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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64591
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k901
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k349
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k781
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k401
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h902100
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k191
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k246
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k326
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k197
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k418
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.1k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k709
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87674
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k606
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k653
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k469
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k263
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.6k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k614
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51862
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1969
5/3/69
He was a Friend of Mine
11:03
Cryptical Envelopment
1:59
Drums
0:35
The Other One
11:46
Cryptical Envelopment
7:01
Doin' That Rag
7:06
Me and My Uncle
3:40
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
40:52
SBD
Rating:
2.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.sbd.partial.miller.95138.sbeok.flac16
Source:
SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF
Lineage:
AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: droncit
43:49
SBD
Rating:
10.00 / 5 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124068.mtx.dusborne.droncit.flac16
Source:
This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
Taper Notes:
View Notes- For the sbd reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think sbd is actually a PA tape, not a soundboard as it appears to be mono. We modified it to align better with the l-r distribution on the audience tape. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly.
Taper: droncit
43:29
SBD
Rating:
10.00 / 2 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124067.PA.dusborne.droncit.flac16
Source:
SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification
Taper Notes:
View Notes- This reel was in droncit's collection for about 40 years. - For the reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think it is a PA tape, not a soundboard, as it appears to be mono. - We modified it to align better with the l-r distribution on the audience tape. - This version was developed as part of the syncing process for the matrix. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly. There is still noise evident.
Transferrer: Charlie Miller
44:11
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139576.pcm.miller.flac24
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 >Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: Charlie Miller
43:34
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139575.pcm.miller.flac16
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: [email protected]
43:10
Rating:
9.11 / 27 ratings
Transferrer:
[email protected]
SHNID:
gd69-05-03.aud.phunk1.73.sbeok.shnf
Source:
Audience: Sony Stereo mic
Lineage:
Sony Stereo mic (stage-lip) > Reel > PCM > DAT > Tascam DA-20 > Audio Magic Presto > Prodif Plus > Soundforge > CD Wave > SHN
Taper Notes:
View Notesall that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto>Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match gd69-05-03 is not a sbd. It was made with a stereo sony mic on the front of the stage in front of the keyboards... that is why you don't hear any vocals.