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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h47864
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k303
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.5k329
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.1k420
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.2k424
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k393
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k358
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k171
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.8k961
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k119
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.1k246
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.4k628
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.4k176
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k204
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.2k1.1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.7k236
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k251
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h11.8k1.6k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37339
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k488
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.3k695
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.9k379
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k194
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k227
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k220
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h66882
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9214
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25419
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h362
7d1037
30d62737
2 shows
2 tapes
1976
7/16/76
Cold Rain And Snow
8:53
Cassidy
4:43
Deal
5:16
Mama Tried
3:30
Row Jimmy
10:13
Big River
6:49
Brown Eyed Women
5:30
Looks Like Rain
7:29
Peggy-O
9:20
The Music Never Stopped
5:54
Scarlet Begonias
10:47
Tuning
1:28
Playing In The Band ->
8:00
Stronger Than Dirt Or Milkin' The Turkey ->
7:54
Cosmic Charlie ->
8:10
Samson And Delilah ->
7:05
Spanish Jam ->
9:13
Drums ->
3:43
The Wheel ->
7:32
Playing In The Band ->
5:02
Around And Around
8:08
High Time
11:21
Sugar Magnolia
10:12
U.S. Blues
6:38
FIN
View on archive.org
Sources
Transferrer: Dan Haugh
1:27:52
SBD
Rating:
9.13 / 19 ratings
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dan.28042.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View NotesSource Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes FLACs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix & FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable.
Transferrer: Remastered by [email protected]
1:36:00
SBDREMASTER
Rating:
8.57 / 7 ratings
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.set-2.sbd.bertha-ashley.27488.sbeok.shnf
Source:
Bertha Remaster of the 2nd set Master Reel source
Lineage:
(*)SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on August 19, 2004. The source has lost much of its frequency range over the years. I would have suspected the master reel lineage if I did not know where it came from. Hopefully, some life has been brought back to this wonderful set of music. (*)Encore is from the Bertha Remaster of the Bertrando/Menke AUD source.
Source 3 of 8
2:55:07
SBD
Rating:
8.38 / 16 ratings
SHNID:
gd76-07-16.set1aud-set2sbd.miller.23569.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
Set 1 Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony. Set 2 : SBD -> Master Reel -> Master Dat (44.1k)
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:50
Rating:
10.00 / 1 rating
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-16.123477.ecm270.menke.miller.flac16
Source:
(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: See info file
1:27:52
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dts.dan.30698.flac16
Source:
DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the AUD source, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD: Master Reel -> Master Dat Right Channel SBD: Master Reel -> Master Dat Center Mono Mix -5db SBD: Master Reel -> Master Dat Surround Left Channel -3db FOB: ECM-280 mics > TC-152 Right Channel -3db FOB: ECM-280 mics > TC-152 Sub/LFE Mono Mix -4db SBD: Master Reel -> Master Dat --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. The AUD source was a bit overwhelming in the 5.1 mix. While I usually leave the levels alone, this time I mixed the AUD into the rear channels at -3db. In my experience louder rear channels is an undiserable effect. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way you would burn any normal Audio-CD from .shn files. ---------------------------------------------------------
Taper: Bob Menke
3:10:39
Rating:
8.94 / 17 ratings
Taper:
Bob Menke
SHNID:
gd76-07-16.menke.cribbs.16943.sbeok.shnf
Source:
Audience Recording: Sony ECM-280 mics > Sony TC-152 from front of balcony
Lineage:
MAC > DAT > CD and MAC > R > DAT > CD
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:05
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Dale Shepherd and Matt Vernon
SHNID:
gd1976-07-16.aud.menke.10377.sbeok.shnf
Source:
Sony ECM 280 Sony TC-152 Cm (taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT
Lineage:
DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cool Edit (minor fixes) > Cdwav (splits) > Mkw
Taper Notes:
View NotesSource dats from Dave Minor
Taper: Bob Menke
2:49:41
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.fob.sonyECM180.menke.ashley-bertha.8666.sbeok.shnf
Source:
AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 taped by Bob Menke using Rob Bertrando's mics - Front of Balcony) > R > DAT
Lineage:
DAW (Bertha by Jay Ashley) > CD > EAC > SHN
Taper Notes:
View NotesNotes: Recorded by Rob Bertrando from the front of the balcony. Digitally remastered by [email protected] on April 14, 2001, using a DAW nicknamed Bertha.