: * New Transfer of same Microphone source as #003821. This one has a different linage and does not have a CDR Source involved. This transfer seem to have less deck pauses and more lead in time. It has the same AUD Patch during Around & around but also includes U.S. Blues that is missing from other source. The older source has 30 of redundant music that repeats for CDR changes...this one does not. It seems to have a smoother sound!...Tagged and in flac. * Music never Stopped cuts and fades out (Same as previous versions) * All tracks are seamless Transfers and edits by Pete Ebel February 19, 2023
Taper: See info file
3:00:44
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.dts.tobin.87665.flac16
Source:
DTS-Audio-CD 5.1 Mix
Lineage:
See info file
Taper Notes:
View Notes
--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by
[email protected]
- FLAC conversion 30-SEP-2007 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Source 6 of 6
2:51:36
Rating:
7.80 / 10 ratings
SHNID:
gd76-09-27.aud.parrillo.3821.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN
Taper Notes:
View Notes
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore
5 shows
82 tapes