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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h56577
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k264
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k303
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k191
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k427
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.9k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k313
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k138
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k250
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h84495
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k195
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.7k668
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k157
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k151
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k244
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k297
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k220
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k256
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.1k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37239
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.1k548
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.1k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k278
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k201
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k202
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1k158
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h69387
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h43227
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1976
Sources
Taper: Betty Cantor and Tim Dalton
2:58:16
SBD
Rating:
10.00 / 2 ratings
Taper:
Betty Cantor and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1976-06-15.143119.sbd.betty.dalton.clugston.miller.flac1644
Source:
Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k)
Lineage:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Dave Minor, Dale Shepherd and Matt Vernon for the shnid10307 Sony ECM 99A source which supplies the crowd and beginning of "St. Stephen" (0:32 total), a 0:14 patch in "St.Stephen", as well as a 0:06 patch in "Friend Of The Devil" - The mix wanders, Keith is in the right channel most of the time (incorrect for this time period)and in both channels sometimes, however, if the channels are swapped to correct for Keith, the rest of the band are in the wrong channels most of the time, so I left it as is. It seems most, if not all, of June 1976 reel mixes are not period correct Mastered by Scott Clugston August 2018
Transferrer: Charlie Miller
2:56:56
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-15.sbd.miller.110148.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless
Transferrer: Matrix by Dave Usborne
2:59:04
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1976-06-15.130335.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
Taper Notes:
View NotesMatrix by dusborne 05-26-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 5-26-2014
Taper: Betty Cantor
2:58:46
SBD
Rating:
9.60 / 5 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1976-06-15.sbd.cantor.gmb.96088.flac16
Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesTo Burn to 3 discs: Disc 1 s1t01 - s1t08 65:06 Disc 2 s1t09 - s2t06 77:25 Disc 3 s2t07 - s2t12 36:28 Source/Mastering Notes: Many drop out throughout the source tapes due to reel changes, some were patched and others were edited out and crossfaded. In the later case the patch would have been more abrupt than the edit. Patch source supplies Tuning and Saint Stephen 0:00-0:25, 2:50-3:00 and 9:44-9:48, and FOTD 4:18 - 4:30 Drop out removed In It Must Have Been The Roses at 5:44 and 6:40 Drop out removed in Tennessee Jed at 8:34 Drop out removed from Might As Well at 2:55 Drop out removed from Stella Blue at at 0:12 Drop out removed during crowd / encore call at 3:10 before Johnny B. Goode No Noise reduction or EQ adjustments were used.
Source 5 of 8
2:57:41
SBD
Rating:
9.29 / 14 ratings
SHNID:
gd76-06-15.sbd.bertha-ashley.8732.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Taper Notes:
View NotesJay Ashley (Bertha) remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=241" rel="nofollow">original</a> reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
Source 6 of 8
2:58:15
SBD
Rating:
10.00 / 1 rating
Source:
SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596>CDWave>SHN
Taper Notes:
View NotesPossibly specific To The SBD lineage, The beginning Of Saint Stephen is clipped and splices In Might As Well, Saint Stephen And Friend Of The Devil. there are few hacks throughout this show, but I believe they are consistant with other DAT's out there pbg
Source 7 of 8
2:56:15
SBD
Rating:
9.26 / 19 ratings
SHNID:
gd76-06-15.sbd.kempa.241.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master Reel > PCM > DAT
Taper Notes:
View NotesSBD > Master Reel > PCM > DAT; Transfer:Â DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
Source 8 of 8
2:59:44
Rating:
8.00 / 4 ratings
SHNID:
gd76-06-15.sony.vernon.10307.sbeok.shnf
Source:
Audience Recording
Lineage:
ony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT
Taper Notes:
View NotesSony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon