Doin' That Rag | 1969-05-03 | Grateful Dead

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Grateful Dead

1.3M

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1969

International Speedway

McFarlin Auditorium, S.M.U.

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Bernardino, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

1GbnL43DSgDRIIvKTVDSjP San Francisco, CA, USA

San Francisco, CA, USA

Family Dog at The Great Highway

San Francisco, CA, USA

1:52:16

3 tapes

11/01SBD

Family Dog at The Great Highway

San Francisco, CA, USA

San Jose State College

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Late Show New York, NY, USA

Late Show New York, NY, USA

Late Show New York, NY, USA

Late Show New York, NY, USA

The Family Dog at the Great Highway (?)

Family Dog at the Great Highway

Family Dog at The Great Highway

San Francisco, CA, USA

45:05

4 tapes

9/01SBD

Baton Rouge Int. Speedway

Prairieville, LA, USA

2:02:52

5 tapes

8/30SBD

Family Dog at The Great Highway

San Francisco, CA, USA

1:27:54

11 tapes

8/29SBD

Family Dog at The Great Highway

San Francisco, CA, USA

1:21:07

4 tapes

8/28SBD

Family Dog at the Great Highway

Family Dog at The Great Highway

San Francisco, CA, USA

Family Dog at The Great Highway

San Francisco, CA, USA

1:27:02

1 tape

7/12SBD

NY State Pavilion, Flushing Meadow Park

NY State Pavilion, Flushing Meadow Park

Colorado Springs, CO, USA

The Great Lawn, Central Park

Late Show New York, NY, USA

Late Show New York, NY, USA

37:58

1 tape

6/14SBD

Monterey Performing Arts Center

Fresno Convention Center

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

McArthur Court, U. of Oregon

Robertson Gym, U.C.S.B.

Seminole Indian Reservation

Seminole Indian Reservation

Campolindo High School

Aztec Bowl, San Diego State College

Polo Field, Golden Gate Park

San Francisco, CA, USA

Atwood Hall, Clark U.

Memorial Union Ballroom, Purdue U.

The Quadrangle, Washington U.

Ballroom, U. of Colorado

Student Union Ballroom, U. of Utah

Early Show Salt Lake City, UT, USA

1:45:49

1 tape

4/11SBD

University Auditorium, U. Of Arizona

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Student Center, Modesto Jr. College

Hilton Hotel Ballroom

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Late Show New York, NY, USA

Late Show Pittsburgh, PA, USA

Soldiers' and Sailors' Memorial Hall

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Santa Barbara, CA, USA

199

1:25:06

2 tapes

5/3/69

Bill Graham introduction ->

1:40

He Was a Friend of Mine

9:21

Cryptical Envelopment ->

FIN

Sources

Transferrer: Charlie Miller

gd1969-05-03.sbd.partial.miller.95138.sbeok.flac16

Source:

SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF

Lineage:

AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)

Taper Notes:

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: droncit

gd1969-05-03.124068.mtx.dusborne.droncit.flac16

Source:

This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn

Taper Notes:

View Notes- For the sbd reel, we added harmonics, minor eq adjustment, and used light noise reduction.  
- For the audience files we used the Reel as a source and a spectral difference filter to 
  match the overall sound of the audience to the reel.
- The opening notes to cryptical sound like there are digital artifacts, but that's the way 
  it sounds on the straight transfer.
- We think sbd is actually a PA tape, not a soundboard as it appears to be mono.  We modified
  it to align better with the l-r distribution on the audience tape.
- For the audience files we used the Reel as a source and a spectral difference filter to 
  match the overall sound of the audience to the reel.
- The Introduction is noticeably louder than it is on the audience tape so that it can be 
  heard better.  Because it comes from the audience tape, the sound is muffled and boomy, 
  but it's a fun part of the show so we included it this way.
- Final edits to the PA and MTX files were done separately, so they do not match exactly.

Taper: droncit

gd1969-05-03.124067.PA.dusborne.droncit.flac16

Source:

SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification

Taper Notes:

View Notes- This reel was in droncit's collection for about 40 years.  
- For the reel, we added harmonics, minor eq adjustment, and used light 
  noise reduction.  
- For the audience files we used the Reel as a source and a spectral difference 
  filter to match the overall sound of the audience to the reel.
- The opening notes to cryptical sound like there are digital artifacts, 
  but that's the way it sounds on the straight transfer.
- We think it is a PA tape, not a soundboard, as it appears to be mono.  
- We modified it to align better with the l-r distribution on the audience tape. 
- This version was developed as part of the syncing process for the matrix.
- The Introduction is noticeably louder than it is on the audience tape so that 
  it can be heard better.  Because it comes from the audience tape, the sound is 
  muffled and boomy, but it's a fun part of the show so we included it this way.
- Final edits to the PA and MTX files were done separately, so they do not match 
  exactly. There is still noise evident.

Transferrer: Charlie Miller

gd1969-05-03.139576.pcm.miller.flac24

Source:

(Stage) Sony Stereo Mic > Master Reel > PCM

Lineage:

PCM (Sony SL-HF66) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 >Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- The patch needs to be upgraded

Transferrer: Charlie Miller

gd1969-05-03.139575.pcm.miller.flac16

Source:

(Stage) Sony Stereo Mic > Master Reel > PCM

Lineage:

PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- The patch needs to be upgraded

Transferrer: [email protected]

gd69-05-03.aud.phunk1.73.sbeok.shnf

Source:

Audience: Sony Stereo mic

Lineage:

Sony Stereo mic (stage-lip) > Reel > PCM > DAT > Tascam DA-20 > Audio Magic Presto > Prodif Plus > Soundforge > CD Wave > SHN

Taper Notes:

View Notesall that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto>Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match

gd69-05-03 is not a sbd. It was made with a stereo sony mic on the front of the stage in front of the keyboards... that is why you don't hear any vocals. 