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Grateful Dead
Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1976
Sources
Taper: Betty Cantor and Tim Dalton
2:58:16
SBD
Rating:
10.00 / 2 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1976-06-15.143119.sbd.betty.dalton.clugston.miller.flac1644
Source:
Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k)
Lineage:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dave Minor, Dale Shepherd and Matt Vernon for the shnid10307 Sony ECM 99A source which supplies the crowd and beginning of "St. Stephen" (0:32 total), a 0:14 patch in "St.Stephen", as well as a 0:06 patch in "Friend Of The Devil" - The mix wanders, Keith is in the right channel most of the time (incorrect for this time period)and in both channels sometimes, however, if the channels are swapped to correct for Keith, the rest of the band are in the wrong channels most of the time, so I left it as is. It seems most, if not all, of June 1976 reel mixes are not period correct Mastered by Scott Clugston August 2018
Transferrer: Charlie Miller
2:56:56
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-15.sbd.miller.110148.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Transferrer: Matrix by Dave Usborne
2:59:04
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1976-06-15.130335.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
Taper Notes:
View NotesMatrix by dusborne 05-26-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 5-26-2014
Taper: Betty Cantor
2:58:46
SBD
Rating:
9.60 / 5 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1976-06-15.sbd.cantor.gmb.96088.flac16
Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesTo Burn to 3 discs: Disc 1 s1t01 - s1t08 65:06 Disc 2 s1t09 - s2t06 77:25 Disc 3 s2t07 - s2t12 36:28 Source/Mastering Notes: Many drop out throughout the source tapes due to reel changes, some were patched and others were edited out and crossfaded. In the later case the patch would have been more abrupt than the edit. Patch source supplies Tuning and Saint Stephen 0:00-0:25, 2:50-3:00 and 9:44-9:48, and FOTD 4:18 - 4:30 Drop out removed In It Must Have Been The Roses at 5:44 and 6:40 Drop out removed in Tennessee Jed at 8:34 Drop out removed from Might As Well at 2:55 Drop out removed from Stella Blue at at 0:12 Drop out removed during crowd / encore call at 3:10 before Johnny B. Goode No Noise reduction or EQ adjustments were used.
Source 5 of 8
2:57:41
SBD
Rating:
9.29 / 14 ratings
SHNID:
gd76-06-15.sbd.bertha-ashley.8732.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Taper Notes:
View NotesJay Ashley (Bertha) remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=241" rel="nofollow">original</a> reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Source 6 of 8
2:58:15
SBD
Rating:
10.00 / 1 rating
Source:
SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596>CDWave>SHN
Taper Notes:
View NotesPossibly specific To The SBD lineage, The beginning Of Saint Stephen is clipped and splices In Might As Well, Saint Stephen And Friend Of The Devil. there are few hacks throughout this show, but I believe they are consistant with other DAT's out there pbg
Source 7 of 8
2:56:15
SBD
Rating:
9.26 / 19 ratings
SHNID:
gd76-06-15.sbd.kempa.241.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM > DAT
Taper Notes:
View NotesSBD > Master Reel > PCM > DAT; Transfer:Â DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
Source 8 of 8
2:59:44
Rating:
8.00 / 4 ratings
SHNID:
gd76-06-15.sony.vernon.10307.sbeok.shnf
Source:
Audience Recording
Lineage:
ony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT
Taper Notes:
View NotesSony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon