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1995
26.8k
49 shows
343 tapes
1994
17.9k
85 shows
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1993
37.3k
83 shows
656 tapes
1992
36.8k
57 shows
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1991
58.2k
78 shows
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1990
67k
78 shows
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1989
49k
78 shows
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1988
31.7k
82 shows
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1987
54.6k
88 shows
1,029 tapes
1986
15k
47 shows
684 tapes
1985
48.6k
73 shows
1,360 tapes
1984
35.2k
67 shows
1,081 tapes
1983
31.9k
71 shows
1,071 tapes
1982
20.6k
63 shows
753 tapes
1981
26.7k
92 shows
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1980
71.2k
91 shows
794 tapes
1979
21.4k
79 shows
608 tapes
1978
41.1k
87 shows
592 tapes
1977
157.3k
64 shows
419 tapes
1976
147.1k
45 shows
298 tapes
1975
7.2k
25 shows
63 tapes
1974
93.8k
42 shows
324 tapes
1973
79.3k
75 shows
445 tapes
1972
41.7k
88 shows
361 tapes
1971
29.8k
82 shows
358 tapes
1970
39k
101 shows
376 tapes
1969
26.9k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5k
32 shows
78 tapes
1965
550
2 shows
2 tapes
1969
5/3/69
Bill Graham introduction ->
1:40
He Was a Friend of Mine
9:21
Cryptical Envelopment ->
1:58
Drums ->
0:35
The Other One ->
11:45
Cryptical reprise
7:20
Doin That Rag
7:32
Me & My Uncle
3:38
FIN
View on archive.org
Sources
Taper: droncit
43:49
SBD
Rating:
10.00 / 6 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124068.mtx.dusborne.droncit.flac16
Source:
This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
Taper Notes:
View Notes- For the sbd reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think sbd is actually a PA tape, not a soundboard as it appears to be mono. We modified it to align better with the l-r distribution on the audience tape. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly.
Taper: droncit
43:29
SBD
Rating:
10.00 / 3 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124067.PA.dusborne.droncit.flac16
Source:
SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification
Taper Notes:
View Notes- This reel was in droncit's collection for about 40 years. - For the reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think it is a PA tape, not a soundboard, as it appears to be mono. - We modified it to align better with the l-r distribution on the audience tape. - This version was developed as part of the syncing process for the matrix. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly. There is still noise evident.