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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h46963
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.7k209
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.5k325
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.8k242
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.7k474
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.1k1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k316
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k129
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k243
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h908102
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k203
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h4.6k542
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k159
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k145
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.2k276
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k252
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k218
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k245
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h11.7k1.6k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h15.8k2.1k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h17819
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k472
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.3k1.4k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k242
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k179
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k191
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k153
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h54970
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7512
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42928
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h624
7d1076
30d59534
2 shows
2 tapes
1969
5/3/69
He was a Friend of Mine
11:03
Cryptical Envelopment
1:59
Drums
0:35
The Other One
11:46
Cryptical Envelopment
7:01
Doin' That Rag
7:06
Me and My Uncle
3:40
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
40:52
SBD
Rating:
2.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.sbd.partial.miller.95138.sbeok.flac16
Source:
SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF
Lineage:
AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: droncit
43:49
SBD
Rating:
10.00 / 5 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124068.mtx.dusborne.droncit.flac16
Source:
This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
Taper Notes:
View Notes- For the sbd reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think sbd is actually a PA tape, not a soundboard as it appears to be mono. We modified it to align better with the l-r distribution on the audience tape. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly.
Taper: droncit
43:29
SBD
Rating:
10.00 / 2 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124067.PA.dusborne.droncit.flac16
Source:
SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification
Taper Notes:
View Notes- This reel was in droncit's collection for about 40 years. - For the reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think it is a PA tape, not a soundboard, as it appears to be mono. - We modified it to align better with the l-r distribution on the audience tape. - This version was developed as part of the syncing process for the matrix. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly. There is still noise evident.
Transferrer: Charlie Miller
44:11
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139576.pcm.miller.flac24
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 >Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: Charlie Miller
43:34
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139575.pcm.miller.flac16
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: [email protected]
43:10
Rating:
9.11 / 27 ratings
Transferrer:
[email protected]
SHNID:
gd69-05-03.aud.phunk1.73.sbeok.shnf
Source:
Audience: Sony Stereo mic
Lineage:
Sony Stereo mic (stage-lip) > Reel > PCM > DAT > Tascam DA-20 > Audio Magic Presto > Prodif Plus > Soundforge > CD Wave > SHN
Taper Notes:
View Notesall that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto>Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match gd69-05-03 is not a sbd. It was made with a stereo sony mic on the front of the stage in front of the keyboards... that is why you don't hear any vocals.