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Today In History
June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h62284
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.7k213
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h3.1k375
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.3k300
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.2k464
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h9.2k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.4k299
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k132
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.8k198
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h69578
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.4k158
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.6k316
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.2k160
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k144
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k174
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5k568
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.5k215
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k230
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h20.1k2.8k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.8k829
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58757
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k965
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.6k721
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k285
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k177
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2k227
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k293
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h900122
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13618
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29316
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h342
7d925
30d57934
2 shows
2 tapes
1976
7/16/76
Cold Rain And Snow
8:53
Cassidy
4:43
Deal
5:16
Mama Tried
3:30
Row Jimmy
10:13
Big River
6:49
Brown Eyed Women
5:30
Looks Like Rain
7:29
Peggy-O
9:20
The Music Never Stopped
5:54
Scarlet Begonias
10:47
Tuning
1:28
Playing In The Band ->
8:00
Stronger Than Dirt Or Milkin' The Turkey ->
7:54
Cosmic Charlie ->
8:10
Samson And Delilah ->
7:05
Spanish Jam ->
9:13
Drums ->
3:43
The Wheel ->
7:32
Playing In The Band ->
5:02
Around And Around
8:08
High Time
11:21
Sugar Magnolia
10:12
U.S. Blues
6:38
FIN
View on archive.org
Sources
Transferrer: Dan Haugh
1:27:52
SBD
Rating:
9.13 / 19 ratings
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dan.28042.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View NotesSource Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes FLACs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix & FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable.
Transferrer: Remastered by [email protected]
1:36:00
SBDREMASTER
Rating:
8.57 / 7 ratings
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.set-2.sbd.bertha-ashley.27488.sbeok.shnf
Source:
Bertha Remaster of the 2nd set Master Reel source
Lineage:
(*)SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on August 19, 2004. The source has lost much of its frequency range over the years. I would have suspected the master reel lineage if I did not know where it came from. Hopefully, some life has been brought back to this wonderful set of music. (*)Encore is from the Bertha Remaster of the Bertrando/Menke AUD source.
Source 3 of 8
2:55:07
SBD
Rating:
8.38 / 16 ratings
SHNID:
gd76-07-16.set1aud-set2sbd.miller.23569.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
Set 1 Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony. Set 2 : SBD -> Master Reel -> Master Dat (44.1k)
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:50
Rating:
10.00 / 1 rating
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-16.123477.ecm270.menke.miller.flac16
Source:
(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: See info file
1:27:52
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dts.dan.30698.flac16
Source:
DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the AUD source, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD: Master Reel -> Master Dat Right Channel SBD: Master Reel -> Master Dat Center Mono Mix -5db SBD: Master Reel -> Master Dat Surround Left Channel -3db FOB: ECM-280 mics > TC-152 Right Channel -3db FOB: ECM-280 mics > TC-152 Sub/LFE Mono Mix -4db SBD: Master Reel -> Master Dat --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. The AUD source was a bit overwhelming in the 5.1 mix. While I usually leave the levels alone, this time I mixed the AUD into the rear channels at -3db. In my experience louder rear channels is an undiserable effect. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way you would burn any normal Audio-CD from .shn files. ---------------------------------------------------------
Taper: Bob Menke
3:10:39
Rating:
8.94 / 17 ratings
Taper:
Bob Menke
SHNID:
gd76-07-16.menke.cribbs.16943.sbeok.shnf
Source:
Audience Recording: Sony ECM-280 mics > Sony TC-152 from front of balcony
Lineage:
MAC > DAT > CD and MAC > R > DAT > CD
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:05
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Dale Shepherd and Matt Vernon
SHNID:
gd1976-07-16.aud.menke.10377.sbeok.shnf
Source:
Sony ECM 280 Sony TC-152 Cm (taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT
Lineage:
DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cool Edit (minor fixes) > Cdwav (splits) > Mkw
Taper Notes:
View NotesSource dats from Dave Minor
Taper: Bob Menke
2:49:41
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.fob.sonyECM180.menke.ashley-bertha.8666.sbeok.shnf
Source:
AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 taped by Bob Menke using Rob Bertrando's mics - Front of Balcony) > R > DAT
Lineage:
DAW (Bertha by Jay Ashley) > CD > EAC > SHN
Taper Notes:
View NotesNotes: Recorded by Rob Bertrando from the front of the balcony. Digitally remastered by [email protected] on April 14, 2001, using a DAW nicknamed Bertha.